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Results for "Billie Holiday"
Jane Monheit and her Muses...
by C. Michael Bailey
When vocalist Jane Monheit blew the music community's hair back with her debut recording Never Never Land (N-Coded Music) in 2000, she was 22-years old, beautiful, sensual, soon-to-be-married and talented with chops to spare. By 2016, Monheit had released nine additional studio recordings, including the well-received Come Dream With Me (N-Coded Music, 2001) and Surrender (Concord, ...
How to Listen to Jazz by Ted Gioia
by C. Michael Bailey
“As you develop your listening skills, [answer this question]: Are the musicians playing the notes with precision, almost as if they are reading music from some Platonic ideal score, or are they handling them roughly, torturing them to make them speak the truth?" I see [Billie Holiday] more as a diagnostician of the soul, ...
Tori Freestone Trio: El Barranco
by Roger Farbey
El Barranco is the Tori Freestone Trio's follow-up to their 2014 debut album In The Chop House, released once again on the ever-burgeoning Whirlwind Recordings label. The chordless sound of the trio evinces a warmth which inevitably invites comparisons with the chief progenitor of this configuration, Sonny Rollins and his 1957 album Way Out ...
Meet Sal Capozucca
by Tessa Souter and Andrea Wolper
In memory of our good friend and our first Super Fan recipient, Sal Capozucca, who passed away at age 97 on August 4, 2020. This article was first published in June 2016. He came, he saw, he took a picture! Our first Super Fan, 94-year-old Sal Capozucca, has been going out to hear live ...
Take Five with Alex Gershman of Sasha’s Bloc
by AAJ Staff
About Alex Gershman An intriguing ensemble founded in 2012, Sasha's Bloc is an amalgam of varied artists, nationalities and experiences, all fueled by bassist and songwriter Alex Gershman. This collective delivers a sound that is consistently big, boisterous, full of spirit and rich in everything that makes jazz linger as an American phenomenon. The ...
José James: una grande voce per la Black Music
by Angelo Leonardi
La recente pubblicazione per la Blue Note di Yesterday I Had the Blues -The Music of Billie Holiday , torna a collocare José James in una piena cornice jazzistica. È una commemorazione della cantante e un approccio tradizionale che oggi James affronta senza paura d'apparire prigionero del passato. L'altro esempio riguarda l'album For All We Know, ...
Jazz: The Sacred and the Profane
by Victor L. Schermer
“As above, so below" --Hermes Trismegistus A warning: this article is worth reading only if you believe, as I do, that jazz is not just a form of entertainment, but an art form that has deep significance for our lives and contributes to our search for meaning. I fully appreciate the value of “digging ...
Wynton Marsalis Quintet at The Palace Theater
by Karl Ackermann
Wynton Marsalis Quintet The Palace Theater Stamford, CT April 30, 2016 There are expectations baked into a live performance from the caliber of a Wynton Marsalis. An artist who has won a Pulitzer Prize for Music, nine GRAMMY awards, serves as the Director of Jazz studies at Juilliard and is actively ...
Various Artists: Hungarian Noir
by James Nadal
When Billie Holiday released “Gloomy Sunday," in 1941, accompanied by the Teddy Wilson Orchestra, no one could possibly imagine the back story and consequent repercussions associated with this song. Originally composed by Hungarian Reszo Seress in 1933 as “Szomorú Vasárnap," it was quickly rewritten with lyrics by poet Laslo Javor, and recorded by Pál Kalmár in ...
Jim Riggs & Stefan Karlsson: Texas Times
by Jack Bowers
Recording a duo album is something that old friends Jim Riggs and Stefan Karlsson have wanted to do for some time, and they make the most of the long-delayed opportunity on Texas Times, an eloquent and engaging recital that never wears thin in spite of its more or less familiar playlist and the fact that Riggs ...
