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Thelonious Monk Quartet with John Coltrane: At Carnegie Hall
by Chris May
The hype surrounding the discovery and release of this concert recording has been considerable, but now the actuality is upon us, every breathless adjective proves to be justified and then some: it's only September, and this beauty must already qualify as the Buried Treasure Discovery Of The Year, no contest. Just in case you've ...
Thelonious Monk Quartet with John Coltrane: At Carnegie Hall
by John Kelman
The impact of the late pianist/composer Thelonious Monk on modern jazz is almost impossible to quantify. First emerging as part of the crew of New York musicians spearheading the bebop movement in the 1940s, including saxophonist Charlie Parker and trumpeter Dizzy Gillespie, he quickly differentiated himself with an idiosyncratic and seemingly unschooled approach. Coupled with his ...
Thelonious Monk Quartet with John Coltrane: At Carnegie Hall
by Jim Santella
We need more surprises like this one. Discovered by accident during a routine transfer of tapes to digital format, the Library of Congress found a gem. Monk and Coltrane gave their November 29, 1957 Carnegie Hall audience a precious performance. The transfer to digital sound files from a 7 ½-inch tape reel has left their music ...
Thelonious Monk Quartet with John Coltrane: At Carnegie Hall
by David Rickert
Thelonious Monk's quartet with John Coltrane was one of the greatest groups in the history of jazz, but most of us have only been able to take other people's word for it. The group's reputation rests mostly on its live performances at the Five Spot, of which only an amateur recording of poor quality exists, and ...
Erik Truffaz: Saloua
by Chris M. Slawecki
I am pleased and saddened to report that this is one of the best pieces of music I have heard in 2005. It is a pleasure to have discovered the fifth album in the US for Blue Note, and ninth album overall, by this French composer, bandleader, and trumpet player. Yet it is also sad, because ...
Thelonious Monk Quartet with John Coltrane: At Carnegie Hall
by Norman Weinstein
Let's be clear from the start: this discovery of a new Monk/Coltrane live concert completely puts to shame the over-hyped Five Spot CD from years ago. Not only is the sound as sterling and clear as the sound on the Five Spot date was excretory, but the performances of the stars are light years beyond that ...
Andrew Hill: Judgement!
by John Kelman
Recorded two months after Black Fire and two months before Point of Departure, Andrew Hill's Judgement!--finally receiving the Van Gelder remastering treatment--demonstrates just how prolific the envelope-pushing pianist was during the '60s. While prolific doesn't necessarily mean good, what is most remarkable about Hill's seemingly endless output on Blue Note between '63 and '69--strangely eluding the ...
McCoy Tyner: Time for Tyner
by John Kelman
With the release of the latest batch of Rudy Van Gelder Blue Note reissues comes the opportunity to hear vibraphonist Bobby Hutcherson on two sessions that demonstrate just how flexible he is--something that continues to define him to this day on projects like the recently-released SFJazz Collective. But unlike SFJazz, which is a true cooperative ensemble, ...
Tina Brooks: True Blue
by Germein Linares
As with Minor Move and Back to the Tracks, Tina Brooks' True Blue is an album of hard bop excellence. Recorded in '60, it finds the tenor saxophonist accompanied by Freddie Hubbard on trumpet (a week after Brooks helped Hubbard on his debut album, Open Sesame), Duke Jordan on piano, Sam Jones on bass, and Art ...
Erik Truffaz: Saloua
by Jim Santella
Erik Truffaz ensures that jazz will continue to grow. On Saloua, he incorporates a world view of the genre, picking up where Miles Davis left off. Tradition remains a part of his music; however, it's been disguised by modern concepts that affect all forms of popular music. Truffaz's horn swirls with the kind of moody melodicism ...
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