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Article: Album Review

Erna Ferry: Wild About You

Read "Wild About You" reviewed by Jack Bowers


If singer Erna Ferry's name is new to you, that's more than likely because she's a New Zealander who makes her home in that lovely faraway island nation in the southwestern Pacific Ocean, east of Australia across the Tasman Sea. Ferry, a jazz singer with bluesy overtones, is backed on Wild About You by the exemplary ...

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Article: My Blue Note Obsession

Art Blakey: A Night in Tunisia – 1961

Read "Art Blakey: A Night in Tunisia – 1961" reviewed by Marc Davis


Dizzy Gillespie's “A Night in Tunisia" has been done almost to death. Wikipedia says it has been recorded at least 500 times and it is the title track to at least 30 albums. It might be the most recorded bop tune of all time. Who did it best? Take your pick. Dizzy ...

7

Article: Album Review

Adrienne Fenemor: Mo' Puddin'

Read "Mo' Puddin'" reviewed by Edward Blanco


Vocalist, Hammond B 3 specialist and educator, Adrienne Fenemor unveils a tasteful musical treat with the dynamic Mo' Puddin' presenting an explosive session of organ-based music offering a selection of six originals and three standards full of swing and swagger. A New York-based performer and educator since moving to the USA in 2008, Fenemor was born ...

3

Article: Album Review

Valery Ponomarev Jazz Big Band: Our Father Who Art Blakey

Read "Our Father Who Art Blakey" reviewed by Jack Bowers


Who is Russian-born trumpeter Valery Ponomarev's favorite musician? A clue may be found in the title of Ponomarev's first CD as leader of his New York City-based big band: Our Father Who Art Blakey. The first jazz recording he heard while still in Russia, Ponomarev recalls, was Blakey's Jazz Messengers with trumpeter Lee Morgan playing pianist ...

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News: Recording

Timmons/Patterson: Holiday Soul

Timmons/Patterson: Holiday Soul

Each year, for the past eight years, I've chosen a  jazz or pop album for induction into my JazzWax Vintage Holiday Album Hall of Fame. To qualify, the album has to be a sleeper of sorts, usually from the 1950s or '60s. It also has to swing.  This year, I'm welcoming two albums with the same ...

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Article: Album Review

Dan Wilensky: Made In Portland

Read "Made In Portland" reviewed by Dan Bilawsky


Relocating is never easy, but it would seem that multi-reedist Dan Wilensky has acclimated quite well to the musical climate of Portland, Oregon since arriving there in 2012. The latest release from this man-of-many-talents puts him in close quarters with a collection of that city's finest musicians, a crew that's ready and eager to tackle Wilensky's ...

15

Article: My Blue Note Obsession

Benny Golson and the Philadelphians - 1958

Read "Benny Golson and the Philadelphians - 1958" reviewed by Marc Davis


I have hundreds of jazz CDs. I'm a huge fan of bebop, hard bop and all manner of piano playing. Yet I have blind spots in my collection and in my jazz knowledge. The big names are all accounted for. And now that I've been exploring Blue Note's back catalogue--especially the 1950s and '60s--I'm ...

3

Article: Album Review

Thomas Fonnesbaek: Where We Belong

Read "Where We Belong" reviewed by Chris Mosey


Aficionados increasingly see Danish bassist Thomas Fonnesbaek as a successor to the late, great Nils-Henning Orsted Pedersen. He is heard here as part of a trio featuring Swedish pianist Lars Jansson, the format that established his reputation. The album consists primarily of Fonnesbaek's own compositions and others put together on the spot with ...

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Article: Album Review

Sands Fonnesbæk Riel: Take One

Read "Take One" reviewed by Chris Mosey


In October 2014 pianist Christian Sands, a protégé of Billy Taylor, known mainly for with his work with bassist Christian McBride's trio, played two nights to remember at Copenhagen's legendary jazz club Montmartre. The highlights are captured on this Storyville double album. Sands plays with (rather than is accompanied by) phenomenal local bassist ...

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Article: Profile

James Clay: Texas Tenor, Second Generation

Read "James Clay: Texas Tenor, Second Generation" reviewed by David Perrine


The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...


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