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Thollem / Parker / Cline: The Gowanus Sessions
by Glenn Astarita
Glaring expressionism coupled with rip-roaring layers of acoustic-electric sound-sculpting maneuvers yield the bountiful fruit on this manifold studio date. When guitarist Nels Cline isn't tearing it up with the popular alt-rock band Wilco, he's knee-deep in progressive-jazz, free-form experimental and jazz-rock formats. He's catapulted to the upper echelon of modern guitarists, paralleling the colossal faculties of ...
Kenny Wheeler: The Long Waiting
by AAJ Italy Staff
Il titolo del nuovo CD del trombettista canadese Kenny Wheeler, “La lunga attesa," è probabilmente un riferimento al tempo trascorso dal suo precedente lavoro alla guida di un grosso organico; ben 22 anni sono passati infatti da Music for Large and Small Ensembles che, curiosamente, seguiva dopo 22 anni l'unico altro precedente analogo (se si esclude ...
Linda Oh: Initial Here
by Mark F. Turner
President Theodore Roosevelt's famous quote, “Walk softly and carry a big stick," epitomizes Linda Oh, the soft-spoken bassist/composer who draws total respect with her intrepid musicianship. With her highly acclaimed self-released debut, Entry (2010), and increased visibility through recording dates and gigs like Dave Douglas' “Tea for 3" Tour, Oh is emerging as one of jazz's ...
SE-Quartet: Tears In The Rain
by Chris Mosey
This album showcases the talents of two young, talented, Scandinavian jazzmen: Danish pianist Rasmus H. Thomsen and Swedish saxophonist David Ehrlin. It is flawed by lack of direction, occasional pretension, and the inclusion of strings on four numbers, but hints very strongly at greater things to come from both players.Tears In The Rain is ...
Freddie Hubbard: Straight Life (40th Anniversary Edition)
by Jeff Dayton-Johnson
CTI Records reissued trumpeter Freddie Hubbard's November 1970 date, Straight Life, in 2011. As with some of the other reissues in this series (see John Kelman's in-depth discussion of some of the more important of these), its availability on compact disc has been spotty. Straight Life is a good--if not great--record, and it's good to have ...
Ballister Trio: Mechanisms
by Mark Corroto
Stop me if you've heard this one before. A free improvising trio walks into a club and begins a live performance by ripping the ears off its listeners. No joke here, just that flexing muscular music isn't for the faint-at-heart. And certainly the trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love is ...
Daniel Ori: Emuna
by Edward Blanco
Since moving to New York in 2008, Israeli-born bassist Daniel Ori has labored hard to forge for himself a reputation as one of today's up-and-coming jazz musicians. While certainly an excellent bassist, this winner of the 2009 ASCAP Jazz Composers Award is slowly cementing a reputation as a dynamic composer. His debut as a leader, So ...
Spike Wilner: La Tendresse
by Dan Bilawsky
There are few greater champions of the old and new in jazz than pianist/club owner/musical antiquarian Spike Wilner. His role in resuscitating and running one of the most important night spots for jazz in New York--Smalls Jazz Club--has made him a hero to those who frequent that bastion of musical integrity, but he's also revered as ...
Bill Evans: Live At Art D'Lugoff's Top of The Gate
by Edward Blanco
Legendary jazz pianist Bill Evans has been gone since 1980; nevertheless, his music continues to inspire new generations of young musicians and remains an integral part of jazz history. Live At Art D'Lugoff's Top of The Gate celebrates Evans' memory, capturing the great pianist and his trio performing in the upstairs room--and separate club, called The ...
Frode Gjerstad & Paal Nilssen-Love: Side by Side
by Glenn Astarita
Prominent Norwegian improvisers Frode Gjerstad (alto saxophone, clarinets) and Paal Nilssen-Love (drums) toured North America in 2008 sans a bassist, and recorded this album at a studio in upstate New York, accentuating their synergy via a largely rough and tumble implementation. Gjerstad shows a fondness for the upper-register and produces a myriad of microtonal and edgy ...
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