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329

Article: Album Review

Bill Charlap: Plays George Gershwin: The American Soul

Read "Plays George Gershwin: The American Soul" reviewed by Paul Olson

by Paul Olson

Pianist Bill Charlap continues his inexorable climb up the top-tier, big-time jazz mountain with Plays George Gershwin, his first release since last year's Somewhere: the Songs of Leonard Bernstein. Here this quintessentially New York pianist covers another quintessentially New York composer--in this case, one so frequently covered by jazz musicians that one wonders whether Charlap and ...

220

Article: Album Review

Bill Charlap: Plays George Gershwin: The American Soul

Read "Plays George Gershwin: The American Soul" reviewed by Mark F. Turner

by Mark F. Turner

Pianist Bill Charlap continues to mine precious gems from the American songbook on this release dedicated to the music of lauded songwriter and composer George Gershwin. A lyrical pianist in his own right with a clear penchant for classic swing in a modern context, Charlap has an affinity with songs from yesterday (both of his parents ...

212

Article: Album Review

Bill Charlap: Plays George Gershwin: The American Soul

Read "Plays George Gershwin:  The American Soul" reviewed by Eric J. Iannelli

by Eric J. Iannelli

Pianist Bill Charlap limited himself to Leonard Bernstein-penned tunes for his previous album, Somewhere (Blue Note, 2004). For the followup (or -on, one might say) he has chosen to concentrate exclusively on another giant of American music, George Gershwin, with undoubtedly fine results. The group shrinks and swells, depending on the treatment Charlap aims to give ...

263

Article: Album Review

Lena Horne: Seasons of a Life

Read "Seasons of a Life" reviewed by Stephen Latessa

by Stephen Latessa

The recording studio is not always the best place for an artist to showcase their skills. Performers who have achieved their greatest success playing in front of an audience may in fact be unable to duplicate in the sterile confines of the studio that elusive talent that makes them so compelling on stage. Just as the ...

315

Article: Album Review

Terence Blanchard: Flow

Read "Flow" reviewed by John Kelman

by John Kelman

While some bemoan the fact that there have been no “major" developments in jazz in some time--and go so far as to cite that as proof jazz is dead or, at the very least, dying--they're missing the point. With the seemingly infinite number of sources that are being adopted and adapted into jazz contexts these days, ...

421

Article: Album Review

Eliane Elias: Sings Jobim

Read "Sings Jobim" reviewed by Keiran Smalley

by Keiran Smalley

What the world needs right now is another CD of Jobim covers, right? Admit it: this isn't the most original idea ever. I am starting to lose count of how many people have covered “Desafinado, and when you consider that Eliane Elias is possessed of a paper-thin voice a la Astrud Gilberto, you have to again ...

314

Article: Album Review

Jimmy Smith: Home Cookin'

Read "Home Cookin'" reviewed by Sean Patrick Fitzell

by Sean Patrick Fitzell

"The Incredible Jimmy Smith cemented his reputation as the king of jazz organ during his prolific residency at Blue Note from 1956-63, as both a leader and collaborator with labelmates. His popularity and record sales helped the label grow and foster new talent. When he returned to Blue Note later in his career, it was only ...

226

Article: Album Review

Terence Blanchard: Flow

Read "Flow" reviewed by Mark F. Turner

by Mark F. Turner

Flow may be Terence Blanchard's most adventurous recording to date, and that's saying a lot for the prolific trumpeter, composer, and bandleader whose career has covered membership with Art Blakey's Jazz Messengers, producing top jazz recordings, and scoring music for many films. Though he's been highly successful, the inner fire of discovery still burns brightly on ...

360

Article: Album Review

Terence Blanchard: Flow

Read "Flow" reviewed by Paul Olson

by Paul Olson

Flow is trumpeter Terence Blanchard's first album since Bounce (2003), and it features most of the same players from that album: Brice Winston on tenor and soprano sax, Lionel Loueke on guitar and vocals, and Aaron Parks on piano. This recording includes drummer Kendrick Scott and bassist Derrick Hodge, two new additions to the sextet--and what ...

486

Article: Album Review

McCoy Tyner: Tender Moments

Read "Tender Moments" reviewed by Donald Elfman

by Donald Elfman

Now 66 years old, McCoy Tyner has made countless albums and become an elder statesman of jazz. He is certainly best known as the pianist in the transformational John Coltrane Quartet of the '60s, but it was with Blue Note recordings like this one from 1967, recently reissued in remastered form, that he revealed his personality ...


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