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93

Article: Album Review

Spinifex: Maxximus

Read "Maxximus" reviewed by Glenn Astarita


Spinifex, the Amsterdam sextet formed in 2005 by saxophonist Tobias Klein, has spent two decades rattling jazz conventions with math-metal precision and global rhythmic flair. With trumpeter Bart Maris, tenor saxophonist John Dikeman, guitarist Jasper Stadhouders, bassist Gonçalo Almeida, and drummer Philipp Moser, their live shows ignite like sonic wildfires. Maxximus marks their twentieth anniversary and ...

5

Article: Album Review

Satoko Fujii Quartet: Burning Wick

Read "Burning Wick" reviewed by Dan McClenaghan


Japanese pianist Satoko Fujii is prolific. She has released well over 100 albums in a 30-year career, including a notable stretch in 2018 when she released an album a month. Solo piano outings, duo sets--including several with her husband, trumpeter Natsuki Tamura--trios, quartets, and larger ensembles of every size and shape. A general rule with Fujii: ...

8

Article: Album Review

Rahsaan Roland Kirk: Seek & Listen: Live At The Penthouse

Read "Seek & Listen: Live At The Penthouse" reviewed by Dan McClenaghan


Most jazz fans are likely familiar with the visual images that are usually tagged onto the music of Rahsaan Roland Kirk (1935 -1977)--photos of a man in black sunglasses with three (or more) reed instruments around his neck and/or in his mouth. That these optics often precede the experience of the music is ironic, since Kirk ...

4

Article: Album Review

Jussi Reijonen: Sayr: Salt | Thirst

Read "Sayr: Salt | Thirst" reviewed by Dan McClenaghan


Listening to Finish guitarist/oudist Jussi Reijonen's Sayr: Salt | Thirst without delving into his rich backstory is a journey into two extended solo guitar pieces that play out as ruminative dream states. Concentrating on just the sound, images of Lightnin' Hopkins might come to mind: the bluesman huddled down in a small, dim hotel room after ...

10

Article: Multiple Reviews

A Muse Renaissance: Reissues from Roy Brooks, Kenny Barron, and Carlos Garnett

Read "A Muse Renaissance: Reissues from Roy Brooks, Kenny Barron, and Carlos Garnett" reviewed by C. Andrew Hovan


The independent jazz label has long served as a bellwether for the music's highest artistry, ever since the advent of the long-playing record. Labels such as Verve Records, Blue Note Records, Prestige Records, Contemporary Records, and Riverside--each a modest operation led by passionate entrepreneurs--were devoted to documenting the sound of their era with fidelity and purpose. ...

6

Article: Album Review

Carlos Garnett: Cosmos Nucleus

Read "Cosmos Nucleus" reviewed by Pierre Giroux


When Cosmos Nucleus first appeared in 1976 on Muse Records, it was the kind of album that seemed to evoke various idioms. It was a bold statement that drew strength from jazz's spiritual core while speaking in the electrified dialect of funk and fusion. Tenor saxophonist Carlos Garnett, a Panamanian-born firebrand who had sharpened his skills ...

7

Article: Album Review

Roy Brooks: The Free Slave

Read "The Free Slave" reviewed by Pierre Giroux


Roy Brooks's The Free Slave, newly reissued on Time Traveler Recordings as a 180-gram vinyl LP, stands as a passionate tribute to the drummer's remarkable artistry and his often overlooked role as one of the most rhythmic thinkers of the post-bop period. Recorded live by Muse Records on April 26, 1970, at Baltimore's renowned Left Bank ...

1

News: Festival

November 15-22, 2025: Jumpin’ In The Future: The Legacy Of Gunther Schuller

November 15-22, 2025: Jumpin’ In The Future: The Legacy Of Gunther Schuller

New England Conservatory (NEC) presents the week-long festival Jumpin’ in the Future: The Legacy of Gunther Schuller from November 15 to November 22, 2025. The festival features performances and discussions at whose core is the fearless innovation and revolutionary spirit Schuller brought to NEC and which continues to this day. A MacArthur Fellow and Pulitzer Prize ...

1

Article: Radio & Podcasts

Aruán Ortiz: Négritude in the 21st Century

Read "Aruán Ortiz: Négritude in the 21st Century" reviewed by David Bixler


Créole Renaissance is the latest offering from pianist Aruán Ortiz on Intakt Records. This solo piano record draws its inspiration from the Négritude movement that originated in Paris in the early part of the 20th century that was established to counteract the anti-colonialism attitudes that many black artists in Paris faced as they worked in their ...

11

Article: Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by Mike Jurkovic


Peerless, vibe-savvy vibraphonist Patricia Brennan minces no fools from the get go, launching Of The Near And Far with the kick-ass lead single (singles? They still make singles? In this day? In this age?) “Antilla." A new jazz standard by any stretch of the imagination, “Antilla" is a sleek, hypnotic beauty that gears you into the ...


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