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Myriad3: Moons
by Dave Wayne
Myriad3's third release, Moons follows very much in the vein of their first two, Tell (Alma Records, 2012) and The Where (Alma Records, 2014), yet there are subtle differences both in instrumentation and their approach to their material. In short, a lot of growth is evident when one compares Moons to its predecessors. Tell, recorded a ...
Damión Reid: On Drum Artistry, The Robert Glasper Trio, and Beyond
by K. Shackelford
International drummer Damión Reid has crafted a style that is inimitable without sacrificing the ardor of modern jazz and its traditional stylistic approaches to drumming. Listening to Reid is like a history lesson on the drum--he can play everything with artful dexterity from Be-Bop to Hip Hop. Adrian Kirchler, owner of AK drums, was ...
Dominic Duval: Follow Your Melody
by Maxim Micheliov
In memory of Dominic Duval: 1945-2016. This article was first published in October 2010. Bassist Dominic Duval is a mystery to many—even to those interested in free music. Seemingly emerging out of nowhere in the mid-1990s, over the course of 15 years he has built a formidable discography, firmly establishing him as one of ...
Fred Hersch Trio: Sunday Night At The Vanguard
by Mark Corroto
The thing about a Fred Hersch Trio recording, is that it's like a family meal at your favorite restaurant. While the kids want to start with dessert first, you may want them to enjoy the appetizers and settle in for a delicious meal before the sweets. With Hersch's trio, the last course is almost always a ...
Peter Erskine Trio: John Taylor/Palle Danielsson: As it Was
by Karl Ackermann
Over the course of five years in the 1990s, drummer Peter Erskine, pianist John Taylor and bassist Palle Danielsson came very close to perfecting the contemporary piano trio presentation. Across four ECM releases, You Never Know (1993), Time Being (1994), As It Is (1996) and Juni (1999), the international group, all with prior ECM history, came ...
Robert Glasper, Miles Davis: Everything's Beautiful
by Asher Wolf
Miles Davis birthed cool in 1949 and nearly took it to the grave with him 52 years later. His first venture into hip-hop and last studio album, Doo-Bop, represented the least cool moment for America's icon of coolness itself. By the '90s, Miles' prowess as a trumpeter had only waned from legendary to excellent, but younger ...
Thomas Maintz, Aaron Parks: Duets in June
by Angelo Leonardi
L'ascolto di quest'album porta alla memoria la collaborazione tra Bill Evans e Jim Hall che produsse nel 1962 il magistrale Undercurrent e quattro anni dopo Intermodulation. Da allora è trascorso mezzo secolo, Thomas Maintz e Aaron Parks hanno distinte personalità ed escludendo la formula strumentale, non ci sono somiglianze stilistiche, né di repertorio: gli ...
Jazz Quanta July: Fundamental Piano Trio I - Bill Evans, Mike Jones, Fahir Atakoğlu, Roberto Magris, Chat Noir
by C. Michael Bailey
Bill Evans Some Other Time: the Lost Session From the Black Forest Resonance 2016 Pianist Bill Evans has never suffered from a lack of musical documentation. A majority of his recordings remain in release and more unheard performances continue to surface. Resonance Records' Some Other Time: the Lost ...
Dick Sisto/Steve Allee Quartet: Earth Tones
by Dan Bilawsky
While Earth Tones is the first album credited to the Dick Sisto/Steve Allee Quartet, it's not this foursome's first rodeo. This group has been at it as a working band for quite a while now, and it previously released Spirit of Life (Jazzen, 2013)--a date under Sisto's name that concentrates on the work of John Coltrane, ...
Yelena Eckemoff Quartet: Leaving Everything Behind
by Dave Wayne
With all of the worldwide hue and cry concerning immigration, precious little is said about the lives of immigrants themselves, the sacrifices they've made and the risks they've taken in order to start their lives anew; free of whatever hardships and oppression they endured in their native country. In the news, entire lives are boiled down ...
