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Chet Doxas: You Can't Take It With You
								
									by Jerome Wilson
									
										
																			
								
Tenor saxophonist Chet Doxas has been getting attention in recent years by collaborating with prominent musicians such as Dave Douglas and Carla Bley. On this album he explores his own compositions in a trio with two sympathetic partners, pianist Ethan Iverson and bassist Thomas Morgan. Doxas' music here falls into one of two general styles, slippery ...
Guitarists in Review: Lofsky, Scott, Rose and Bro
								
									by Jerome Wilson
									
										
																			
								
Here are current releases by four accomplished guitarists who display their talents in varied contexts. Lorne Lofsky This Song Is New Modica Music 2021 Lorne Lofsky is a highly respected Canadian guitarist. This is his first recording as a leader in over 25 years, a relaxed but ...
Quin Kirchner: The Shadows and The Light
								
									by Kevin Press
									
										
																			
								
Add Chicago's Quin Kirchner to the growing list of young jazz artists who've dropped impressive multi-disc releases in recent years. It has become a kind of rite of passage for a new breed of heavy hitters, these double-and triple-album sets. They are not vanity projects. Not the good ones, anyway. They come from deep pools of ...
Carla Bley: Life Goes On
								
									by Mike Jurkovic
									
										
																			
								
After decades of illuminating and revealing work, reveling in and breaking free of shadows, it is those same shadows that still inspire and inform Carla Bley. Which perhaps explains why the title track of Life Goes On rolls in on the 12-bar like a music obsessed, post-bop cigarette girl absorbing Count Basie at Birdland in the ...
How the Other Half Swings
								
									by Jeff Fitzgerald, Genius
									
										
																			
								
If there has been a frequent criticism of the Genius Guide, besides the fact that it's hard to tell what the hell I'm going on about most of the time, it would be that I have largely ignored the contributions of women to Our Music. One would think, from the body of my work to this ...

					
					
				
				
				
			
							
							
							
							
							
							
							
			
			