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7

Article: Album Review

Ron Miles: Quiver

Read "Quiver" reviewed by Mark F. Turner


Some musicians are recognized not only for their abilities but also their vociferous commentaries, holding true the phrase that “the squeaky wheel gets the most attention." Yet there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his ...

8

Article: Record Label Profile

Babel Label: New Songs from the Tower of Sound

Read "Babel Label: New Songs from the Tower of Sound" reviewed by Jakob Baekgaard


During the last decade, British jazz has been booming and London has become, once again, one of the jazz capitals of the world. To get a feel of what's happening, the place for live music is no longer Ronnie Scott's Jazz Club, but a place called The Vortex, directed by Oliver Weindling. Weindling is also the ...

4

Article: Album Review

Colin Cannon: Glenville

Read "Glenville" reviewed by Ian Patterson


Though still in his twenties, guitarist Colin Cannon has been performing in New York and along the East Coast for a decade. His debut as leader, In Summary (Self Produced, 2009) revealed a young composer with ideas aplenty, and a guitarist with a broad musical palette. If that album was slightly Pat Metheny-influenced--Cannon and Metheny were ...

6

Article: Album Review

Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

Read "Enfants Terribles: Live at the Blue Note" reviewed by Greg Simmons


At almost 85 years old Lee Konitz can play whatever he damn well pleases on his alto saxophone, and it's a good thing he does. He may currently be making some of the most interesting music of his long career. Enfants Terribles: Live at the Blue Note teams Konitz with three first-rate musicians--all jazz stars in ...

5

Article: Album Review

Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

Read "Enfants Terribles: Live at the Blue Note" reviewed by Mark Corroto


Super groups are, by their very nature, either bright shining stars or catastrophic exploding supernovae. Dream team basketball lineups get beat by upstarts, and the new Stallone/Schwarzenegger/Van Damme movie is sure to be a nonstarter. The reasons for the flops are usually chemistry and vision, both essential requirements.Same can be said for jazz groups. ...

7

Article: Take Five With...

Take Five With Scott McLemore

Read "Take Five With Scott McLemore" reviewed by AAJ Staff


Meet Scott McLemore: Born in Norfolk, Virginia in 1973, Scott McLemore spent over a decade in New York where he was equally at home playing in the trios of saxophonist Tony Malaby, guitarist Ben Monder, pianist Michael Kanan and George Colligan. Although he is best known for his work with Icelandic pianist Sunna Gunnlaugs ...

10

Article: Album Review

Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

Read "Enfants Terribles: Live at the Blue Note" reviewed by John Kelman


The idea of going into a club and playing a set of standards without any plans, preconceptions or pre- arrangements ain't exactly new; it's what plenty of jazz musicians do, each and every night. But it's one thing to go in and run down some Real Book charts, head-solo-head style, and give everyone a chance to ...

13

Article: Album Review

Brad Mehldau Trio: Where Do You Start

Read "Where Do You Start" reviewed by John Kelman


Hot on the heels of Brad Mehldau's Ode (Nonesuch, 2012)--the pianist's first all-original set with his current trio--comes Where Do You Start, culled from the same recording sessions but, with the exception of one Mehldau tune, all cover material. This isn't the first time Mehldau has split a particularly fruitful session down the same compositional line: ...

4

Article: Live Review

Bill Frisell: Helsinki, Finland, August 29, 2012

Read "Bill Frisell: Helsinki, Finland, August 29, 2012" reviewed by Anthony Shaw


Bill FrisellHelsinki FestivalHelsinki, FInlandAugust 29, 2012 It's hard to find a summer festival that is not critically dependent on the weather for that essential vibe. As such, August's Helsinki Festival stands as good a chance as any for success, with the main stage located a half-mile from the central station ...

3

Article: Live Review

Flow Festival: Helsinki, Finland, August 10-12, 2012

Read "Flow Festival: Helsinki, Finland, August 10-12, 2012" reviewed by Anthony Shaw


Flow Festival in FinlandSuvilahti, HelsinkiAugust 10-12, 2012 Every music festival worth its salt can boast something different from the others, where it's the performers, participants, legacy or location. Helsinki's Flow Festival, always held on the last official weekend of summer before schools restart, has established itself, in its nine years of existence, as ...


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