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Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012
by John Kelman
Sidsel Endresen @ 60: A Special Birthday CelebrationNasjonal Jazzscene VictoriaOslo, NorwayNovember 8-9, 2012Turning 60 can mean different things to different people: for some, it's a time to think about slowing down, and for others, it's a time to kick into higher gear. In the case of jazz and improvising musicians, age ...
Enjoy Jazz Festival: Heidelberg / Mannheim / Ludwigshafen, Germany, October 30-November 7, 2012
by John Kelman
2012 Enjoy Jazz FestivalHeidelberg/Mannheim/Ludwigshafen, GermanyOctober 30-November 7, 2012After a week in northern Sweden covering the 2012 Umeå Jazz Festival--where the were days shortening and the temperature dropping--moving south to Heidelberg, Germany was a welcome respite from the oncoming onslaught of winter that's also approaching back home in Canada. For this year's coverage of ...
Harris Eisenstadt: Full Steam Ahead
by James Pearse
As well as three current working (and touring) ensembles, a busy recording schedule and a flourishing teaching career, Toronto, Canada-born percussionist/composer Harris Eisenstadt is also a family man. Now settled in New York City, it's been a busy year, with four recordings-September Trio (Clean Feed, 2011), Canada Day III (Songlines, 2012), Canada Day II (Songlines, 2011), ...
Louis Armstrong & The All Stars: Satchmo At Symphony Hall - The Complete Performances
by Skip Heller
Louis Armstrong & The All StarsSatchmo At Symphony Hall: 65th Anniversary The Complete PerformancesVerve 2012 Writing about trumpeter and singer Louis Armstrong is difficult. In the most literal sense, he is the watershed of jazz. He was neither the first acknowledged genius of the music (soprano saxophonist Sidney ...
Lee Konitz: What True Improvising Is
by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. “I've pretty much dedicated myself to trying to figure out what true improvising is," he says, “as opposed to playing what you know and getting loose ...
Enjoy Jazz 2012, Days 1-14, October 2-15, 2012
by Adriana Carcu
Enjoy Jazz 2012Heidelberg / Mannheim / Ludwigshafen, GermanyOctober 2-November 10, 2012Expressed in numbers, the 14th edition of Enjoy Jazz, advertized as a “Festival for Jazz and Other Things," brings up an impressive count: 59 concerts performed in 32 locations, with 265 musicians from 24 countries. Put into words the numbers reveal a most ...
Ornette Coleman Headlines Jazztopad In Only European Performance, Nov. 25th
Jazztopad, one of Europe’s most progressive and creative jazz festivals is back for its 9th edition with a stellar program that runs throughout the month of November. The beautiful, historic town of Wroclaw, Poland will be an essential destination for jazz lovers, and as ever, the program offers an exciting mixture between jazz’s historic greats, up-and-coming ...
Matthew Silberman: Questionable Creatures
by Dan Bilawsky
The concept of straight-line status quo and normalcy powers plenty of artists along their journey of creation, but saxophonist/composer Matthew Silberman prefers the not-so-normal. The Salvador Dali-esque artwork that accompanies his album, and the population of questionable musical creatures that inhabit his world, are easy-to-read signs that point to a surrealist streak in Silberman's work. But, ...
55th Monterey Jazz Festival: September 21-23, 2012
by Larry Taylor
Monterey Jazz FestivalMonterey, CASeptember 21-23, 2012Standing out this year at the 55th Annual Monterey Jazz Festival, as expected, were the three honorees--Ambrose Akinmusire, Bill Frisell and Jack DeJohnette. Besides receiving accolades they also had busy schedules, appearing in concerts in the festival for three-days, Sept. 21-23, at the Monterey County Fairgrounds in Northern ...
Floratone: Floratone II
by AAJ Italy Staff
Il secondo capitolo del progetto Floratone, giunto a cinque anni di distanza dal precedente, ne conferma le linee generali, a cominciare dal processo di realizzazione che rappresenta tuttora la sua caratteristica principale. Anche qui il punto di partenza è costituito da una sessione di registrazione in studio che ha visto protagonisti Bill Frisell e il batterista ...
