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Michael Lauren: Give My Regards To Portugal
by Jim Worsley
From Broadway to jazz to Portugal. A circuitous route for sure. One that has, however, served international musician Michael Lauren well. The now seventy-year- old multi-styled drummer came out of the womb with a kick pedal and has been holding down a symphony of beats ever since. Over the years he has played or recorded with ...
Richie Cole: Cannonball
by Rob Rosenblum
Richie Cole and Julian “Cannonball" Adderley. It's as natural as soap and water. In an interview on this site, Cole proclaimed that the famed jazz musician was his favorite altoist. Like Adderley, Cole can cover a wide range of music--from the hardest of hard bop to commercial ditties. And also like Adderley, for Cole the audience ...
Julian "Cannonball" Adderley: Swingin' in Seattle, Live at the Penthouse 1966-1967
by Luca Canini
Un imperdibile e prezioso inedito. Settanta minuti di musica mai ascoltati prima che arrivano dritti dritti dalla seconda metà degli anni Sessanta. Un periodo cruciale per Julian Cannonball Adderley e il suo quintetto, freschi di approdo alla californiana Capitol, etichetta con le spalle decisamente più larghe e molto meno “ortodossa" rispetto alla newyorchese Riverside, e lanciati ...
Jay Thomas: We Always Knew
by Paul Rauch
Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...
Stefon Harris: Pursuing the Tradition
by R.J. DeLuke
Musician and composer Stefon Harris wears many hats. But he wears them all well. He is a composer, performer, bandleader, businessman, educator and leadership trainer. He handles each with a clear head, confidence and sense of purpose. He's bright, articulate and relates to people on any level. Harris' to-do list on ...
Stefon Harris & Blackout: Sonic Creed
by Dan Bilawsky
In its most basic function, the music that makes up Sonic Creed serves as a mirror to African American life in the here and now. It explores the history, legacy, struggles, and joys of the Black community, speaking to all of it at once through sound and sentiment. Sonic Creed arrives almost a ...
David Ricard Big Band: Parallels
by Jack Bowers
Whatever else the fates may decree, fortune must be smiling when one can open a big-band album with the workaday theme from “Spider-Man" and make it shine. Bassist David Ricard is fortune's beneficiary here, as are those partisans who are lucky enough to chance upon Parallels, Ricard's third and most recent treatise on big-band excellence. Whereas ...
Funchal Jazz Festival 2018
by Ian Patterson
Funchal Jazz Festival 2018 Santa Catarina Park Madeira, Portugal July 12-14, 2018 A stunning tableau greets visitors to the Funchal Jazz Festival entering by the main gate, at the top of Santa Catarina Park. The first thing that catches the eye are the spectacular trees that define the park's boundaries. ...
Six on Cellar Live
by C. Michael Bailey
Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...
Adam Shulman Sextet: Full Tilt
by Jack Bowers
In music, as in life, not every new voice is worth hearing. Here's one that is. Full Tilt, the fifth CD by San Francisco-born and based pianist Adam Shulman's sextet, is a throwback to those halcyon days when bop was king and giants like Diz, Bird, Miles, Max Roach, Hank Mobley, Benny Golson, Horace Silver, Wardell ...
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