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Wayne Shorter: Night Dreamer
by John Kelman
By the time he made this recording, a few short months before he was to join Miles Davis' groundbreaking second quintet, saxophonist Wayne Shorter had already earned a reputation as a player combining heady intellectualism with a more visceral approach as a member of Art Blakey's Jazz Messengers. He'd also released four records for the Vee-Jay ...
Patricia Barber: Live: A Fortnight in France
by Woodrow Wilkins
The mere mention of a woman speaking French is enough to set many men's imaginations to wandering. If she's singing it, and has a pleasant voice to boot, the listener--male or female--can't help but smile. Although Patricia Barber only offers Français on one track of her latest album, Live: A Fortnight in France , it is ...
Sam Rivers: Contours
by Germein Linares
After his Blue Note debut on Fuchsia Swing Song, saxophonist Sam Rivers drifted further “out" on Contours. Reissued as a limited edition connoisseur series CD, this '65 Blue Note outing sparkles anew with 24-bit remastered sound. Playing with trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter, and drummer Joe Chambers, Rivers performs four of his ...
Jimmy Smith: Retrospective
by Germein Linares
Jimmy Smith Retrospective Blue Note Records 2004 Blue Note Records' 4-CD Retrospective is a 38-song summary of Jimmy Smith's music from 1956-62. Along with artists like Art Blakey and Horace Silver, Smith not only came to define the “Blue Note" sound, he also molded and enriched the genres of hard ...
Jason Moran: Same Mother
by Mark Sabbatini
Jason Moran is among a handful of modern pianists whose work often demands a listen as soon as it's released, since most other players will be trying to imitate it tomorrow. He doesn't quite meet those expectations on Same Mother, an album heavy on blues and soundtrack elements that represents his sixth project as a leader. ...
Jason Moran: Same Mother
by John Kelman
Contrary to popular opinion, the blues transcends structured musical form. Rather, it is a feeling that imbues, a deep and dark sense of despair that pervades. Regardless of the context, there was always something distinctly blue about the way Miles Davis approached every phrase. Similarly, while his music in no way relates to conventional blues form, ...
Stefano di Battista: Parker's Mood
by John Kelman
Is it possible to be too reverent to one's roots? Over the course of three prior releases for Blue Note, Italian saxophonist Stefano di Battista has honoured a number of players who have informed his music, including Art Pepper, Cannonball Adderley, and Johnny Hodges. But whereas previous discs have delivered homage in the context of largely ...
Stefano di Battista: Parker's Mood
by AAJ Staff
Coming on the heels of another prominent Bird dedication, Anothony Braxton's recently reissued Charlie Parker Project, Parker's Mood is not only a change of pace but a totally distinct look at the music of one of bebop's founding fathers. Whereas Braxton's sprawling work was loose, cantankerous, and abstractly modern, Italian saxophonist Stefano di Battista's collection is ...
Stefano di Battista: Parker's Mood
by Stephen Latessa
It is hard to settle down and write a well-measured review of any album that opens with “Salt Peanuts." The tune is so full of natural zest that it would even sound glorious played by an orchestra of kazoos. Predictably, the version that kicks off Parker's Mood does not disappoint and energizes the listener for the ...
Jason Moran: Same Mother
by Mark F. Turner
Jason Moran and his Bandwagon (bassist Tarus Mateen, drummer Nasheet Waits, and newcomer guitarist Marvin Sewell) speak the blues in fine jazz form on their new adventure, Same Mother. The title comes from a comment Moran's wife made in a discussion about tap dancer Savion Glover which states “...that jazz movement and blues movement in dance ...
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