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Five Women X – Aubrey Logan; Robyn Spangler; Lauren Kinhan; Jackie Allen; Michelle Lordi
by C. Michael Bailey
Aubrey Logan Impossible Knight Records 2017 Washington State-native vocalist/trombonist Aubrey Logan is the total performer. With six releases to her credit (the most recent being the present Impossible) and multiple features for Postmodern Jukebox, as well as an appearance on the finals of American Idol, Logan has enjoyed ample exposure that ...
Low Society's "Sanctified" - 2018 Grammy Awards, For Your Consideration
Attention Grammy members: For you consideration, Low Society's Sanctified is on the ballot for the 2018 Grammy Awards in the American Roots category. Low Society have a long way to go to actually win it, but their latest album Sanctified has been entered for consideration. The Memphis based band's music may be way too sexy for ...
Five Women IX – Bianca Rossini; Cécile McLorin Salvant; Barbora Kabátkova; Alexis Cole; Suzanne Lorge
by C. Michael Bailey
Bianca Rossini Vento do Norte Apaixonada Music & BDM Records 2017 Rio de Janeiro-native singer Bianca Rossini follows her successful releases of Meu Amor (Apaixonada Music, 2012) and Kiss of Brazil (Apaixonada Music, 2011) with the present Vento Do Norte, another collection of original Bossa Novas that further cement Rossini's ...
The Delmark Sound: Jason Stein Quartet and Corey Dennison Band
by C. Michael Bailey
Delmark Records has been a Chicago institution for better than 60 years, most under the watchful eye of founder Bob Koester. The label remains the oldest jazz and blues record label operating in the United States. Like its fabled successor, ECM, the label sports a sonic world all its own. While an odd comparison, any jazz ...
Eddie Daniels and Roger Kellaway: Just Friends: Live at the Village Vanguard
by C. Michael Bailey
Resonance Records has dramatically improved the respective discographies of Bill Evans (Live At Art D'Lugoff's Top of The Gate (2012), Some Other Time: the Lost Session From the Black Forest (2016), Another Time: The Hilversum Concert (2017)); Wes Montgomery (Echoes of Indiana Avenue (2012), Wes Montgomery: In The Beginning-Early Recordings from 1949-1958 (2015), Smokin' in Seattle: ...
Gregg Allman: Southern Blood
by C. Michael Bailey
Music made at the end is always necessary listening. It may not be the best, prettiest, most, but it is obligatory if, for no other reason, as a final act of respect for the artist. Examples of compelling music made at the end of an artist's life are manifold. From classical composition, late Mozart, in particular ...
Glenn Gould: Glenn Gould in Russia: Bach, Beethoven, Berg, Webern, Krenek
by C. Michael Bailey
Examples of Johann Sebastian Bach played on piano are a dime-a-dozen today, but it was not always this way. Before Glenn Gould's seismic debut with the Goldberg Variations (Columbia) in 1955, Bach's masthead keyboard composition was considered beyond the capabilities of the modern piano. While Gould was not the first to record the Goldbergs on piano ...
Chickenbone Slim: The Big Beat
by C. Michael Bailey
What a good bit of music writing has is an overabundance of taking itself too seriously. I am guilty of it. There would have been a time when I would have dismissed a recording like Chickenbone Slim's The Big Beat as a silly contrived blues confection and I would have done so at an artistic loss ...
The Realpolitik of Georg Frederic Handel
by C. Michael Bailey
A refined opera composer or brusque cutting contest brawler? A noted keyboardist or a savvy impresario? A sweet-natured collector of Art or a quick tempered musical entrepreneur? Pious Lutheran composer of Messiah or master musical plagiarist and propagandist. Baroque composer Georg Frederic Handel was nothing if not a man of the world and one who encompassed ...
Lyn Stanley: Lyn Stanley – The Moonlight Sessions, Volume 2
by C. Michael Bailey
Song Stylist Lyn Stanley completes her Moonlight Sessions with Volume 2. This present offering follows only a few months after the release of her well-received The Moonlight Sessions, Volume 1 (A.T. Music, 2017), capping her project with a collection of carefully selected, well-covered standards, with a couple of surprises. Stanley's three-part creative paradigm, started with Volume ...




