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Little Richard: 1932 - 2020
by C. Michael Bailey
It has been often said that popular culture is like a McDonald's cheeseburger: something better consumed than considered. It is a dilemma then, when a pop culture event stirs the roiling cauldron of the 21st Century. It is even greater and more significant when that event signals the end of an era. In his tribute to ...
Gloriæ Dei Cantores: Arvo Pärt - Stabat Mater
by C. Michael Bailey
The late Twentieth-and early Twenty-First-Centuries have been a rich and productive period for sacred choral composers. Sir John Tavener (1944 -2013), Krzysztof Penderecki (1933 -2020), Henryk Górecki (1933 -), and Tigran Mansurian (1939 -) are just a smattering of modern talent behind this ancient form. Estonian composer Arvo Pärt sits atop this collection of composers with ...
Víkingur Ólafsson: Debussy • Rameau
by C. Michael Bailey
Icelandic pianist Víkingur Ólafsson had a recording career before signing with the German monolithe Deutsche Grammophon, having released three recordings for his own label, Dirrindí. In 2016, Ólafsson signed with DG, releasing the next year Philip Glass -Piano Works. It was an interesting debut for the august label, featuring Philip Glass's Études, “Opening" from Glassworks, and ...
New Faces - New Sounds
by C. Michael Bailey
In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...
A Garland of Red
by C. Michael Bailey
Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from Dallas, Texas, Garland migrated to New York City after a stint with Hot Lips Page in 1946. ...
New Faces - New Sounds
by C. Michael Bailey
The jazz name Wynton Kelly is typically associated with other artists' endeavors, such as John Coltrane's Giant Steps (Atlantic, 1959), Miles Davis' Kind of Blue (Columbia, 1959) or Wes Montgomery's Smokin' at the Half Note (Verve, 1965), just to mention three landmark recordings. While he always seemed best cast in supporting roles, Kelly did have a ...
John Prine: 1946 - 2020
by C. Michael Bailey
John Prine had the uncanny ability to yell without raising his voice. He could seamlessly express anger with a wry smile and chuckle. The force of his conviction was unmistakable, making an impression akin to a dope-slap the recipient takes a day to realize was delivered. In the song most covered by other artists (the mark ...
Jenny Davis: Rearranged
by C. Michael Bailey
The first listen is simply heating the snifter to introduce the complex and commanding music made as essence to the listener. The second and subsequent listenings consumes the musical liquor of the talent and vision of vocalist and composer Jenny Davis, who reveals a very sophisticated creative method existing at the triple point of her singing, ...
Dana Sandler: I Never Saw Another Butterfly
by C. Michael Bailey
Tender is that memory nearly lost. Theresienstadt was a concentration camp and ghetto established by the German Schutzstaffel during World War II in the Bohemian fortress town of Terezín. Theresienstadt had two purposes: it was a coordinating center ahead of the extermination camps, and an erstwhile retirement community for elderly and prominent Jews intended to mislead ...
Tamuz Nissim: Capturing Clouds
by C. Michael Bailey
Vocalist Tamuz Nissim is in constant musical movement. The past three years have each seen a recorded release of 2017's Liquid Melodies (Self Produced), followed by 2018's Echo of a Heartbeat (Street of Stars), that very much set the stage for the present Capturing Clouds. All three recordings have in common guitarist George Nazos, whose musical ...
