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7

Article: Building a Jazz Library

Cecil Taylor

Read "Cecil Taylor" reviewed by John Eyles


On April 5th 2018, the world lost pianist, composer, poet and iconoclast Cecil Taylor, at age 89. Taylor was the last surviving member of a generation of players who gave birth to the music variously labelled as avant-garde, fire music or free jazz, although some sources jointly credit Taylor and Ornette Coleman as its originators.

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Article: Building a Jazz Library

Evan Parker

Read "Evan Parker" reviewed by John Eyles


In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...

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Article: Building a Jazz Library

Forget Old Europe: 15 European Jazz Musicians You Need To Know About

Read "Forget Old Europe: 15 European Jazz Musicians You Need To Know About" reviewed by Enrico Bettinello


Since the first half of the 20th century, the Old Continent has played a pivotal role both in welcoming and supporting jazz artists from the United States. Over the following decades it has expressed generations of passionate musicians with increasingly original languages and ever greater improvisatory skills. In the 21st century there are countless ...

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Article: Building a Jazz Library

Derek Bailey

Read "Derek Bailey" reviewed by John Eyles


Guitarist Derek Bailey was one of the more prominent and influential musicians from the “first generation of free improvisation" that developed in London in the mid-sixties and gradually promoted the music around the world. Although several members of that generation were leaders, Bailey often seemed the de facto leader of the group. Partly, this was a ...

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Article: Building a Jazz Library

Jazz From Around the World: Asia

Read "Jazz From Around the World: Asia" reviewed by Hrayr Attarian


Asia is the most culturally and ethnically diverse continent. It is, therefore, hard to distill all its jazz influenced musical legacies into 10 albums. Some countries have robust jazz scenes that, nevertheless, are fundamentally derivative of European and American styles. In other musical cultures jazz has just recently made inroads. Below are 10 historic records that ...

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Article: Building a Jazz Library

Jazz From Around the World: Africa

Read "Jazz From Around the World: Africa" reviewed by Hrayr Attarian


There is no doubt that African heritage, particularly that of west Africa is at the root of jazz. This is simply factual and is not meant to belittle the contributions of other cultures to its growth and development. In addition, as a genre, it has proven to have a wide universal appeal. For both reasons jazz ...

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Article: Building a Jazz Library

Jazz From Around The World: Latin America and the Caribbean

Read "Jazz From Around The World: Latin America and the Caribbean" reviewed by Hrayr Attarian


The focus of the second installment of Jazz from Around the World is Latin America and the Caribbean. Because of both proximity to the US and the shared African heritage, particularly in the Caribbean, jazz was seamlessly and naturally adopted in this part of the world. Of course Latin jazz with its many guises is a ...

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Article: Building a Jazz Library

Jazz From Around the World: Europe

Read "Jazz From Around the World: Europe" reviewed by Hrayr Attarian


Jazz has had a universal appeal since its inception. As soon as the music left its cradle of New Orleans in the early years of the 20th century it quickly spread to all corners of the world. Europeans were among the first non-Americans to embrace the music and place their unique twist on it. Below are ...

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Article: Building a Jazz Library

Stan Getz

Read "Stan Getz" reviewed by Mark Barnett


The story of Stan Getz (1927-1991) has to begin with Lester Young. Before Young, tenor sax players seemed awash in testosterone. Their sound was full, rich, deep, blown hard out of the instrument's lower registers, with emotion pouring out in lavish swoops and honks. Then along came Lester. In the post-war 1940s, he invented a new ...

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Article: Building a Jazz Library

AMM at 50

Read "AMM at 50" reviewed by John Eyles


The group that would evolve into AMM was formed in 1965, making it one of those rare ensembles to have survived fifty years of continuous existence--in common with The Beach Boys and The Rolling Stones. Just like those two bands, along the way AMM gained and lost members at regular intervals. Across some thirty AMM albums, ...


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