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Carla Bley Trio at Dazzle Jazz
by Tyran Grillo
Carla Bley Trio Dazzle Jazz Denver, Colorado March 24, 2019 Pianist Carla Bley drew an equilateral triangle with electric bassist Steve Swallow and saxophonist Andy Sheppard at Dazzle Jazz in Denver. The trio showed the true meaning of democracy, unafraid to temper every glint of brightness with a hint ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Iro Haarla, Ulf Krokfors & Barry Altschul: Around Again: The Music Of Carla Bley
by Jerome Wilson
Although much of her music is imbued with subtle humor, Carla Bley's compositions are serious music. Finnish pianist Iro Haarla is a long-time admirer of the Bley, and on this CD she gives her music an appropriate gravity, while retaining its spirited nature. Haarla is accompanied by her musical partner, Ulf Krokfors, on bass ...
Atomic: Pet Variations
by John Eyles
Formed in the spring of 2000, Scandinavian “supergroup" Atomic recorded and released their first album Feet Music (Jazzland) in 2001. The years since have been remarkably stable for the quintet; they have produced albums at an impressive rate of about a disc a year, including two collaborations with Ken Vandermark's School Days group. The only change ...
Iro Haarla, Ulf Krokfors, Eric Dolphy and More
by Maurice Hogue
Some very important saxophonists are featured in this episode: Frenchman Emile Parisien is back with almost all of his original quartet, Gebhard Ullman shows why he's considered one of the best contemporary multi-reedists with his Basement Research band, Dave Rempis's new trio debuts The Early Bird Gets, and the great Eric Dolphy with previously-unissued music in ...
Atomic: Pet Variations
by Vincenzo Roggero
Sentirli e vederli dal vivo è un'esperienza auspicabile e appagante, il palco è la dimensione ideale per rimandare all'ascoltatore tutta l'energia della loro musica, una miscela esplosiva di free jazz, avanguardia, funky, tradizione europea. Stiamo parlando degli Atomic tra i primi a ribellarsi alle sonorità di un jazz scandinavo marchiato ECM e diventati nel corso degli ...
The Sound Of Progress: Lioness And Ellen Rowe
by Dan Bilawsky
The voices of women who've been marginalized, demeaned, abused, and overlooked will no longer be silenced. The #MeToo and #TimesUp movements have pulled the curtains back on deplorable actions and practices that have run rampant in all corners of society, the jazz world being no exception. With scandals airing out hidden truths at the Berklee College ...
Kris Davis/Matt Mitchell/Aruán Ortiz/Matthew Shipp: New American Songbooks, Volume 2
by Karl Ackermann
Nate Wooley--as a Producer--equals his composer, improviser, and trumpeter alter ego. The editor-in-chief of the journal Sound American and distributor of music through the label of the same name, has issued a second edition of his forward thinking New American Songbook series. New American Songbooks, Volume 1, (Pleasure of the Text, 2017) was a cooperative trio ...
Iro Haarla: Around Again: The Music Of Carla Bley
by Troy Dostert
Longstanding piano-bass tandem Iro Haarla and Ulf Krokfors team up with drummer Barry Altschul for Around Again, a reverent and eminently rewarding tribute to Carla Bley. All three musicians possess a deep familiarity with Bley's work. Haarla's dates from her earliest conservatory studies at Finland's Sibelius Academy in the 1970s, while Altschul played on Paul Bley's ...
Women in Jazz, Part 1: Early Innovators
by Karl Ackermann
"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...
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