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Results for "Cannonball Adderley"
How Creedence Clearwater Revival Saved Jazz
by Kyle Simpler
By 1970, Creedence Clearwater Revival was arguably the biggest rock and roll group in America--if not the world. Songs like “Proud Mary" (Fantasy 1969), “Green River" (Fantasy 1969) and “Born on the Bayou" (Fantasy 1969) dominated both Top 40 and album-oriented radio, and their music continues to thrive decades later, becoming a staple of classic rock ...
Take Five with Saxophonist/Singer/Guitarist Vanessa Collier
by AAJ Staff
Meet Vanessa Collier Vanessa Collier's sixth album Do It My Own Way was recently released on Phenix Fire Records. Recorded on analog gear with the musicians largely in one room, Do It My Own Way is sonically inspired by the classic Memphis soul sound of Stax and Hi Records, especially that of the Staples Singers. The ...
Cannonball Adderley: Burnin' In Bordeaux: Live In France 1969
by Stefano Merighi
Altra nuova perla della Elemental Music, e sempre con la produzione di Zev Feldman, “Burnin' in Bordeaux" (doppio CD) celebra il magistero di Julian Cannonball Adderley, un poeta assoluto del sax contralto, e la solidità nonché la brillantezza del suo quintetto di fine anni '60. Adderley, scomparso a soli 46 anni nel 1975, è ...
Laura Dreyer: Dancing Through Time
by Katchie Cartwright
When something sparks her creativity, Laura Dreyer is the sort of person who jumps in with both feet and gets right down to business. A multi-hyphenate artist, saxophonist-flutist-composer-teacher-clinician, she has been serious about jazz since junior high school in El Cerrito, California, across the bay from San Francisco. “El Cerrito High had an award-winning--like state champion ...
Peter Erskine: Revisiting Weather Report
by C. Andrew Hovan
A standout drum prodigy of his generation, Peter Erskine began playing at the age of four. After honing his skills at Interlochen, he launched his professional career in 1972 with Stan Kenton. Four years later, he joined Maynard Ferguson before making a pivotal move, replacing Alex Acuña in Weather Report. In the spring ...
From Fad To Phenomenon: The Lasting Legacy Of Record Store Day
by Kyle Simpler
Despite its growing popularity, some still view the vinyl resurgence as a passing trend that will eventually fade. Articles frequently appear in newspapers and magazines almost celebrating any dip in vinyl sales. In late 2024, for example, several headlines noted that vinyl sales were down 33%--somewhat ironic, considering that an LP spins at 33 1/3 RPM. ...
Brent Laidler: Hidden Gems
by Jack Bowers
The Hidden Gems alluded to by guitarist Brent Laidler on his third recording as leader comprise unique and seductive melodies and chord changes he uncovered while taking time during the Covid pandemic to skim through and sight-read some 14,000 tunes in 'fake books' and on his laptop computer, most of which never made it past that ...
Gravity and Resurgence: The Many Dimensions of Dexter Gordon
by Arthur R George
Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...
I Dischi del 2024 secondo Ludovico Granvassu
by Ludovico Granvassu
Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...
Ludovico Granvassu's Garden of Jazzy Delights 2024
by Ludovico Granvassu
Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...
