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New York Voices: Live with the WDR Big Band Cologne
by C. Michael Bailey
New York Voices celebrates its Silver Anniversary with the release of the jazz vocal quartet's first completely live recording, Live with the WDR Big Band Cologne, recorded at the Kölner Philharmonie in May, 2008. Sharing a jazz ensemble field with Manhattan Transfer and the Uptown Vocal Jazz Quartet has in no way dampened the group's efforts ...
Ellen Robinson: Don't Wait Too Long
by C. Michael Bailey
Bay-Area vocalist Ellen Robinson is a study in jazz grace and elegance. Rather than a bright and shiny repertoire of specialized training (of which there is nothing wrong), Robinson sports a music education degree from Manhattanville college with a major in piano, and rides an experiential arc in to the heart of the Great American Songbook. ...
Chorus Corner: Chanticleer, Cantus and Seraphic Fire
by C. Michael Bailey
Singers singing songs. Times are good for choral music when stalwart Chanticleer and relative newcomers Cantus and Seraphic Fire produce new music in such close proximity. Chanticleer releases a collection of concert highlights while Cantus expands the choral acreage on all four sides and Seraphic Fire looks backward with an instrumentally strip-down of an old favorite. ...
Lajos Dudas Trio: Live at Porgy & Bess
by C. Michael Bailey
Hungarian-German clarinetist Lajos Dudas has quite the résumé in Europe, with about 50 recordings to his credit. He has been around long enough to have had clarinetist Artie Shaw remark on his talent, but do not mistake his longevity with a marriage to the traditional mainstream of jazz; it is anything but. Dudas has adventurous spirit ...
Dorian Devins: The Procrastinator
by C. Michael Bailey
Ginny Carr and the Uptown Vocal Jazz Quartet recently paid proper homage to vocalese master Eddie Jefferson with the song “He Was the Cat," from Hustlin' For A Gig (HouseKat Records, 2012). Jefferson, along with Clarence Beeks (King Pleasure), specialized in writing lyrics for and singing the more notable jazz compositions, like “Moody's Mood for Love" ...
Horn Soliloquy: Mort Weiss & Sam Newsome
by C. Michael Bailey
Solo horn recitals are nothing new. Both Anthony Braxton and Steve Lacy produced several each. Tenor saxophonist Sonny Rollins released a sparking The Solo Album (Milestone, 1985), while Bobby Watson's alto wailed solo on This Little Light of Mine (Red Records, 1993). No other format allows the horn player more freedom than playing solo. Here are ...
Aaron Neville: My True Story
by C. Michael Bailey
My True Story is New Orleans royalty Aaron Neville's first recording in three years and his first for Blue Note Records. Most recently, Neville has been covering familiar territory with I Know I've Been Changed (EMI Gospel, 2010), Bring It On Home... The Soul Classics (Burgundy, 2006), Christmas Prayer (EMI Gospel, 2005) and Nature Boy: The ...
Beata Pater: Red
by C. Michael Bailey
Polish vocalist/composer/violinist Beata Pater, as of late in San Francisco, releases Red, the third recording in her “colors" series following Black (B&B, 2006) and Blue (B&B, 2011). She specializes in the no-lyrics singing that is related to, but not exactly the same as scat singing. Much of this is present on Red where, an expressive and ...
Professor Porkchop and the Dishes: U R My Everything
by C. Michael Bailey
Chris McCaa, A.K.A. Professor Porkchop, has a voice that is the lovechild of Randy Newman and John Hiatt, seasoned with Tabasco and gin. His piano channels Professor Longhair, Mac Rebennack and Antoine Domino, while his B-3 chops are from the acid depths of Vieux Carre by way of New Iberia. His writing and arranging are a ...
String Theory 2013: Mark Kleinhaut & Hristo Vitchev
by C. Michael Bailey
Six strings or seven...twelve frets give or take a couple. That is what the guitar is. Mark Kleinhaut and Hristo Vitchev are two guitarists whose vision expands the role of the guitar in both composition and improvisation. They explore, Kleinhaut with immediate improvisation and Vitchev with directed performance, the length and breadth of guitar playing with ...
