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Frank Sinatra: The Capitol Records Albums, 1954 to 1959
by Dan McClenaghan
After stints in the Harry James and Tommy Dorsey bands, Frank Sinatra began his solo recording career in 1947 with Columbia Records. This association lasted until 1950. He switched labels in 1954, moving on to Capitol Records. Songs For Young Lovers (Capitol, 1954) was his first release for the label. It was the beginning of an ...
Donald Fagen: An Essential Top 10 Albums
by Peter Jones
Actually, the whole notion of a Donald Fagen Top Ten is tricky. Artists like Chet Baker made well over a hundred albums, whereas in half a century Fagen has only released 13 official studio albums, whether with Steely Dan or under his own name, along with a handful of live sets. The process of selecting the ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Matthew Shipp: A Dozen Essential Albums
by Karl Ackermann
While he was still in his fifties, some pundits were hailing Matthew Shipp as the elder statesman" of avant-garde jazz piano. The sentiment, if not the Stonehenge-like title, was spot on. The Wilmington, Delaware native grew up in jazz, with trumpeter Clifford Brown being a family friend. Shipp began studying piano at age 6 and later ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. [Silver]'s only mistake," he wrote, was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Creed Taylor Productions, Part 1
by Chris M. Slawecki
Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz ...
Creed Taylor Productions, Part 2
by Chris M. Slawecki
Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz ...
Henry Threadgill: 9 Plus Essential Albums
by Steve Cook
More people should listen to the music of Henry Threadgill. Without any actual statistics at hand, it's safe to say that one could consider his market to be niche. Yes, many jazz fans know him as a long-established creative force. He even won a Pulitzer. But he probably does not ring a bell among the many ...
John Coltrane: A Liturgical Discography
by Steve Cook
So much to hear and so little time. The immensity of the recording legacy of John Coltrane as leader, co-leader and side player can be daunting for newcomers and long-time fans alike. Without needing to argue for the place of Coltrane's oeuvre in history, the following proposes a year-long calendar by which to experience and enjoy ...


