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Leslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!
by Jerome Wilson
On this, her sixth album, pianist Leslie Pintchik shows that she can compose distinctive melodies. All of the original compositions she does on this CD are bright and memorable and even the two standards she covers are given surprising arrangements.She establishes herself from the beginning with the uniquely-titled “You Eat My Food." This turns ...
Kate McGarry: The Subject Tonight Is Love
by C. Michael Bailey
Genevieve & Ferdinand -Live (Sunnyside Records, 2014) captured vocalist Kate McGarry and guitarist/husband Keith Ganz in an intimate duo live set that was well-received at All About Jazz and outlet beyond. The duo adds keyboardist Gary Versace, making a trio, recording The Subject Tonight is Love. Retaining the intimacy of Genevieve & Ferdinand, the inclusion of ...
Kate McGarry/Keith Ganz/Gary Versace: The Subject Tonight Is Love
by Dan Bilawsky
The ancient Greeks spoke of love's many forms, codifying and distilling the essence of every one in detailed thought and language. Each of those documented variants rightly differs from the others, yet the keen mind can certainly discern that all of them basically stem from the same roots: connectivity and understanding. In something of a musical ...
Photographer Jimmy Katz Announces Giant Step Arts, Artist-focused Non-profit Supporting Modern Jazz Innovators
“[Katz] has developed an exceptional body of work in the jazz field, covering the elder statesmen, the icons, the mainstream and the young lions. In the process, he has developed his own style with the camera that is as identifiable as Armstrong’s tone on trumpet or Coltrane’s sound on tenor sax.”—Michael Cuscuna, producer, Blue Note Records ...
Satoko Fujii: Solo
by Mark Corroto
Solo piano performances generally fall into one of two categories--introverted or extraverted affairs. Obvious examples of extraverts are Fats Waller and Art Tatum, while inward-looking pianists are Brad Mehldau and Bill Evans. Extraverts play music pointed at the audience, while introverts internalize the experience. How then do we categorize the music of Satoko Fujii? ...
Fred Hersch: Life, Music, and the Creative Process
by Victor L. Schermer
Since his arrival on the jazz scene in the 1970s, pianist Fred Hersch has developed from a sought after sideman to a multi-Grammy nominated jazz icon, creative force, and significant composer of songs, jazz standards, and original complete works, the latter including Leaves of Grass (Palmetto, 2005), based upon the poetry of Walt Whitman. As one ...
Lena Bloch: Heart Knows
by Hrayr Attarian
Tenor saxophonist Lena Bloch has a cool, cerebral style and a definite and captivating lyricism. Her second release Heart Knows demonstrates this quite well. In addition, Bloch showcases her inventive compositional skills as she contributes four intriguing originals to the album. One of Bloch's mentors, multi-reed player Yusef Lateef inspired the poetic and multilayered ...
Danny Fox Trio: The Great Nostalgist
by Dan Bilawsky
A group like the Danny Fox Trio and an album like The Great Nostalgist both serve as strong reminders that there's no shortcut for building empathy and there's no technological advancement in the world that can substitute for big ears, strong reflexes, and their attendant responses. Togetherness is truly a time-honed ideal, and music benefits not ...
Rudresh Mahanthappa’s Indo-Pak Coalition & Rez Abbasi’s Invocation
by Mark Sullivan
Two nearly simultaneous releases that shine an especially interesting light on the three players they have in common. In addition to leading the two dates, alto saxophonist Rudresh Mahanthappa and guitarist Rez Abbasi play prominent performance roles in both, and Dan Weiss provides drums (and tabla). Both projects mark the return of their respective bands: the ...
Solo: Reflections and Meditations on Monk & Najwa
by Doug Collette
Wadada Leo Smith's most recently recorded albums reaffirm this trumpeter/composer/bandleader's deep, abiding loyalty to his muse. Equally so on stage or in the studio, Smith's devotion to the creative impulse is absolutely unwavering, and, as a result, his works are pure, direct expressions of his concepts, undiluted by compromise. Such is the uniformity of his execution ...
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