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David Linx, Maria Joao and the Brussels Jazz Orchestra: A Different Porgy and Another Bess
by C. Michael Bailey
The French classical label Naive has made a successful foray into jazz with recordings like Mina Agossi's Red Eyes (2012); and Tania Maria's Tempo (2012). A Different Porgy and Another Bess is the first thematic big-band offering from the label. Drawing from the George Gershwin/DuBose Heyward opera, Porgy and Bess (1935), A Different Porgy highlights eleven ...
Sonny Landreth: Elemental Journey
by C. Michael Bailey
Sonny Landreth Elemental Journey Landfall Records 2012 How did we arrive at the phenomenon that is guitarist Sonny Landreth? In his autobiography, Father of the Blues: An Autobiography (Da Capo Press, 1969), African American composer W. C. Handy detailed his experience of sleeping on the train platform in ...
Bruce Kaphan Quartet: Bruce Kaphan Quartet
by C. Michael Bailey
The pedal steel guitar is so closely associated with American country and western music that its image can scarcely escape that infinite gravity of categorization. Even when it has wobbled its way into jazz, the instrument has always operated beneath the label of Western Swing" or Alternative Country." Several notable players have distinguished themselves in the ...
Jazz Singer/Songwriters Part I: Louise Van Aarsen and Rebecka Larsdotter
by C. Michael Bailey
We can only hear My Funny Valentine" so many times presented in so many manners. Writer Scott Yanow, in his book The Jazz Singers: The Ultimate Guide (Backbeat Books, 2008), called for a moratorium on singers recording this and several other songs because, like Stairway to Heaven" and Freebird" (for those from behind the Cotton Curtain), ...
Jazz Singer/Songwriters Part II: Maria Neckam and Tanya Balakyrska
by C. Michael Bailey
Jazz Singer/Songwriters Part I: Louise Van Aarsen and Rebecka Larsdotter" featured two new artists standing in the middle of the adult contemporary jazz vocals map. Both discs have elements of mainstream acoustic and mainstream contemporary electric jazz and feature original compositions by the singers themselves. Where Maria Neckam and Tanya Malakyrska differ is in their concerted ...
The Susan Krebs Band: Everything Must Change
by C. Michael Bailey
Baltimore native cum Angelino Susan Krebs is not exactly a wallflower. She has been hiding in plain sight for the past twenty years, being a Jill-of-all-trades in the entertainment arena. She has an impressive onstage (off-Broadway) and television presence in commercials and appearances on programmed cable that include Shameless and Mad Men. She has also made ...
Sara Gazarek: Blossom & Bee
by C. Michael Bailey
All chicken or feathers, feast or famine, flood or drought; regarding jazz vocal releases, there is always a healthy steady stream of new music being produced. The vast majority is good while, as it should be, the truly exceptional are of a rarer variety. The release of Kate McGarry's exceptional Girl Talk (Palmetto, 2012) might have ...
Ted Gioia: The History of Jazz (Second Edition)
by C. Michael Bailey
The History of Jazz (Second Edition)Ted GioiaHardcover; 452 pagesISBN: 0195399706Oxford University Press2011 For the past 25 years, author and teacher Ted Gioia has provided the most succinct and contemporary histories of America's native musics: blues and jazz. He has done this through his ...
The Black Butterflies: Rainbows For Ramon
by C. Michael Bailey
The Black Butterflies is a Latin free-for-all led by reed multi- instrumentalist Mercedes Figueras, an Argentinean transplanted to New York City. Figueras and band follows up a well- received debut, 1 De Mayo (Self Produced, 2010), with Rainbows for Ramon. Reviewed in capable detail by Dan Bilawsky and Karl Ackermann, Rainbows for Ramon--and, in particular, Figueras' ...
Janis Joplin: The Pearl Sessions
by C. Michael Bailey
Janis JoplinThe Pearl SessionsLegacy Records2010 Pearl was vocalist Janis Joplin's valedictory and most fully realized recording. She never lived to see it released, dying of a heroin overdose the October previous to the album's release on January 11, 1971. Sadly, the recording was made with Joplin's last, ...





