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Art Pepper: Neon Art: Volume 3
by C. Michael Bailey
This concludes the Neon Art series, whose life began as three vinyl LP releases in 2012. Wisely, Pepper's widow, Laurie Pepper and co-producer Cheryl Pawelski decided to re-issue these performances on CD. Neon Art, Volume 1 and Neon Art, Volume 2 preceded Volume 3 in as many months. The Neon Art performances are ...
Kuniko: Iannis Xenakis IX
by C. Michael Bailey
Sound is elemental. It is why the heartrate, composed of many individual heartbeats in succession is called a vital sign. Percussionist Kuniko understands this in an explicit and integral manner. Her previous recordings, Kuniko Plays Reich (Linn Records, 2012) and Cantus (Linn Records, 2013) were devoted to her command of the vibraphone and marimba. Iannis Xenakis ...
Lainie Cooke: The Music is the Magic
by C. Michael Bailey
Lainie Cooke is a singer not afraid to take chances. Her third recording, The Music is the Magic, she populates her recital with near standards: songs that are familiar but not cliche. Supported by a reeds-led quartet anchored by drummer (and producer on this recording) Ralph Peterson, Lainie displays a command of vocal jazz that is ...
From the Keyboard: Scarlatti, Glass, & Aho
by C. Michael Bailey
The keyboard repertoire will never grow stale or cliche. These three composers and their interpreters will see to that. Duanduan Hao Domenico Scarlatti: Complete Keyboard Sonatas Vol.16 Naxos 2015 Naxos began their Scarlatti Sonata Cycle with the release of Volume 1 in 1999 with ...
Ted Ludwig: Stand Up
by C. Michael Bailey
New Orleans guitarist Ted Ludwig came to Little Rock as part of the Hurricane Katrina diaspora. NOLA's loss has been Little Rock's gain since Ludwig and his fine trio took up residence in the city's famous Capitol Hotel Bar & Grill seven years ago. Before turning professional, Ludwig studied with NOLA luminaries Ellis Marsalis, Harold Baptiste ...
Henry Darragh: Too Much Monday
by C. Michael Bailey
My introduction to Houston Jazz came with the receipt of Jacqui Sutton's Billie & Dolly (Toy Blue Typewriter Productions, 2010). A few short months later, I received Henry Darragh's Tell Her for Me (Self Produced, 2011). When I compared the musical personnel for each of these recordings, a light came on in my pea brain alerting ...
Grateful Dead: Europe ‘72
by C. Michael Bailey
When asked the best introduction to the Grateful Dead for the uninitiated, I recommend Europe '72. That opinion has not changed in the intervening 40 years. This tour is one storied in the history of the band. It was the group's great bluesman, Ron “Pigpen" McKernan's last tour before he died of drink at the age ...
Year of the Mule - Gov't Mule and the Future Past
by C. Michael Bailey
What has previously been relegated to Gov't Mule's live downloads have now been released on CD and LP. But first, a little back ground. Gov't Mule adopted a concert practice of Phish, who began (approximately) yearly coverage of a famous “classic" rock album in concert, typically on Halloween. Phish began this practice in 1994 with The ...
Jenny Soonjin Kim: Kozeluch Complete Keyboard Sonatas, Volume 1
by C. Michael Bailey
Let's not hear it for Bach, Haydn, Mozart, and Beethoven. Those perennial blowhards get all of the attention. Rather, let's hear it for their lesser-known contemporaries. These are composers who, today, get little light standing in the shadows of the aforementioned classical giants. It is the beauty of digital music and the Naxos brand of musical ...
Art Pepper
by C. Michael Bailey
Alto Saxophonist Arthur Edward Pepper, Jr. (1925-1982) wanted to be known as the “greatest alto saxophonist in the world," a tall order considering contemporaries like Charlie Parker, Johnny Hodges, and Paul Desmond. In spite of this, Pepper outlived all of them while forging a unique and personal sound. Pepper, along with Desmond and Lee Konitz, were ...
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