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Lenny White: Lenny White Live from '97
by Chris M. Slawecki
Lenny White played powerful funky drums on some of the best records in jazz and jazz fusion history, including Freddie Hubbard's triumphant Red Clay with Creed Taylor (CTI, 1970), Miles Davis' (in)famous Bitches Brew (Columbia, 1970), Romantic Warrior (Columbia, 1975) from his tenure in the Return to Forever rhythm section, and more.Lenny White Live ...
Roger Beaujolais Quartet: Mind The Gap
by Dan Bilawsky
The quintet has usually been the format of choice for British vibraphone ace Roger Beaujolais, but he changes it up on Mind The Gap; this is the eighteenth album from the veteran mallet man, but the first to really focus on a foursome. Beaujolais, a self taught vibraphonist who started a bit late--in ...
Iro Haarla Sextet: Kolibri
by Dan McClenaghan
Finnish pianist Iro Haarla has expanded her customary quintet approach--trumpet, saxophone and rhythm section--with the addition of a third horn, Jari Hongisto's trombone, on Kolibri. The sextet is composed of some of Finland's most dynamic improvisors, and Haarla has given these vibrant artists the space to move the music in their own individual directions within the ...
Fabrizio Sotti: Right Now
by Chris M. Slawecki
Right Now consolidates the many different threads that Italian songwriter, guitarist and producer Fabrizio Sotti has explored in his career and weaves them all into a singular, beautiful tapestry. Serving as arranger and producer, he divides Right Now into an even mix of jazzy, reflective originals and soft jazz reflections of songs by Bob Marley, U2 ...
Helio Alves and Duduka Da Fonseca (HD2): Songs from the Last Century
by Dr. Judith Schlesinger
One of the many delights of writing for All About Jazz is stumbling upon a great CD from the past, and being able to bring it to an audience that might have missed its debut. It's clear that Songs from the Last Century is one of these rare gems--even before a single note is heard, the ...
David Ake: Bridges
by Dan Bilawsky
Experimentalist composer Gavin Bryars once proclaimed that “music history has flowed under the bridges for many years." That particular quote adorns the inside flap of pianist David Ake's Bridges which, like Bryars' statement itself, contains many a mystery about music, bridges and history. The pieces that Ake presents herein are modernistic, wide-ranging and wholly original. Melodic ...
Ryan Cohan: The River
by Glenn Astarita
Looking back, there must be hundreds or perhaps thousands of album titles that designate some reference to a river, regardless of their genre. But talented pianist Ryan Cohan does impart a distinctive stylization within the grand scope of this thoroughly modern jazz oeuvre, inspired by a recent U.S. State Department-sponsored tour of East Africa, and intersected ...
Delbert McClinton and Glen Clark: Blind, Crippled & Crazy
by C. Michael Bailey
In 1972, Texans Delbert McClinton and Glen Clark had already been a part of the Texas music scene for ten years. They recorded Delbert & Glen (1972) for Koch, inaugurating two careers, McClinton's being the more fruitful. That recording produced “B-Movie Boxcar Blues," which found its way onto The Blues Brothers' Briefcase Full Of Blues (Atlantic, ...
Ligro: Dictionary 2
by Chris M. Slawecki
Recorded in Jakarta (Indonesia) in 2011, Dictionary 2 presents the first international release from one of Indonesia's most acclaimed jazz-rock fusion trios: Drummer/percussionist Gusti Hendy, bassist Adi Darmawan and guitarist Agam Hanzah. (Hendy doubles as a member of Indonesia's pop-rock sensations GIGI.)Dictionary 2 burns with enough kinetic energy to traverse the entire distance of ...
Stephan Micus: Panagia
by AAJ Italy Staff
> La nuova tappa del percorso etnomusicale intrapreso tanti anni fa dal polistrumentista tedesco Stephan Micus presenta un carattere molto più spirituale del solito, nonostante l'aspetto mistico-religioso sia da sempre una delle componenti imprescindibili della sua arte. Il suo più recente lavoro infatti è concepito come una preghiera alla Vergine Maria (la parola greca Panagia rappresenta ...
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