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Article: Album Review

kahden miehen galaksi: Um Jepa

Read "Um Jepa" reviewed by Anthony Shaw

by Anthony Shaw

Buying a CD is more of an act of commitment nowadays than ever. One may be motivated by acquisitional zeal or by dedication to an artist, and opening up the wrapper brings one a little closer to the creative source regardless of any future pleasure from its consumption. The cover in question is ...

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Article: Album Review

Jeffrey Gimble: Beyond Up High

Read "Beyond Up High" reviewed by Edward Blanco

by Edward Blanco

With the plethora of female vocalist producing new albums these days, it is indeed refreshing to hear a new male voice sure to make an impact in the jazz world, and that's just what L.A. singer Jeffrey Gimble is certain to accomplish with his stunning debut Beyond Up High. An actor raised in the Texas blues ...

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Article: Album Review

Frank Vignola & Vinny Raniolo: Melody Magic

Read "Melody Magic" reviewed by Dan Bilawsky

by Dan Bilawsky

Melody Magic is a fun-and-attractive, finely crafted collection of some of the greatest classic(al) music melodies in existence, arranged by one of the most talented, earnest-and-enlightened guitarists in the business today. Frank Vignola, who's worked with everybody from guitar innovator/icon Les Paul to trumpeter/jazz figurehead Wynton Marsalis, and Vinny Raniolo, his young guitar wielding brother-in-arms, join ...

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Article: Album Review

Chris Biscoe Profiles Quartet: Live At Campus West

Read "Live At Campus West" reviewed by Bruce Lindsay

by Bruce Lindsay

British multi-instrumentalist Chris Biscoe began playing the alto saxophone in 1963, just one year before the death of Eric Dolphy. On Live At Campus West Biscoe and his Profiles Quartet pay tribute to Dolphy's legacy with new arrangements of tunes associated with Dolphy as a composer and player, drawing on music from the American's brief but ...

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Article: Album Review

Michael Blanco: No Time Like The Present

Read "No Time Like The Present" reviewed by Edward Blanco

by Edward Blanco

A talented in-demand Broadway/jazz bassist, Michael Blanco's No Time Like The Present announces his second album as leader presenting a collection of refreshing new jazz originals offered by a dynamic quintet that features veteran saxophonist John Ellis and New York guitarist Jonathan Kreisberg among the cast. The two-time recipient of the ASCAP Foundation Young Jazz Composer ...

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Article: Album Review

Curtis Hasselbring: Number Stations

Read "Number Stations" reviewed by Glenn Astarita

by Glenn Astarita

Many avant-garde composers, leaders or conductors employ various mechanisms to instruct the band for a specific composition. Here, longtime New York City alternative composer, trombonist Curtis Hasselbring integrates an all-star lineup for pieces inspired by a random series of numbers, based on shortwave radio stations. Hasslebring iterates that these pieces are hypothetically decoded and provide cryptic ...

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Article: Album Review

Kyle Eastwood: The View From Here

Read "The View From Here" reviewed by Bruce Lindsay

by Bruce Lindsay

Kyle Eastwood's boyhood in Carmel, California, may have been where and when he began his love of jazz, but as an adult his love of France seems to impact more and more on his music. Eastwood's sixth album, The View From Here, doesn't always show this influence explicitly but it's there nonetheless and it's giving the ...

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Article: Album Review

Ryan Keberle + Catharsis: Music Is Emotion

Read "Music Is Emotion" reviewed by Dan Bilawsky

by Dan Bilawsky

Music can be defined, analyzed and categorized, but those formal processes do little to help demystify the effect it can have on people. That's because music's power isn't directly related to the science behind the sound; music truly makes its mark through emotional connectivity, and trombonist Ryan Keberle is keenly aware of this. ...

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Article: Album Review

Kris Davis: Capricorn Climber

Read "Capricorn Climber" reviewed by Glenn Astarita

by Glenn Astarita

Relocating from her native Canada to New York City, pianist Kris Davis has infused her imposing talents into New York City's unconventional, downtown-like scene. She once again aligns her compositional and improvisation expertise with like-minded artists, who frequently transition the jazz idiom into a boundless vista. Hence, the album projects a topsy-turvy and rather oscillating aura, ...

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Article: Album Review

Nilson Matta: Nilson Matta's Black Orpheus

Read "Nilson Matta's Black Orpheus" reviewed by Edward Blanco

by Edward Blanco

Brazilian bassist Nilson Matta has, like all artists, has drawn inspiration for his music from a variety of sources--of which a play and a movie serve as the influence for the moving Black Orpheus. Antonio Carlos Jobim's compositions for the 1957 Vinicius de Moraes Brazilian play Orfeu da Conceicao and the 1959 Black Orpheus movie that ...


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