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Mike Taylor: Trio, Quartet & Composer Revisited
by Chris May
Historical context: Extracts from the diary of Ron Rubin, one of two bassists, the other being Jack Bruce, on Mike Taylor's Trio (Lansdowne, 1967).... Saturday 18th February 1967. UFO, Tottenham Court Road. 'Giant Sun Trolley' Happening, opposite the Soft Machine etc. Mike spent the evening lying comatose, rigid and immobile in the middle of ...
Lorne Lofsky: This Song Is New
by Friedrich Kunzmann
The liner notes to This Song is New explain how the term old school" suits guitarist Lorne Lofsky just fine. Not in its pejorative sense, but rather in the spirit of a master of an old art, now considered to be quaint. It is indeed a fitting description for the compositions and performances that constitute the ...
Francois Bourassa: L'Impact du Silence
by Dan McClenaghan
Solo piano outings often serve as a baring of the artist's soul. Montreal-based pianist Francois Bourassa does just that on his tenth album, L'impact du Silence. Influenced by the piano artistry of Chick Corea, Brad Mehldau and Bill Evans, Bourassa has concentrated on small ensemble worktrios and quartetson his previous recordings. Bringing his classical music influences ...
Ricardo Pinheiro: Caruma
by Victor L. Schermer
Ricardo Pinheiro is a guitarist from Lisbon, Portugal who has made his mark on jazz in Europe and the U.S. His sensitive, imaginative, and intimate way of playing is evident on albums such as Pinheiro, Ineke. & Cavalli: Triplicity (Daybreak/Challenge, 2018) and Pinheiro/ Ineke/ Cavalli: Turn Out The Stars (Challenge, 2021) , the former being a ...
Video: Bill Evans, Seattle 1978
One night in Seattle, pianist Bill Evans had dinner with dancer Bill Evans. The dancer, at the time, was prominent in the Northwest and was making a name for his dance company nationwide. He first danced professionally in 1966 and formed the Bill Evans Solo Dance Repertory in 1970. Four years later he formed the Bill ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Take Five with Markos Chaidemenos
by AAJ Staff
Meet Markos ChaidemenosMarkos Chaidemenos is a jazz musician who discovered his love for piano at the age of 16 (2005) and his passion for jazz at the age of 22. Although Markos earned his first bachelor at Informatics & Telecommunications in National and Kapodistrian University of Athens, he never worked in the field. After he mastered ...
New Video: Bill Evans in Belgium
In June 1972, Bill Evans and Eddie Gomez were at Club Thalamus in the Schaerbeek section of Brussels, Belgium. On drums, Evans hired Tony Oxley, an English avant-garde player. The gig was taped by Belgian TV. Evans and Gomez's European tour came just weeks after Evans recorded Living Time with George Russell, his last album for ...
Masabumi Kikuchi: Hanamichi The Final Studio Recording
by Pierre Giroux
Masabumi Kikuchi is not the kind of jazz pianist who just strikes the keys to produce a sound. He has a Zen-like approach to the instrument by making it an extension of himself, and thus both constructs and hears the music produced as a different form factor. There are and were other contemporary pianists such as ...
RED Trio & Celebration Band: Suite 10 Years Anniversary
by John Sharpe
Since its inception in 2008 the RED Trio has been one of Portugal's foremost improvising ensembles. Pianist Rodrigo Pinheiro, bassist Hernani Faustino and drummer Gabriel Ferrandini stand upon the shoulders of the egalitarian trio legacy of pianists Bill Evans, Paul Bley and Howard Riley; no-one leads, no-one follows, but, paradoxically, all three move as one. To ...


