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ARTICLE: ALBUM REVIEW

Art Pepper: Unreleased Art Pepper Volume Eleven: Atlanta

Read "Unreleased Art Pepper Volume Eleven: Atlanta" reviewed by Peter J. Hoetjes

Laurie Pepper expands upon the legend of her late husband, Art Pepper, with the release of Atlanta. The eleventh edition in her Widow's Taste series of uncovered treasures finds the alto saxophonist at an unspecified jazz club in Atlanta, Georgia, during the spring of 1980. Firmly planted in his comeback era, Pepper found comfort and familiarity ...

ARTICLE: BAILEY'S BUNDLES

Notable and Nearly Missed 2020

Read "Notable and Nearly Missed 2020" reviewed by C. Michael Bailey

The strange year that was 2020 yielded, reluctantly, re-issued and previously unissued recordings from across the spectrum of music and ain't it fine to have such to consider. The value of such recordings lay in their function in pointing to the musical future we presently inhabit. They fill in the blank spaces between then and now. ...

Unreleased Art Pepper Volume Eleven: Atlanta

Label: Widow's Taste
Released: 2020
Track listing: Blues for Blanche; Talk: Intros and about "Blanche"; The Trip; Talk: How come you don't play standards?; Avalon; Talk: Intros & about "Patricia"; Patricia; Talk: Bullet Train; Landscape; Talk: New Book; Straight Life ; Untitled #34; TALK: Intros; Milcho Escapes from Bulgaria; A Song for Richard; Talk: Swing Journal; Mambo Koyama (incomplete); A Taste: Avalon; A Taste: Mambo Koyama; A Taste: Patricia; A Taste: The Trip.

ARTICLE: ALBUM REVIEW

George Cables: I'm All Smiles

Read "I'm All Smiles" reviewed by Peter J. Hoetjes

At a time when jazz is being pulled in every direction at once in search of a future some fear may not exist, musicians such as George Cables, Essiet Essiet and Victor Lewis are proving that, for those who listen, there is no place quite like the present. Essiet became the trio's bassist for its 2012 ...

ARTICLE: ALBUM REVIEW

Steve Davis: Correlations

Read "Correlations" reviewed by Peter J. Hoetjes

Exploration and innovation may be the aspiration of modern jazz, but trombonist Steve Davis' Correlations exemplifies the fact that nothing proves more compelling than the timeless art of gathering a group of musicians who work remarkably well together. A veteran of The Jazz Messengers, One For All, and The Jazztet, Davis has a wealth of experience ...

ARTICLE: MULTIPLE REVIEWS

CTI on BGO

Read "CTI on BGO" reviewed by Jakob Baekgaard

"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...

ARTICLE: ALBUM REVIEW

Freddie Hubbard: At Onkel Pӧ's Carnegie Hall

Read "At Onkel Pӧ's Carnegie Hall" reviewed by Stefano Merighi

Se si dovesse per gioco indicare un trombettista della storia del jazz che sintetizzasse tecnica strumentale, flessibilità espressiva, capacità mimetiche in relazione al contesto e ricchezza di curriculum forse la scelta cadrebbe su Freddie Hubbard. Il suo aplomb di giocatore era mirabile, valgano per tutte le sue apparizioni a fianco di John Coltrane, in Out to ...

ARTICLE: ALBUM REVIEW

The Three Sounds: Groovin' Hard: Live At The Penthouse 1964-1968

Read "Groovin' Hard: Live At The Penthouse 1964-1968" reviewed by Stefano Merighi

Nell'alveo turbolento della musica afroamericana, scorre sottotraccia da più di mezzo secolo la corrente rapida e ridente del soul-jazz--che chiamiamo così solo per comodità -, di cui The Three Sounds sono stati alfieri indefessi per almeno tre lustri, vantando successi popolari da far invidia a colleghi ben più dotati nella sostanza musicale. Esce per ...

ARTICLE: INTERVIEW

George Cables: The Pianist’s Dedication to the Group

Read "George Cables: The Pianist’s Dedication to the Group" reviewed by Victor L. Schermer

Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...


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