Home » Jazz Articles » Album Review » Lena Horne: Seasons of a Life
Lena Horne: Seasons of a Life
Previously unissued, but recorded in 1994-2000 sessions that resulted in Classic Ellington, An Evening With Lena Horne, We'll Be Together Again, the Lulu on the Bridge soundtrack, and Being Myself, this Blue Note compilation carries vintage Lena Horne to its fullest. Seasons of a Life even ends up with "Stormy Weather."
"Chelsea Bridge" finds the singer in the company of Herbie Hancock, Benjamin Brown, and Akira Tana in a somber affair that reaches out for a positive glow. As Horne swoops the familiar melody up and down, she assures us that we've no cause for alarm. She interprets Billy Strayhorn's lyrics sweetly with a gentle reminder that the good times aren't gone and forgotten. If we're patient, those good times will return, filled with springtime gaiety and a radiance that turns blue feelings into sunshine.
Hancock returns on "Willow Weep for Me" with a duet that hangs down its head in misery. Like the tree, we're made to feel the pain that comes with living through seasons. Our leaves may fall and our branches may droop, but we're rejuvenated often enough to get bywith a little help from our friends.
Track Listing
Black Is; Maybe; I've Got to Have You; I'll Always Leave the Door a Little Open; You're the One; Something to Live For; Chelsea Bridge; Singin' in the Rain; Willow Weep for Me; Stormy Weather.
Personnel
Lena Horne
vocalsLena Horne- vocals; Rodney Jones- guitars; Mike Renzi- piano, keyboards; Oliver Von Essen- organ; Benjamin Brown- bass; Akira Tana- drums; Donald Harrison- alto saxophone; Herbie Hancock- piano on "Chelsea Bridge" and "Willow Weep for Me;" Bobby Forrester- organ on "Singin' in the Rain;" Mark Sherman- vibraphone on "Singin' in the Rain;" Lewis Nash- drums on "Singin' in the Rain;" Frank Owens- piano on "Stormy Weather."
Album information
Title: Seasons of a Life | Year Released: 2005 | Record Label: Blue Note Records
About Lena Horne
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






