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Fred Hersch: Solo
by Mark Sullivan
To paraphrase the famous remark Miles Davis made about Bill Evans, Fred Hersch plays the piano the way it ought to be played. This album documents a live performance from August, 2014, which was not originally intended for release. But when Hersch listened to it, he changed his mind. I firmly believe this may be the ...
The Complete Tony Bennett/Bill Evans Recordings
by C. Andrew Hovan
So the story goes, Tony Bennett and Bill Evans first met each other at The White House back in 1962. President Kennedy was throwing a jazz party and the singer and pianist crossed paths backstage. Fast forward some thirteen years later and the pair would come together for the first of two albums to highlight their ...
Take Five with Cesar Orozco
by AAJ Staff
Meet Cesar Orozco: Orozco, a prolific pianist, composer, and arranger, fuses jazz with Cuban and Venezuelan musical styles in unexpected ways that fans in North and South America find irresistible. Born in Cuba in 1980, he moved to Venezuela in 1998, then to the United States in 2012. He has performed and recorded with ...
Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4
by Doug Collette
There's a theory a nascent jazzlover could build an estimable collection of the music simply by picking and choosing from the discography of Miles Davis and the various musicians with whom he's collaborated over the years. Likewise, the mercurial alterations of style enacted by the man with the horn reflect the evolution of the music itself, ...
Just Because: Hampton Hawes With Scott LaFaro
Before Scott LaFaro joined the Bill Evans Trio in late 1959, the young bassist’s second west coast stint included work with Chet Baker, Barney Kessel, Victor Feldman, Cal Tjader, Stan Getz and Hampton Hawes, among others. In California, LaFaro’s tone, time and adventurous ideas put him—along with Gary Peacock and Charlie Haden—in the vanguard of a ...
Jazz Musician of the Day: Bill Evans
All About Jazz is celebrating Bill Evans' birthday today! Who Was Bill Evans? Bill Evans, one of the most influential and tragic figures of the post-bop jazz piano, was known for his highly nuanced touch, the clarity of the feeling content of his music and his reform of the chord voicing system pianists used. He recorded ...
Keyboardist/Composer Michael Gallant's "Live Plus One" To Be Released October 9
With his well-received 2013 debut Completely, keyboardist/composer Michael Gallant emerged as a stylistically omnivorous musical force, “an artist unafraid and bending the tradition,” in the words of one critic. Gallant continues to explore his disruptive musical proclivities on his sophomore release, Live Plus One, due out October 9 from his Gallant Music label. Recorded live and ...
Michel Reis il Questionario di Proust
by AAJ Staff
All About Jazz Italia: Il tratto principale della mia musica. Michel Reis: Cerco di fare una musica che sia piuttosto melodica e con armonie ricche. Cerco di avere delle idee precise, ma di lasciare comunque ai miei musicisti molta libertà di esprimersi. Quando suoniamo dal vivo abbiamo anche dei momenti veramente free. Un po' ...
Stefano Battaglia Trio: In The Morning
by Karl Ackermann
Over the past five years Stefano Battaglia could have easily taken bassist Salvatore Maiore and drummer Roberto Dani into the ubiquitous realm of classically trained piano trios, where improvisation, chamber and dark lyricism meet but rarely ignite. But along with his classical training and an established ear for free jazz, hard bop and mainstream, Battaglia has ...
Indigo Kid II: Fist Full Of Notes
by Karl Ackermann
At the risk of implying that the very selective UK-based Babel Label has gone mainstream," they have--of late--issued a number of releases that certainly have a broader appeal. A homage to Bill Evans Postcard to Bill Evans (2015) and vocalist Emilia Mårtensson's fine Ana (2014), now share a catalog with cutting edge artists like pianist Alexander ...



