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Results for "Bill Evans"
Ricardo Pinheiro: Turn Out The Stars—The Music Of Bill Evans
by Pierre Giroux
Much has been written about pianist Bill Evans and the influence he had on the development of new piano voices following his emergence in the 1950s. Evans infused his style with eloquent lyricism, coupled with harmonic transpositions and modal improvisations, all of which lead to an easily recognizable sound. It should be no surprise that his ...
Spike Wilner, Curtis Fuller & Sarah McKenzie
by Joe Dimino
Our 701st Show begins with Sarah McKenzie and a great tale from the quarantine. The result is her single “Schneller." We continue to watch the world of music open up with live shows and Spike Wilner is leading the charge. He has new music with his 2021 CD Aliens & Wizards. We continue to profile musicians ...
Gordan Spasovski Trio: Light Pillar
by Nenad Georgievski
Pianist Gordan Spasovski's debut album Light Pillar moves fluidly from meditative notes to bursts of rapid-fire jabs, meticulously sculpted by the accompanying band. A ubiquitous presence in Skopje's jazz community for several years Spasoski shows up his abilities as a bandleader, and his wealth of talent, vision, and discipline on this record. He leads an excellent ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
Mike Taylor: Trio, Quartet & Composer Revisited
by Chris May
Historical context: Extracts from the diary of Ron Rubin, one of two bassists, the other being Jack Bruce, on Mike Taylor's Trio (Lansdowne, 1967).... “Saturday 18th February 1967. UFO, Tottenham Court Road. 'Giant Sun Trolley' Happening, opposite the Soft Machine etc. Mike spent the evening lying comatose, rigid and immobile in the middle of ...
Lorne Lofsky: This Song Is New
by Friedrich Kunzmann
The liner notes to This Song is New explain how the term “old school" suits guitarist Lorne Lofsky just fine. Not in its pejorative sense, but rather in the spirit of a master of an old art, now considered to be quaint. It is indeed a fitting description for the compositions and performances that constitute the ...
Francois Bourassa: L'Impact du Silence
by Dan McClenaghan
Solo piano outings often serve as a baring of the artist's soul. Montreal-based pianist Francois Bourassa does just that on his tenth album, L'impact du Silence. Influenced by the piano artistry of Chick Corea, Brad Mehldau and Bill Evans, Bourassa has concentrated on small ensemble work—trios and quartets—on his previous recordings. Bringing his classical music influences ...
Ricardo Pinheiro: Caruma
by Victor L. Schermer
Ricardo Pinheiro is a guitarist from Lisbon, Portugal who has made his mark on jazz in Europe and the U.S. His sensitive, imaginative, and intimate way of playing is evident on albums such as Pinheiro, Ineke. & Cavalli: Triplicity (Daybreak/Challenge, 2018) and Pinheiro/ Ineke/ Cavalli: Turn Out The Stars (Challenge, 2021) , the former being a ...
Video: Bill Evans, Seattle 1978
One night in Seattle, pianist Bill Evans had dinner with dancer Bill Evans. The dancer, at the time, was prominent in the Northwest and was making a name for his dance company nationwide. He first danced professionally in 1966 and formed the Bill Evans Solo Dance Repertory in 1970. Four years later he formed the Bill ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
