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279

Article: Album Review

Mark Isaacs Resurgence Band: Tell It Like It Is

Read "Tell It Like It Is" reviewed by C. Michael Bailey

by C. Michael Bailey

Australian pianist Mark Isaacs has been recording forward-thinking progressive jazz for the past 25 years. His new millennium recordings have garnered popular response, including Closer (Naxos, 2000), Keeping the Standards (Vorticity Music, 2003), Visions (Vorticity Music, 2006), and Resurgence (ABC, 2007). During the last decade, Isaacs has been approaching a new assertive sound that unifies the ...

277

Article: Album Review

Sam Newsome: Blue Soliloquy

Read "Blue Soliloquy" reviewed by C. Michael Bailey

by C. Michael Bailey

The soprano saxophone is one mean mistress; temperamental, demanding, and unforgiving. Few have mastered her, with Sidney Bechet, John Coltrane, and Steve Lacy coming to mind. Saxophonist Sam Newsome,late of the Terence Blanchard Quintet, has stepped up to provide his Das Wohltemperierte Klavier of the instrument in Soliloquy--Solo Works for Soprano Saxophone. Strongly recalling Bobby Watson's ...

259

Article: Album Review

Chris Greene Quartet: Merge

Read "Merge" reviewed by C. Michael Bailey

by C. Michael Bailey

Chicago-native Chris Greene keeps stylistic company with Wayne Escoffery, AJ Kluth, and Ricky Sweum, in that he plays a saxophone with sharp edges when necessary and smooth ones when called upon. His previous recordings, On The Verge (as Chris Greene's New Perspective, Self Produced, 2002) and Soul and Science, Volume 1 (as the Chris Green Quartet, ...

229

Article: Album Review

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by C. Michael Bailey

by C. Michael Bailey

The most appealing thing about Hadley Caliman, save for his very eloquent name, is his equally eloquent and understated tenor saxophone playing. Firmly in a post-Coltrane context, Caliman plays a virile and muscular tenor saxophone whose tone compels because of its carefully crafted rough edges. Straight Ahead follows up his 2008 Origin release Gratitude. ...

483

Article: Album Review

Fabio Morgera: Neapolitan Heart

Read "Neapolitan Heart" reviewed by C. Michael Bailey

by C. Michael Bailey

Trumpeter/producer Fabio Morgera's first album release was Take One (Red Records) in 1988. Hailing from Naples and in 2010 a New York City resident, Morgera recorded several notable collections in the 1990s and 2000s. As a leader Slick (Red Records, 1999) and Colors (Red Records, 2002); as a sideman J.D. Allen's In Search Of (Red Records, ...

309

Article: Bailey's Bundles

The State of Harry Allen 2010

Read "The State of Harry Allen 2010" reviewed by C. Michael Bailey

by C. Michael Bailey

Tenor saxophonist Harry Allen is a keeper of the flame. His understated and well- studied saxophone style covers everyone from Frankie Trumbauer to Coleman Hawkins. He is a scholar of melody and vibe, and has the keen ability to interpret standards with an uncanny and swinging precision that should be used as the standard for jazz ...

330

Article: Album Review

Soren Moller / Dick Oatts: The Clouds Above

Read "The Clouds Above" reviewed by C. Michael Bailey

by C. Michael Bailey

The Clouds Above is the continuation of a duet project that pianist Soren Moller and saxophonist Dick Oatts began with Storytelling (Audial, 2005). Like that release, The Clouds Above brags all originals save for one classical adaptation, in this case Sergei Prokofiev's Balcony Scene from his 1935 ballet, Romeo and Juliet, here captured lyrically by Moller's ...

605

Article: Book Review

The King and Dr. Nick: What Really Happened to Elvis and Me

Read "The King and Dr. Nick: What Really Happened to Elvis and Me" reviewed by C. Michael Bailey

by C. Michael Bailey

The King and Dr. Nick: What Really Happened to Elvis and Me George Nichopoulos / Rose Clayton Phillips Hardcover; 256 pages ISBN 1595551719 Thomas Nelson 2010 Dr. Conrad Murray, singer Michael Jackson's personal physician, is (in February 2010) under scrutiny for his part in ...

283

Article: Album Review

Norm Stockton: Tea in The Typhoon

Read "Tea in The Typhoon" reviewed by C. Michael Bailey

by C. Michael Bailey

West Coast freelance bassist Norm Stockton describes his instrumental music as, “contemporary jazz, but with wide influences including funk, fusion, rock, West African, and even a bit of classical." Indeed, not to mention an extroverted electric bass style that somehow retains the sheer technical power of Jaco Pastorius without the hubris. Stockton currently plays with the ...

290

Article: Album Review

Kenny & Leah: April in Paris

Read "April in Paris" reviewed by C. Michael Bailey

by C. Michael Bailey

Hear, hear for the center. Kenny and Leah Soderblom have been self-producing straight- down-the-middle mainstream jazz over three previous recordings from 2009: You and the Night and the Music, Hearts and I've Dreamed of You. The husband-and-wife team has been setting a standard for musical synergy, making high quality, romance-oriented jazz, musical love letters to one ...


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