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Joe Rosenberg Ensemble: Rituals and Legends
by Alberto Bazzurro
Il bostoniano Joe Rosenberg, sessant'anni compiuti da poco, è uno dei tutto sommato non numerosi specialisti (monogami) del sax soprano. Ha studiato (strumento e composizione) con Joe Viola, Buddy Collette e John Carter, per mettersi in proprio con convinzione a partire dai primi anni Novanta, incidendo fra l'altro con l'avvento del nuovo millennio alcuni apprezzati album ...
Jazz this week: Dee Dee Bridgewater & Irvin Mayfield, Tammy McCann, Joe Krown, Pink Martini, and more
With the weather taking a timely spring-like turn, it's a very busy week for jazz and creative music in St. Louis, with a couple of touring headliners in town plus visits by some lesser-known but worthy musicians from NYC, Chicago, Boston and New Orleans. Let's go to the highlights... Wednesday, March 16 Singer Dee Dee Bridgewater ...
Robin Eubanks Mass Line Big Band: More Than Meets the Ear
by Angelo Leonardi
Tornato alla piena attività discografica lo scorso anno con l'eccitante Klassik Rock -Vol. 1, Robin Eubanks pubblica ora un formidabile lavoro orchestrale con una band ricca di splendidi solisti e alcuni allievi dei suoi corsi. Dopo il Duemila il trombonista s'è dedicato prevalentemente all'insegnamento (all'Oberlin College, ma anche al Berklee College of Music e al New ...
Dave Bryant: The Garden of Equilibria
by Dave Wayne
As one of the few keyboardists to perform and record with Ornette Coleman on a consistent basis, Dave Bryant stands alongside the likes of Geri Allen and Paul Bley. Yet, Bryant is not nearly as well-known. A Berklee graduate who studied privately with Coleman starting in 1983, Bryant's first appearance on record was with the trio ...
Laszlo Gardony: Life in Real Time
by Maurizio Zerbo
Questa incisione conferma il progresso artistico di Laszlo Gardony, particolarmente sotto il profilo degli equilibri sonori. Arrivato al quattordicesimo album, il pianista espande per l'occasione la sua tavolozza timbrica, riservata fino ad oggi all'esplorazione delle possibilità espressive del trio con pianoforte-basso-batteria. Cambiano quindi le dinamiche e le strategie in questo concerto bostoniano, con l'apporto di tre ...
Donald Rubinstein: Martin
by Dave Wayne
Jazz doesn't typically play a huge role in horror film soundtracks. Sure, there are exceptions. Jazz guitarist Joseph LoDuca scored Sam Raimi's adaptation of Stephen King's The Evil Dead. Giorgio Gaslini's collaboration with the prog-rock group Goblin on Dario Argento's Suspiria certainly has some jazz-related elements, as does the work of Krzysztof Komeda (Rosemary's Baby), Bruno ...
NEC Faculty Member Jason Moran Led A Performance Of "The Music Of Andrew Hill"
As the culmination of one of his regular teaching residencies, NEC faculty member Jason Moran presented a performance of the music of his mentor Andrew Hill in a concert titled simply The Music of Andrew Hill" on Thursday, January 28. Moran led NEC students in the re-imagining of Hill's music, including material drawn from several landmark ...
Various Artists: The Boston Creative Jazz Scene 1970-1983
by Dave Wayne
Though New York City remains first and foremost in everyone's mind as the Jazz Capital of the World," aficionados know that many other cities in the US and abroad support significant and artistically important jazz communities. Boston looms large among the most important jazz cities, worldwide. The birthplace of Harry Carney, Roy Haynes, George Russell, Sonny ...
Nick Sanders Trio: You Are a Creature
by Maurizio Zerbo
Prodotto da Fred Hersch, il You Are a Creature mette in mostra un trio davvero ragguardevole nell'esprimere una variegata sintesi del piano jazz moderno. Affiancato da una ritmica eccellente, Nick Sanders esprime un raffinato pensiero musicale al servizio di un gustoso percorso modern mainstream. Lo dimostra la traccia numero due, elevabile a simbolo di una espressività ...
John Scofield: Live
by John Kelman
John Scofield LiveEnja Records1977 After a lengthy hiatus, Rediscovery returns with an album that may not have represented the first time I'd heard John Scofield...but it was certainly the album that cemented my already firm impression that this was a guitarist on whom I'd have to keep a close watch. Nearly ...


