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News: Recording

Dr. Lonnie Smith: Breathe

Dr. Lonnie Smith: Breathe

Twelve years ago, Ira Gitler introduced me to Lonnie Smith. We were sitting at New York's Jazz Standard listening to the music during the Jazz Journalists Association awards annual gala. As the three of us sat there, I told Lonnie how much I dug his heavy groove albums from the 1960s and '70s—particularly Think! and Turning ...

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Article: Album Review

Charles Lloyd: Tone Poem

Read "Tone Poem" reviewed by Eric Gudas


Charles Lloyd and The Marvels' April 2017 performance at UCLA's Royce Hall, with guest vocalist Lucinda Williams, was nothing but highlights--from Lloyd's dance moves across the stage as one or other of his bandmates soloed, to Williams' impassioned performances on such songs as Bob Dylan's “Masters of War" and Jimi Hendrix's “Angel." They also played a ...

2

Article: Album Review

Dr. Lonnie Smith: Breathe

Read "Breathe" reviewed by Angelo Leonardi


Nel nuovo album di Dr.Lonnie Smith, appena uscito per la Blue Note, non c'è solo il traboccante groove del suo trio. Per il 75mo compleanno dell'organista Hammond, il produttore Don Was ha fatto le cose in grande, pubblicando la registrazione di una una serata allo Jazz Standard (a New York nel 2017) con un organico strumentale ...

Article: Album Review

Ron Miles: Rainbow Sign

Read "Rainbow Sign" reviewed by Mario Calvitti


Per il suo esordio su etichetta Blue Note, il trombettista Ron Miles riunisce nuovamente il quintetto stellare con cui aveva inciso il precedente I Am a Man, Bill Frisell alla chitarra, Brian Blade alla batteria, Jason Moran al piano e Thomas Morgan al contrabbasso. Il gruppo era a sua volta l'evoluzione di un trio con Frisell ...

News: Video / DVD

Freddie Redd on Blue Note

Freddie Redd on Blue Note

Freddie Redd was a hard-bop pianist whose percussive, funk-flavored style had a great deal in common with pianist Horace Silver. But for some reason, Redd recorded far too few albums given his talents, preferring instead to earn his living playing clubs in the U.S. and abroad. Born in New York and largely self-taught, Redd recorded sporadically ...

Article: Album Review

Joe Chambers: Samba De Maracatu

Read "Samba De Maracatu" reviewed by Angelo Leonardi


Batterista leggendario, compartecipe di grandi pagine del bop avanzato degli anni sessanta settanta, con Wayne Shorter, Andrew Hill, Bobby Hutcherson, Joe Henderson e decine di altri, il batterista Joe Chambers torna in casa Blue Note dopo un'assenza più che ventennale. Nella storica etichetta fondata da Alfred Lion, Chambers era soprattutto un sideman e ...

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Article: Album Review

Joe Chambers: Samba De Maracatu

Read "Samba De Maracatu" reviewed by Chris May


Drummer Joe Chambers was unusual among the drummers who emerged on the Blue Note label in the mid 1960s in that not only did he generate a powerful beat, he wrote strong tunes, too. He played on, and often composed pieces for, albums by such Blue Note luminaries as saxophonists Wayne Shorter and Joe Henderson, vibraphonist ...

1

Article: Album Review

The Nels Cline Singers: Share the Wealth

Read "Share the Wealth" reviewed by Vincenzo Roggero


L'idea era di registrare delle lunghe improvvisazioni per poi selezionare frammenti, operare un copia-incolla di davisiana memoria e dar vita ad una sorta di mosaico/collage psichedelico. L'ascolto del materiale registrato, la percezione della magia sprigionata dalle sessions e della unicità dei brani hanno cambiato le carte in tavola e suggerito di pubblicare integralmente, senza sforbiciate, quello ...

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Article: Album Review

Charles Lloyd and the Marvels: Tone Poem

Read "Tone Poem" reviewed by Mike Jurkovic


The download comes down the i-pipe in a virtual blue folder titled Charles Lloyd Tone Poem and the first thought upon initial listening is 'damn right it is'! It is a deceptively graceful covers album which immediately makes all the songs—many by none other than Ornette Coleman, Gabor Szabo and Leonard Cohen—their own highly active ecosystem ...

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Article: Album Review

Ron Miles: Rainbow Sign

Read "Rainbow Sign" reviewed by Paul Rauch


Denver-based cornetist Ron Miles seemed to turn an important creative corner with the release of his last album, I Am a Man (Yellowbird, 2017). With a stellar band in tow, he seemed to have gathered the elements to produce something very original. This was not an easy task, considering the ardent individuality represented by the session's ...


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