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Eugenie Jones: Come Out Swingin'
by C. Michael Bailey
The last we heard from Seattle-based Renaissance woman Eugenie Jones was on her quite excellent debut recording Black Lace Blue Tears (Self Produced, 2013). On that recording Jones demonstrated great accomplishment as a vocalist, composer, and arranger. She was in the process of transitioning from a successful marketing career to a singer. That kind of change ...
Bob Merrill: Cheerin’ Up the Universe
by C. Michael Bailey
Jazz as an art form is not noted for a particularly sunny disposition. Trumpeter and vocalist Bob Merrill dispenses with this prejudice in his opening original title composition of Cheerin' Up the Universe, his fourth recording. From the outset, this recital is going to be a positive, affirming musical experience sans the saccharine sentimentality projects like ...
Anne Akiko Meyers: Serenade: The Love Album
by C. Michael Bailey
One of the creative aspects of music that stands to be lost with the continued atomization of the industry where the long-playing record album of compact disc gives way to the individual song as the commodity unit, is the art of programming a multi-piece recording. The vinyl record album and, more so, the compact disc, has ...
Maya Nova: Days
by C. Michael Bailey
Bulgarian vocalist/composer Maya Nova made the move from a lengthy teaching and performing engagement in Singapore to New York City, releasing Days in the creative bargain. She continues to study the seam between pop and jazz that she did on her previous Open (Self Produced, 2010), sprinkling jazz standards among interpretations of more modern tunes and ...
Elliott Sharp: Sharp? Monk? Sharp! Monk!
by C. Michael Bailey
Polymath musician Elliott Sharp fears nothing creatively. He will as readily dismantle the blues into its atomic components as he will Western European classical music. Or jazz, for that matter. On Sharp? Monk? Sharp! Monk!, Sharp attempts the impossible, that is: a post-modern dissection of five Thelonious Monk pieces, played on guitar no less. Ex vivo ...
Mark Christian Miller: Crazy Moon
by C. Michael Bailey
Southern California already has Mark Winkler. Some crazy critical mass is reached when considering vocalist Mark Christian Miller's Crazy Moon. Not because Miller and Winkler are so much alike...there is a bit of that, but more because they are so different. Both have performed on the Left Coast for the past 25 years, each building a ...
Joe Albany: Now's The Time
by C. Michael Bailey
Pianist Joe Albany (1924-1988) is a musicological artifact within an art form full of them. Most recently, Albany has garnered attention through the movie and soundtrack Low Down (Bona Fide Productions, 2014, directed by Jeff Priess) based on the bracing, stream-of-conscience memoire written by his daughter, Amy-Jo Albany. His is a story told many times: near-genius ...
The Band: Pioneers of American Music by Craig Harris
by C. Michael Bailey
The Band: Pioneers of American Music Craig Harris 214 Pages ISBN: #978081089040 Rowman & Littlefield 2014 It is difficult, if not impossible or unadvisable, to consider Bob Dylan and The Band separately. Theirs was an artistic event horizon that changed much of music afterwards. Writer and percussionist Craig ...
London, Meander, Pramuk & Ross: The Royal Bopsters Project
by C. Michael Bailey
In the beginning, and by beginning" I mean the February 26, 1926 commitment to shellac of Boyd Atkins' Heebie Jeebies" by one Louis Armstrong. Legend has it that Armstrong dropped his lyric sheet while recording the song and no words to sing, began to improvise his vocals, creating scat singing. This was one of the first ...
Mort Weiss: Mort Weiss is a Jazz Reality Show
by C. Michael Bailey
The informal definition of a Character is an odd, eccentric, or unusual person." That is a bit disappointing in that odd, eccentric, and unusual" more often than not may be pejorative. I prefer a unique, memorable, or exceptional person." That said, it takes all six adjectives to adequately describe clarinetist Mort Weiss, who with this recording ...




