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Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Creed Taylor Productions, Part 1
by Chris M. Slawecki
Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz ...
Creed Taylor Productions, Part 2
by Chris M. Slawecki
Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz ...
Henry Threadgill: 9 Plus Essential Albums
by Steve Cook
More people should listen to the music of Henry Threadgill. Without any actual statistics at hand, it's safe to say that one could consider his market to be niche. Yes, many jazz fans know him as a long-established creative force. He even won a Pulitzer. But he probably does not ring a bell among the many ...
John Coltrane: A Liturgical Discography
by Steve Cook
So much to hear and so little time. The immensity of the recording legacy of John Coltrane as leader, co-leader and side player can be daunting for newcomers and long-time fans alike. Without needing to argue for the place of Coltrane's oeuvre in history, the following proposes a year-long calendar by which to experience and enjoy ...
What Next After Kind of Blue?
by Steve Cook
For those dipping a first toe into jazz, the Miles Davis classic Kind of Blue (Columbia, 1959) is a common initial purchase or listen for many plausible reasons. Web searches for “best jazz albums of all time," or the like, bring up numerous lists that put it at the top and on newcomers' radars. Prominent placement ...
From George Coleman to Meeco: Ten Overlooked Classics
by Chris May
The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...
Caravan in 37 dischi
by Maurizio Comandini
Impressionante. Questa è la prima parola che ci viene in mente per Who Do You Think You Are?, uno dei cofanetti più esaustivi della produzione discografica legata al rock. 35 CD, un DVD, un disco Blu-ray. Un volume di grande formato con circa 150 pagine riccamente illustrate, decina e decina di memorabilia legate alla storia dei ...
The Essential Satoko Fujii, Part 4: Quartets
by Dan McClenaghan
Satoko Fujii's recorded output comes at you hard and fast. It can overwhelm. In 2018—in celebration of her sixtieth birthday—the pianist/composer/bandleader released an album a month. Not download offerings, but real, handsomely produced CDs, with top of-the-line cover art and sturdy cardboard covers—jewels for the eye, ear and hand. Several other years have seen a release ...
