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Article: Album Review

Patrick Cornelius: Infinite Blue

Read "Infinite Blue" reviewed by Edward Blanco

by Edward Blanco
October 3, 2013

Veteran New York saxophonist and composer Patrick Cornelius delivers his fourth album as leader with Infinite Blue, a gem of a recording that sparkles with an A-list of players interpreting eight new originals and one cover tune in one audacious session of music. Not really an unusual feat for this three-time winner of the ASCAP Young ...

Article: Interview

Kevin Hays: Creative Flow

by George Colligan
September 21, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]If you aren't familiar with pianist Kevin Hays, you should be. He's recorded and toured with many of the greatest jazz musicians of all time. And those who call him can't seem to get enough of him. His recent projects as a ...

Article: Live Review

Punkt Festival 2013

by John Kelman
September 19, 2013

Punkt FestivalKick Kristiansand, Norway September 6-8, 2013 Punkt is back. Three simple words with greater significance. While the annual festival, which has made its name on the strength of two additional words--Live Remix--had an eighth edition in 2012 that, on paper, should have been nothing short of spectacular, it was ultimately ...

News: Birthday

Jazz Musician of the Day: Brad Mehldau

August 23, 2013

All About Jazz is celebrating Brad Mehldau's birthday today! Jazz pianist Brad Mehldau has recorded and performed extensively since the early 1990s. He has worked primarily with the same trio since 1995, featuring bassist Larry Grenadier and drummer Jorge Rossy. Between 1996 and 2000, they released a series of five records on the Warner Brothers label ...

Article: Album Review

The Swallow Quintet: Into the Woodwork

Read "Into the Woodwork" reviewed by John Kelman

by John Kelman
August 21, 2013

In the press sheet for Steve Swallow's Into the Woodwork, the award-winning electric bassist is quoted, saying: “Good humor before and after the red light goes on is very important. Music-making should be fun, after all." Those fortunate enough to see Swallow with Steve Kuhn and Joey Baron this past summer--including a memorable stop at the ...

Article: Live Review

Fondazione Siena Jazz Summer Workshop 2013

by John Kelman
August 16, 2013

Fondazione Siena Jazz Summer WorkshopSiena, ItalyJuly 24-August 7, 2013While there are those who continue to suggest that the death knell for jazz has been sounded--and loudly--they're clearly not looking at the vast number of young musicians studying the music, both privately and, increasingly, in university programs. It's hard to imagine that only fifty ...

Article: Live Review

Sligo Jazz Project 2013: Days 1-3

by Ian Patterson
July 31, 2013

Sligo Jazz ProjectVarious VenuesSligo, IrelandJuly 16-21, 2013 For such a small country, perched on the Western extreme of Europe, Ireland has created a disproportionate amount of history, and had more than its fair share thrust upon it. Everywhere, history informs the landscape and the collective memory. Sligo, home to the Sligo ...

Article: Interview

Etienne Charles: Trumpet's First Chantwell

by DanMichael Reyes
July 29, 2013

Trinidadian-born trumpeter Etienne Charles has made it a point to share the culture of his native homeland with the world through music, whether it is writing songs on cuatro or steel pan, incorporating Kweyol chants on the opening track to his latest album Creole Soul (Culture Shock, 2013), or playing with an undeniable Caribbean bounce that ...

Article: Catching Up With

Alexi Tuomarila: From Helsinki to Timbuktu

by Bruce Lindsay
July 23, 2013

Sometimes a person can be in the right place, just not quite at the right time. So it was for Finnish pianist Alexi Tuomarila. After his debut album with his quartet, Voices of Pohjola (Igloo Records, 2001), he signed to Warner Jazz in the early '00s, while he was still in his 20s. The second quartet ...

Article: Interview

Bill Mays: Inventions, Conventions and Dimensions

by Dr. Judith Schlesinger
July 22, 2013

This title is more than a rhyme: it's an attempt to capture some of the legendary versatility of pianist Bill Mays. “Inventions" refers to his unprecedented, working jazz trio of piano, trumpet, and cello. “Conventions" is a nod to his invaluable contribution to the annual meeting of the International Society of Bassists (in 2013, he played ...