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Leslie Pintchik: True North
by Dan Bilawsky
Leslie Pintchik's music has a magical draw to it. Perhaps it has to do with her pearly and softly pronounced piano work, at once circuitous and direct in the way it shapes and navigates expressive pathways. Or maybe it has to do with her compositional acumen. Her pieces, after all, have a way of registering and ...
Marcos Varela: San Ygnacio
by Dan McClenaghan
Bassist Marcos Varela, Houston-bred and now New York-based, opens his recording debut, San Ygnacio, with a big, brash version of the standard, “I Should Care." His rhythm section is rounded out by veteran pianist George Cables and drum icon Billy Hart, so a free swinging zest is expected, and delivered. Logan Richardson on alto sax makes ...
Aruan Ortiz Trio: Hidden Voices
by Luca Canini
Confesso che fino a qualche settimana fa poco o niente sapevo di Aruán Ortiz. Non che il nome del pianista cubano non fosse mai arrivato alle mie orecchie (a suonare con gente come Don Byron, Steve Turre, Esperanza Spalding e Wallace Roney difficilmente si passa inosservati), ma nulla di quanto ascoltato aveva attirato la mia attenzione. ...
Moppa Elliott: Still, Up In The Air
by Mark Sullivan
In his usual role as bassist and leader of the jazz group Mostly Other People Do the Killing, Moppa Elliott focuses on composing and bandleading. So his first solo double-bass album represents a real departure. In many ways it resembles band mate Jon Irabagon's recent solo sopranino saxophone album Inaction is an Action: an often abstract ...
Fred Hersch: Sarabande
by Budd Kopman
Sarabande is a re-mastered reissue of a recording done in 1986, and should be welcomed with open arms. Those who know pianist Fred Hersch get to hear the early work of an now-acknowledged master; those who do not can hear timeless playing from thirty years ago. In the notes, Hersch has dedicated this reissue ...
Danny Green Trio: Altered Narratives
by Dan McClenaghan
Pianist Danny Green took a big step up in the piano trio rankings with 2014's After The Calm (OA2 Records). The San Diego-based group focused in on a distinctive and beautiful set of Green originals and recorded them with a continuity of mood and an ebullient brio--like three guys who knew what they were doing in ...
Rudresh Mahanthappa’s Bird Calls at The Wexner Center for The Arts
by Mark Corroto
Alto saxophonist Rudresh Mahanthappa brought his quintet to the Wexner Center at The Ohio State University February 27, 2016, to play his book of original compositions precipitated by the music of Charlie Parker. The audience to this sold out show was left with the proverbial question: which came first, the chicken or the egg?
Juhani Aaltonen & Iro Haarla: Kirkastus
by Hrayr Attarian
On the sublime Kirkastus saxophonist & flutist Juhani Aaltonen and pianist & harpist Iro Haarla engage in a series of intimate and impressionistic duets that brim with lyricism and spontaneity. A definite spirituality marks all ten of Haarla's compositions and, although various Psalms inspired most, the sacred nature of the music goes beyond strict religious boundaries ...
Rhythm Future Quartet: Travels
by Dan McClenaghan
Gypsy jazz started, in terms of popular recognition, with guitarist Django Reinhardt and violinist Stephane Grappelli, and their lively and supremely swinging Qunintette du Hot Club du France. The group recorded hundreds of tunes in the thirties and and forties, released on the 78 rpm discs that were the recorded music mode at the time, and ...
Moppa Elliott: Still, Up In The Air
by Karl Ackermann
The founder and bassist of Mostly Other People Do the Killing, Matthew “Moppa" Elliott, has kept his own solos to a minimum on MOPDtK recordings, giving the spotlight over to trumpeter Peter Evans, saxophonist Jon Irabagon and now pianist Ron Stabinsky. However, his very recent participation as one of the Big Five Chord quintet, on guitarist ...
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