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5

Article: Album Review

Vincent Peirani: Thrill Box

Read "Thrill Box" reviewed by Bruce Lindsay


Thrill Box is Vincent Peirani's debut release on the ACT Music label. Its title refers to Peirani's instrument of choice, the accordion. For many, the accordion springs most readily to mind as an East European folk instrument, for others it evokes images of Morris dancers on warm English spring evenings (although that's more usually the concertina) ...

15

Article: Record Label Profile

Big Jazz on SmallsLIVE

Read "Big Jazz on SmallsLIVE" reviewed by Bob Kenselaar


Since its launch in 2010, the SmallsLIVE record label has been offering a substantial sampling of the outstanding jazz talent consistently featured at Smalls Jazz Club in New York City's Greenwich Village. Musicians who appear on the label range from the great veterans Harold Mabern and Jimmy Cobb to contemporary players at the top of their ...

2

Article: Album Review

Gregg Kallor: A Single Noon

Read "A Single Noon" reviewed by Dan McClenaghan


Solo piano recordings are risky. Even the acknowledged masters of the form--Brad Mehldau, Keith Jarrett--fall flat from time-to-time. Somehow, outside of an interactive ensemble, magic seems harder to conjure. Pianist Gregg Kallor tries his hand at going it alone on A Single Noon, a nine movement suite, a musical ode to life in New York City.

5

Article: Album Review

Craig Taborn Trio: Chants

Read "Chants" reviewed by Dan McClenaghan


Pianist Craig Taborn's first ECM Records release under his own name, Avenging Angel (2011), garnered well-deserved praise as a worthy entry into the German label's long line of solo piano recordings by stellar artists such as Paul Bley, Chick Corea and, of course, Keith Jarrett. With Chants, a piano trio outing, Taborn will be held up ...

4

Article: Meet the Staff

Meet Geoff Anderson

Read "Meet Geoff Anderson" reviewed by AAJ Staff


I currently live in: Littleton, CO I joined All About Jazz in: 2007 What made you decide to contribute to All About Jazz? It all started at a concert by George Brooks and his band Summit at the Boulder Theater around 2002. The band featured tabla maestro Zakir Hussain as well as ...

9

Article: Live Review

Vossa Jazz 2013

Read "Vossa Jazz 2013" reviewed by John Kelman


Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...

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Article: Take Five With...

Take Five With Lisa Hilton

Read "Take Five With Lisa Hilton" reviewed by AAJ Staff


Meet Lisa Hilton: Lisa Hilton is considered one of the most distinctive composers and pianists in jazz today. Trained as a classical pianist but with a degree in art, she has created her evocative, individualistic and impressionistic “sound paintings" for over a decade as a leader. In the book, The New Face of Jazz, Hilton was ...

3

Article: Take Five With...

Take Five With Paul Zaborac

Read "Take Five With Paul Zaborac" reviewed by AAJ Staff


Meet Paul Zaborac:Paul Zaborac is a versatile saxophonist, composer, and educator. Born in Des Moines, Iowa in 1987, he began studying the saxophone at the age of 11. After receiving a bachelor degree in music education from Simpson College (2010), he proceeded to obtain a master of music degree in saxophone performance at the ...

17

Article: Extended Analysis

Wislawa

Read "Wislawa" reviewed by John Kelman


Since returning to the ECM fold in 1994 to record Matka Joanna (1995), Tomasz Stańko has virtually rebooted a career that demonstrated significant promise back in the 1970s, when he released Balladyna (1976) for the label, and worked with others including Finnish drummer Edward Vesala and American bassist Gary Peacock. The Polish trumpeter was far from ...

9

Article: Interview

Jorge Rossy: When Rhythm Becomes Harmony

Read "Jorge Rossy: When Rhythm Becomes Harmony" reviewed by Marta Ramon


Jorge Rossy arrived at Berklee College of Music in 1990 to study trumpet, despite already being a professional drummer. In Boston, the front line musicians--most of them were his teachers at the school--would hire him to play important gigs. Even with this brief anecdote one can get an idea about the Spanish multi-instrumentalist's special charisma and ...


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