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Richie Cole: Blue Collar Bebopper
by Rob Rosenblum
Jazz alto saxophonist Richie Cole wants to reach out to you, whether you are the mayor of a highly popular tourist city or just a guy dropping over for a couple of beers. “I play for people," says Cole. “People are all the same. If they understand or want to understand jazz, I welcome ...
Miles Davis: Milestones
by C. Michael Bailey
Milestones was Miles Davis' third Columbia release after 'Round About Midnight (1957) and Miles Ahead (1957). The recording was made during one of Davis' most creatively intense periods, preceding his recording of the soundtrack for Ascenseur Pour L'echafaud (Fontana, 1958) in late 1957 and the subsequent recordings of Cannonball Adderley's Somethin' Else (Blue Note, 1958) and ...
Charles Lloyd: The Winds Of Grace
by Ian Patterson
At seventy nine years young Charles Lloyd is showing no signs of slowing down. The summer months see the Memphis saxophonist/flautist on the North American and European festival circuits with his quartet of Gerald Clayton, Reuben Rogers and Eric Harland, followed by dates with The Marvels, Lloyd's most recent group, featuring Bill Frisell, Greg Leisz, Rogers ...
Hal Galper And the Youngbloods: Live At The Cota Jazz Festival
by Dan McClenaghan
The trio recordings released by pianist Hal Galper between 2006 and 2014--six discs, all but one on Origin Records--plowed fresh ground. Each disc dug deeply into the “Rubato" form. Taken as a whole--from 2006's Agents Of Change (Fabola Records) through 2014's O's Time (Origin Records)--the full series represents a monumental, sharply focused project that, for those ...
Nicole Johänntgen: Henry And The Free Bird
by Ian Patterson
In Richard Bach's book Jonathon Livingston Seagull (Macmillan 1970), the tale of a seagull with a passion for flight and freedom, there is a line that goes: “Don't believe what your eyes are telling you. All they show is limitation. Look with your understanding. Find out what you already know and you will see the way ...
Terri Hinte: Co-Creating the Image of Jazz
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 [This is the second of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, ...
Chick Remembers Miles
by Scott H. Thompson
In celebration of Miles Davis' birthday, Chick Corea sent this note to me on the day Miles passed away (September 28, 1991). I'd like to share it with you all... Even though I played in his band for only two years, Miles has been a stable presence in my life since I began listening ...
David Finck: The Bass, Scatting Offenses, and the Back Hoe
by Dr. Judith Schlesinger
David Finck is not only a first-call bassist with a long resume of high-profile recordings and gigs, but he's one of the most versatile musicians on any instrument. Finck has been in the studio, touring, and/or sharing the world's greatest stages with everyone from Andre Previn to Ivan Lins, Woody Herman to Natalie Cole and Kenny ...
Richie Cole Alto Madness Orchestra: The Many Minds of Richie Cole
by Rob Rosenblum
Alto saxophonist Richie Cole is a living, breathing anachronism and has arguably been one since he first burst out of Berklee School of Music onto the stage as featured soloist with the Buddy Rich big band in the 1970's. While many of his contemporaries were following the lead of Chuck Berry and The Beatles, ...
Tenor Saxophonist Michael Pedicin To Release "As It Should Be: Ballads 2," April 21
With the April 21 release of As It Should Be: Ballads 2, tenor and soprano saxophonist Michael Pedicin continues to spread the message of acceptance and justice he eloquently shared on his critically acclaimed 2011 album Ballads … searching for peace. “I’m one of those diehard '60s kids that grew up concerned about peace and togetherness,” ...
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