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126

Article: Album Review

Tommy Peltier's Jazz Corps: Live At The Lighthouse 1963-67 Vol.II

Read "Live At The Lighthouse 1963-67 Vol.II" reviewed by Glenn Astarita


This release elicits notions of discovering a rare artistic masterpiece in an attic. Cornetist Tommy Peltier’s West Coast based “Jazz Corps,” rendered a modish post-Bop groove during its largely under-recognized reign from 1962 thru 1968. Virtually ignored by the West Coast music critics, these performances at California’s infamous “Lighthouse,” capture a band that infused elements of ...

107

Article: Album Review

Scott Rosenberg's Red: Owe

Read "Owe" reviewed by Glenn Astarita


Chicago-based saxophonist/composer Scott Rosenberg possesses the necessary goods to become a major force in the progressive jazz arena! The proof lies within the frameworks applied on this excellent outing. Rosenberg, performing on tenor sax throughout, grapples with the avant-garde in spots, yet conveys an intriguing compositional style which coincides with the artist's hot n’ spicy soloing ...

113

Article: Album Review

Ursel Schlicht's Implicate Order: Sound Quest

Read "Sound Quest" reviewed by Glenn Astarita


This multinational cast led by pianist Ursel Schlicht renders some downright invigorating improv on Sound Quest. With the opening piece, “Sound and Fury,” the soloists engage in dynamic interplay where bassist Ken Filiano steers the band into a blistering romp via his swiftly executed walking bass lines. The quintet moves about in climactic fashion as they ...

132

Article: Album Review

Ursel Schlicht's Implicate Order: Sound Quest

Read "Sound Quest" reviewed by Glenn Astarita


This multinational cast led by pianist, Ursel Schlicht renders some downright invigorating improv on Sound Quest. With the opening piece titled “Sound and Fury,” the soloists’ engage in dynamic interplay, where bassist, Ken Filiano steers the band into a blistering romp via his swiftly executed walking bass lines. However, the quintet moves about in climactic fashion ...

130

Article: Album Review

David Haney Quartet: Caramel Topped Terrier

Read "Caramel Topped Terrier" reviewed by Glenn Astarita


Canada-born pianist/composer David Haney states that the premise for this recording was based upon “spontaneously composed" material, although the artist subsequently replaced piano tracks on three pieces. Haney's resume includes liturgical and chamber works, hybrid jazz/classical improvisations, and music for ballet. This recording features jazz greats Julian Priester on trombone and Han Bennink on drums. The ...

Album

Post-Deconstruction

Label: Cadence Jazz Records
Released: 2001
Track listing: St. James Infirmary; Wednesday the 17th; Everyman's Blues; Come Se Fosse Autunno (As if it Were Autumn); Plain Folk.

Album

On Tour

Label: Cadence Jazz Records
Released: 2001
Track listing: Monkin

Album

Calling All Spirits

Label: Cadence Jazz Records
Released: 2001
Track listing: Orange Was The Color Of Her Dress Then Blue Silk, African Interlude, Mothers Of The Veil, Guinea, Going Nowhere Fast, Loss (For Flo), Calling All Spirits Calling All Poets

Album

Expositions of Freedom...Now!

Label: Cadence Jazz Records
Released: 2001
Track listing: Pica Cato, Freedom of Thought, Vibes, Freedom in Wind, A Gap, Freedom of Sunset, Hi Coo, Freedom of Hope, Good Bye, Freedom of Horizon.

Album

Tony's Blues

Label: Cadence Jazz Records
Released: 2001
Track listing: Little Bestiary; New York to London; Fancy Takes Me Home; Hotel Splendide; Blues; Another Salesman; In The Boardroom; Tony


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