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Bill McHenry: Ghosts Of The Sun
by Raul d'Gama Rose
If the musical evidence on Ghosts Of The Sun is to be believed, Bill McHenry is looking to become a composer of new American Songs. The saxophonist has a distinctive flair for this type of writing, and with this delightful album he could easily begin a path to assembling a songbook not unlike what songwriters like ...
John Raymond: Strength & Song
by David A. Orthmann
"Behold, God is my salvation; I will trust and not be afraid; For the Lord God is my strength and song. And he has become my salvation." These words, taken from Isaiah 12:2, are quoted on the inside jacket of trumpeter John Raymond's Strength & Song and serve as the inspiration for its title, as well ...
Pat Martino Quartet: Undeniable
by Jack Bowers
Learning to play guitar once is hard enough. Having to do it twice is truly mind-boggling. Pat Martino, who has done that and more during a career with more twists and turns than an Agatha Christie novel, has vanquished adversity time and again and remains, at age sixty-seven, one of the world's preeminent jazz guitarists. This ...
Josh Levinson: Chauncey Street
by Hrayr Attarian
In Chauncey Street Brooklyn-based trumpeter/educator, Josh Levinson and his sextet return to the tight camaraderie, inventive soloing and captivating themes that characterized the Blue Note sound of the 1950s and '60s.That Levinson is greatly influenced by Freddie Hubbard is evident throughout, the record even containing the intricate and memorable “For Freddie." On this and ...
Lukas Hein: Lukas Hein & Dialeto Brasileiro
by Jack Bowers
In the early 1960s, bright new rhythms traveled northward from Brazil, kindling a “bossa nova craze" that swept through the jazz world and spilled over into the realm of pop music, led by saxophonists such as Stan Getz, Bud Shank and Zoot Sims, and abetted by guitarists Charlie Byrd, Laurindo Almeida and others. After scoring a ...
Arturo Vera / Ethan Mann: Acoustic Project
by Dan Bilawsky
The Acoustic Project is a confluence of classical styling, Spanish-tinged songs, and improvisational elements, brought together by two men who have ample knowledge and skill in all three areas. Guitarists Ethan Mann and Arturo Vera have known each other for two decades, having connected long ago when they were both at the Manhattan School of Music, ...
Forward Energy: The Awakening
by Glenn Astarita
One never knows whether reed men Jim Ryan and Rent Romus will take matters to the next level or slam conventional jazz applications through the meat-grinder. Respectively, the artists are known for skirting the outside through the mouthpiece of various ensemble configurations, straddling the avant-garde, and an array of mechanisms that often defy categorization.
Ron Carter's Great Big Band: Ron Carter's Great Big Band
by Raul d'Gama Rose
There is practically nothing that Ron Carter has not done, including actually playing second bass fiddle to Charles Mingus on Three Or Four Shades Of Blue, (Atlantic, 1977). Ever since the world shone a spotlight on the bassist when he graced the great quintet of Miles Davis, with Tony Williams, Herbie Hancock and Wayne Shorter, Carter ...
Meeco: Beauty of the Night
by Dan Bilawsky
While danger, intrigue and excitement are often born beneath a silvery moon, love, loss and regret seem to come first to Meeco's mind when his thoughts turn to the night. The Paris-based composer/producer gathered what can only be described as a dream team of jazz's crème de la crème to help him bring life to eight ...
Francesco Negro Trio: Silentium
by AAJ Italy Staff
Dopo Abbagli disco in quartetto uscito per la Philology, il pianista leccese Francesco Negro mostra di non avere intenzione di passare per una meteora del jazz nazionale. Questo nuovo disco in trio sta lì a dimostrare che diligenza e duro lavoro portano sempre buoni risultati. Rispetto al disco precendente troviamo temi più personali, maggiore interplay con ...
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