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Chris May's Best Releases of 2019
by Chris May
The world may be going to hell in a handcart, but the year has been full of uplifting jazz. Here are ten of the best albums--the first seven newly recorded, the final three reissued or recently unearthed. Each one is the coyote's cojones. Yazz Ahmed Polyhymnia Ropeadope The eagerly ...
EFG London Jazz Festival 2019
by Luke Seabright
A truly great event that advocates for an art form like jazz will celebrate both its history and its younger incarnations. It can breathe life into the music's traditions while exposing new ways forward. The EFG London Jazz Festival, through its vast programme of concerts in venues across the city, succeeds in doing just that. This ...
David Sanborn: The Curtain Rises on Sanborn Sessions
by Jim Worsley
Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this ...
Blue Note releases from November 1969: Hill, Hutcherson, Cox & Pearson
by Marc Cohn
Time for Blue Note 50th anniversaries from November 1969, with released by Andrew Hill (Passing Ships), Bobby Hutcherson (Now!), Kenny Cox (Multidirection) and a short Duke Pearson session that ended up on I Don't Care Who Knows It. There's also BN-15, a 78 from Meade Lux Lewis. Along the way: 13-year-old Brandon Goldberg on the 88s ...
All About The Vibes
by Bob Osborne
This week the show is all about the vibraphone or vibes with a variety of music demonstrating the power and wonder of that singular instrument. Jazz history is full of great players from Milt Jackson through to Gary Burton but I'm going to look at some modern practitioners on this show, One of those is Dan ...
Istanbul Jazz: So Close to the Music, So Far From New York
by Arthur R George
That any musician, old cat, young lion, or apprentice anywhere, endeavors in jazz is amazing enough, given the elusiveness of “success." That is even more true in Istanbul, Turkey: not a conventional jazz capitol, far from the African-American roots of jazz, and even beyond the music's major continental domiciles. Yet the tilting cobblestoned streets of the ...
Steve Khan: Patchwork
by John Kelman
Amongst the many myths out there about music-making—especially in jazz, where the improvisation quotient is often so high—is that composing may, indeed, be work, but doesn't require the kind of relentless attention to detail that far more truthfully defines how many artists write and arrange their music. These days, one need only look to music by ...
Donald Byrd: Ethiopian Knights
by Chris May
Donald Byrd (1932-2013) was a solid and dependable and prolifically recorded hard-bop trumpeter during the style's mid 1950s to mid 1960s heyday, though he was never an innovator, far less an auteur. He later went on to make a string of tedious disco-cum-jazz-funk albums which sold by the truckload. On the cusp of this ...
50th Anniversary Blue Notes from August 1969
by Marc Cohn
Salutes to Blue Note recordings by organists John Patton (with James Blood Ulmer on guitar) and Lonnie Smith (live in Atlantic City), vibraphonist Bobby Hutcherson (with Harold Land), saxophonist Lou Donaldson (with Charles Earland), The Three Sounds, pianist Andrew Hill (from a session never formally released on Blue Note), as well as Wayne Shorter (with a ...
New sounds and a focus on Bobby Hutcherson
by Bob Osborne
Three classic tracks from vibes master Bobby Hutcherson plus new music from Angelika Niescier, Matthias Spillman and Ocean Fanfare, with a selection of other jazz treats. Playlist Angelika Niescier “The Surge" from New York Trio (Intakt) 00:00 Matthias Spillmann “Peace" from Live at the Bird's Eye Jazz Club (Clean Feed) 09:53 Ocean Fanfare “We ...
