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Adrean Farrugia/Joel Frahm: Blued Dharma
by Dan McClenaghan
Blued Dharma, a duet outing by pianist Adrean Farrugia and tenor and soprano saxophonist Joel Frahm, opens with the title tune, a simpatico, lighter-than-air composition. The instrumentalists banter and extemporize, bat ideas back and forth and explore melodic main roads and sideroads. So it is for the full album of inspired interplay. Having played ...
Samo Salamon: Traveling Moving Breathing
by Mark Sullivan
Slovenian guitarist/composer Samo Salamon has made the bassless trio a recurring format. It offers space for his most open composing and playing: a situation where the amount of harmonic anchoring in the arrangements is largely up to him. As the only chordal instrument he can supply a harmonic framework, or float freely around his compositions in ...
Renee Rosnes: Beloved of The Sky
by Mike Jurkovic
For those not familiar with the Tyner-esque bop flourish and Horace Silver-like subtlety of Canadian pianist/composer Renee Rosnes, then the rollicking Beloved of the Sky may be the disc to begin the discovery. Recorded live at NY's Smoke club, the recording features the free-swinging quintet of Rosnes, saxophonist Chris Potter (who is especially frisky and acrobatic ...
Skydive Trio: Sun Sparkle
by Gareth Thompson
There are parts of Norway where the sun hardly sets for months on end. It stays bright all night and dawn is never dark. The essence of this strange polar light finds its way into Sun Sparkle, the second album from Norwegian act Skydive Trio. Its predecessor, Sun Moee, also referenced our great burning star, which ...
Barre Phillips / Motoharu Yoshizawa: Oh My, Those Boys!
by John Sharpe
Expatriate American bassist Barre Phillips is the banner name on another in the Chap Chap series of improvised encounters from Japan issued by the NoBusiness imprint. He boasts an illustrious back-story. His Journal Violone (Opus One,1968) is reputed to be the first solo bass album, while Music From Two Basses (ECM, 1971) with Dave Holland was ...
Gary Peacock: Tangents
by Mario Calvitti
Nel corso della sua lunghissima carriera, il nome di Gary Peacock è stato molto frequentemente associato ad alcuni grandi pianisti che hanno rivoluzionato la concezione del piano trio, a cominciare dai suoi sodalizi negli anni '60 con Paul Bley e Bill Evans; con quest'ultimo il rapporto è stato di breve durata, ma ha lasciato tracce evidenti ...
Jazzmeia Horn: A Social Call
by Angelo Leonardi
L'impatto di Jazzmeia Horn sulla scena vocale afro-americana ricorda quello recente di Cécile McLorin Salvant e di Gregory Porter. Già vincitrice nel 2013 e nel 2015 di due prestigiosi concorsi statunitensi, la 26enne cantante texana ha evidenziato in questo debutto le sue ricche doti: vibrante tensione emotiva dai chiari rimandi blues e soul, scura voce contralto ...
Håvard Volden / Carlo Costa: In the Wake
by Jakob Baekgaard
How would it sound if the American primitive guitar of John Fahey met the avant-garde of abstract jazz improvisation in the wilderness? Guitarist Håvard Volden and drummer Carlo Costa give the answer on their album In the Wake. The cover by Brooke Herr is an image of an abstract seascape that resides somewhere ...
Insub Meta Orchestra: Choices and Melodies
by John Eyles
Switzerland's Insub Meta Orchestra (IMO) opted to release their fourth album, 13 and 27, on the UK-based Another Timbre label instead of the INSUB label that had issued their first three recordings. Now, with their fifth, Choices and Melodies, they have reverted to INSUB. The music on 13 and 27 consisted of two compositions ...
Sean Khan: Palmares Fantasy
by Chris May
Palmares Fantasy is the fifth album to be released by British saxophonist Sean Khan under his own name or as the leader of SK Radicals. Like its predecessors, it is a blinder, in touch with the jazz tradition while absorbing influences from beyond it and wearing its political heart on its sleeve. The music is characteristic ...
