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Bill Charlap: Plays George Gershwin: The American Soul
by Paul Olson
Pianist Bill Charlap continues his inexorable climb up the top-tier, big-time jazz mountain with Plays George Gershwin, his first release since last year's Somewhere: the Songs of Leonard Bernstein. Here this quintessentially New York pianist covers another quintessentially New York composer--in this case, one so frequently covered by jazz musicians that one wonders whether Charlap and ...
Bill Charlap: Plays George Gershwin: The American Soul
by Mark F. Turner
Pianist Bill Charlap continues to mine precious gems from the American songbook on this release dedicated to the music of lauded songwriter and composer George Gershwin. A lyrical pianist in his own right with a clear penchant for classic swing in a modern context, Charlap has an affinity with songs from yesterday (both of his parents ...
Bill Charlap: Plays George Gershwin: The American Soul
by Eric J. Iannelli
Pianist Bill Charlap limited himself to Leonard Bernstein-penned tunes for his previous album, Somewhere (Blue Note, 2004). For the followup (or -on, one might say) he has chosen to concentrate exclusively on another giant of American music, George Gershwin, with undoubtedly fine results. The group shrinks and swells, depending on the treatment Charlap aims to give ...
Lena Horne: Seasons of a Life
by Stephen Latessa
The recording studio is not always the best place for an artist to showcase their skills. Performers who have achieved their greatest success playing in front of an audience may in fact be unable to duplicate in the sterile confines of the studio that elusive talent that makes them so compelling on stage. Just as the ...
Terence Blanchard: Flow
by John Kelman
While some bemoan the fact that there have been no major" developments in jazz in some time--and go so far as to cite that as proof jazz is dead or, at the very least, dying--they're missing the point. With the seemingly infinite number of sources that are being adopted and adapted into jazz contexts these days, ...
Eliane Elias: Sings Jobim
by Keiran Smalley
What the world needs right now is another CD of Jobim covers, right? Admit it: this isn't the most original idea ever. I am starting to lose count of how many people have covered Desafinado, and when you consider that Eliane Elias is possessed of a paper-thin voice a la Astrud Gilberto, you have to again ...
Jimmy Smith: Home Cookin'
by Sean Patrick Fitzell
"The Incredible Jimmy Smith cemented his reputation as the king of jazz organ during his prolific residency at Blue Note from 1956-63, as both a leader and collaborator with labelmates. His popularity and record sales helped the label grow and foster new talent. When he returned to Blue Note later in his career, it was only ...
Terence Blanchard: Flow
by Mark F. Turner
Flow may be Terence Blanchard's most adventurous recording to date, and that's saying a lot for the prolific trumpeter, composer, and bandleader whose career has covered membership with Art Blakey's Jazz Messengers, producing top jazz recordings, and scoring music for many films. Though he's been highly successful, the inner fire of discovery still burns brightly on ...
Terence Blanchard: Flow
by Paul Olson
Flow is trumpeter Terence Blanchard's first album since Bounce (2003), and it features most of the same players from that album: Brice Winston on tenor and soprano sax, Lionel Loueke on guitar and vocals, and Aaron Parks on piano. This recording includes drummer Kendrick Scott and bassist Derrick Hodge, two new additions to the sextet--and what ...
McCoy Tyner: Tender Moments
by Donald Elfman
Now 66 years old, McCoy Tyner has made countless albums and become an elder statesman of jazz. He is certainly best known as the pianist in the transformational John Coltrane Quartet of the '60s, but it was with Blue Note recordings like this one from 1967, recently reissued in remastered form, that he revealed his personality ...


