It's always interesting to discuss the jazz greats of yesteryear and swap thoughts on how the new generation of artists stacks up against the likes of John Coltrane, Miles Davis, Charlie Parker, Duke Ellington. And it's quite possible that the consensus opinion there would be that virtually no one working today can compare favorably to those iconic figures.
But in a much different time, when the artistic offerings competing for our entertainment dollars and attention are vast compared to the days of five television channels and a handful of records labels, one artist has risenin terms of talent and the beauty and perfection of her recent outputto an Ellington-ian level: Composer/arranger Maria Schneider.
Schneider's instrument is her eighteen piece orchestra. Concert in the Garden (ArtistShare, 2004) was an unexpected masterpiece. Sky Blue (ArtistShare, 2007) took it deeper, and now, The Thompson Fields continues in the same gorgeous and expansive mode, making that old argument that jazz is, indeed, America's classical music.
The Thompson Fields has every bit of the depth and unalloyed loveliness of her earlier work, but it seems more daring. The solosSchneider, like Ellington, is a writer of solo spots for specific band membersare bolder, wilder, from Scott Robinson's haunting and mellifluous alto clarinet turn of "Walking By Flashlight," to saxophonist Donny McCaslin's stinging, searing tenor sax on "Arbiters of Evolution," to pianist Frank Kimbrough's delicate and pastoral beauty interacting with Lage Lund's folkish guitar on the title tune.
Schneider has a genius for examining and revealing the profound in small things: "Walking By Flashlight," from the poem "November 18" by Ted Kooser, celebrates a solo pre-dawn stroll in the open fields by a man with "the moon on a leash." "The Monarch and the Milkweed" explores the beauty of the butterfly and its relationship with its simple sustenance, bringing to mind, in concept, Duke Ellington's small gem, "Sunset and the Mocking Bird" that leads into "Lightning Bugs and Frogs," from his "The Queen's Suite," the opening section of The Ellington Suites (Pablo, 1976). "The Thompson Fields" (the tune) is a nostalgic rumination of a family farm neighboring Schneider's own childhood home in southwest Minnesota.
Throughout, Schneider's orchestra soars, it wafts gentle breezes fragrant with smells of the plains, it blows in controlled gales, and it paints rainbowssometimes in subtle pastels, sometimes in bold primary colorsthat brighten the backdrops some of the most inspired soloing imaginable. A magnificent album!
Walking By Flashlight; The Monarch And The Milkweed; Arbiters Of Evolution; The
Thompson Fields; Home; Nimbus; A Potter's Song; Lembranca.
Steve Wilson: alto saxophone, soprano saxophone, clarinet, flute, alto flute; Dave
Pietro: alto saxophone, soprano saxophone, clarinet, flute, alto flute, bass flute,
piccolo; Rich Perry: tenor saxophone; Donny McCaslin: tenor saxophone, clarinet,
flute; Scott Robinson: baritone saxophone, bass clarinet, alto clarinet, clarinet; Tony
Kadleck: trumpet, fluegelhorn; Greg Gisbert: trumpet, fluegelhorn; Augie Haas:
trumpet, fluegelhorn; Mike Rodriguez: trumpet, fluegelhorn; Keith O'Quinn,:
trombone; Ryan Keberle: trombone; Marshall Gilkes: trombone; George Flynn: bass
trombone; Gary Versace: accordion; Lage Lund: guitar; Frank Kimbrough: piano;
Rogerio Boccato: percussion (8); Clarence Penn: drums; Jay Anderson: bass.