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I Dischi del 2025 secondo Ludovico Granvassu
by Ludovico Granvassu
Immortalare la bellezza e la varietà del jazz pubblicato nel 2025 attraverso una “top ten" appare tanto arduo, vano--e alla fine deludente--quanto cercare di fotografare un tramonto sulla costiera amalfitana usando una rudimentale fotocamera digitale e facendo un forellino sul copriobiettivo. Certo, una foto verrà scattata. Potrebbe persino dimostrare che eri lì, in quel momento, quando ...
Ludovico Granvassu's Garden Of Jazzy Delights 2025
by Ludovico Granvassu
Capturing the breathtaking beauty, range, and diversity of jazz released in 2025 through a list of “10 best albums" feels as challenging, vain--and ultimately disappointing--as trying to photograph the Grand Canyon at sunset by placing a pinhole in front of a rudimentary digital camera's lens. Sure, a picture will be taken. It might even prove you ...
Tuff Times Never Last
By Kokoroko
Label: Brownswood Recordings
Released: 2025
Track listing: Never Lost; Sweetie; Closer To Me; My Father in Heaven; Idea 5 (Call My Name) (feat. LULU.);
Three Piece Suit (feat. Azekel); Time
and Time (feat. Demae); Da Du Dah; Together We Are; Just Can’t Wait; Over / Reprise.
Emma-Jean Thackray: It's Okay
by Ludovico Granvassu
Enjoy one of the--many--highlights from British trumpeter and singer Emma-Jean Thackray's Weirdo (Brownswood Recordings), a remarkable album that is not only musically engaging but also a testament to the cathartic power of music--its ability to transform grief and pain into creative inspiration. Listening to the captivating melodies and grooves of this release it may ...
Kokoroko: Tuff Times Never Last
by Frank Housh
Kokoroko's sophomore album is cool. Cool as the other side of the pillow, cool like floating on top of the deep blue ocean, cool like the Fonz. Kokoroko may be properly classified within the “Afrobeat" jazz subgenre which mixes West African rhythms with jazz harmony. Its sound also includes a heavy dose of “highlife," ...
Results for pages tagged "Brownswood Recordings"...
Pere Navarro
Born:
Pere Navarro (Ibiza, 1994) is a trumpeter, pianist, composer, producer, and DJ, recognized as one of the most outstanding talents in the Spanish jazz scene. His innovative approach has reshaped the European music landscape, blending the sophistication and soul of Afro-American music with the eclectic and vibrant essence of his homeland, Ibiza. This unique signature has led to an authentic sound that transcends traditional genre boundaries.
With three albums under his belt, Navarro has solidified a distinctive musical identity. His latest work, QUINTESSENTIAL (2025), an ambitious double album, reaffirms his creative depth and artistic evolution. His previous records, Perenne and Live in Madrid, released under the prestigious Fresh Sound Records label, quickly positioned him as a key figure in contemporary jazz.
Harp, Beats & Dreams
By Marysia Osu
Label: Brownswood Recordings
Released: 2024
Track listing: Seatime; Melting Timbers; Memento Mori; Only U <3; Until Tomorrow Continues; Despite Being In Love; Care To Care; Dream Language; Cascades; Meditation IV.
Not Real People DLC (Expanded)
By Oreglo
Label: Brownswood Recordings
Released: 2024
Track listing: J.A.C.K.; oreglo theme; peck; levels; comet (feat. Bel Cobain); opedge; peck reprise; levels (Alternative
Version); comet dub; M11; levels (IZCO & Reek0 Remix); opedge (Coki Remix)
Halfway Somewhere
By Galliano
Label: Brownswood Recordings
Released: 2024
Track listing: Brownswood Rockers / Golden Shovel (Somebody Else’s Idea); Dancin' Your Own Time; Limebike Getaway; General Rubbish vs The Sportswear Mystics; Tottenham; Crow Foot Hustling; Numbers Click; Circles Going Round The Sun; Golden Shovel 2 (Somebody Else's Idea); Jazz; Halfway Somewhere; Of Peace; Move As One...; In The Breaks; 57th Min / Power and Glory; Kingsland Road; Cabin Fever Dub; Euston Warehouse; Pleasure, Joy & Happiness.
Marysia Osu: Harp, Beats & Dreams
by Chris May
Who knows how the jazz harp paradigm might have evolved had the instrument's most adventurous twentieth-century player, Detroit-born Dorothy Ashby, lived beyond her premature passing in 1986. Since then, most American jazz harpists have stuck pretty closely to the neo-classical glissandos and block chords-based style established by Alice Coltrane. New York's Brandee Younger is among the ...
