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Stanley Clarke: The Complete 1970s Epic Albums Collection

Label: Legacy Recordings
Released: 2012
Track listing: Stanley Clarke

Tracks: Vulcan Princess; Yesterday Princess; Lopsy Lu; Power; Spanish Phases for Strings and Brass; Life Suite—Part 1; Life Suite—Part 2; Life Suite—Part 3; Life Suite—Part 4.

Personnel: Stanley Clarke: electric bass, acoustic bass, vocals, fuzz phaser, brass orchestration (1); Jan Hammer: Moog synthesizer, electric piano, organ, acoustic piano; Bill Connors: electric guitar, acoustic guitar; Tony Williams: drums; Peter Gordon: brass (1, 5-9); David Taylor: brass (1, 5-9); Jon Faddis: brass (1, 5-9); James Buffington: brass (1, 5-9); Lew Soloff: brass (1, 5-9); Garnett Brown: brass (1, 5-9); Michael Gibbs: string orchestration (5-9), brass orchestration (6-9); David Nadien: strings (5-9); Charles P. McCracken: strings (5-9); Jesse Levy: strings (5-9); Carol Buck: strings (5-9); Beverly Lauridsen: strings (5-9); Harry Cykman: strings (5-9); Harold Kohon: strings (5-9); Paul Gershman: strings (5-9); Harry Lookofsky: strings (5-9); Emanuel Green: strings (5-9).

Journey to Love

Tracks: Silly Putty; Journey to Love; Hello Jeff; Song to John (Part I)—Dedicated to John Coltrane; Song to John (Part II)—Dedicated to John Coltrane; Concerto for Jazz/Rock Orchestra.

Personnel: Stanley Clarke: Alembix electric bass, piccolo bass with Maestro synthesizer (6), acoustic bass, hand bells, tubular bells, organ, gong, vocal; George Duke: Mini-Moog synthesizer, ARP Odyssey, organ, ARP String Ensemble; clavinet; acoustic piano, electric piano, bells and vocal (1-3, 6); David Sancious: electric guitar, 12-string guitar; Steve Gadd (1, 2, 6): drums; Jeff Beck: electric guitar (3); Lenny White: drums (3); Chick Corea: acoustic piano (4, 5); Mahavishnu John McLaughlin: acoustic guitar (4, 5); Peter Gordon: brass (6); David Taylor: brass (6); Jon Faddis: brass (6); Alan Rubin: brass (6); Lew Soloff: brass (6); Thomas Malone: brass (6); John Clarke: brass (6); Earl Chapin: brass (6); Wilmer Wise: brass (6).

School Days

Tracks: School Days; Quiet Afternoon; The Dancer; Desert Song; Hot Fun; Life is Just a Game.

Personnel: Stanley Clarke: electric bass guitar (1-3, 5, 6), handbells (1), vocal (1, 6), acoustic piano (2, 3), piccolo bass guitar with instant flanger (2),piccolo bass guitar (3, 6), humming (3), acoustic bass (4, 6), gong (6), chimes (6); David Sancious: keyboards (1), Mini-Moog synthesizer (2, 3), organ (3), electric guitar (5); Raymond Gomez: guitar (1), rhythm guitar (3), solo guitar (3), electric guitar (5); Gerry Brown: drums (1, 3), handbells (1); Steve Gadd: drums (2, 5); Milton Holland: percussion (3), conga (4), triangle (4); John McLaughlin: acoustic guitar (4); George Duke: keyboards (6); Icarus Johnson: electric guitar (6), acoustic guitar (6); Billy Cobham: drums (6), Moog 1500 (6); David Campbell: strings (6); Dennis Karmazyn: strings (6); Lya Stern: strings (6); Thomas Bulfum: strings (6); Janice Adler Gower: strings (6); Mareia Van Dyke: strings (6); Karen Jones: strings (6); Robert Dubow: strings (6); Ronald Strauss: strings (6); Rollice Dale: strings (6); Gordon Marron: strings (6); John Wittenberg: strings (6); Marilyn Baker: strings (6); Jack Nimitz: brass (6); Buddy Childers: brass (6); Lew McCreary: brass (6); Dalton Smith: brass (6); Robert Findlay: brass (6); Gary Grant: brass (6); George Bohanon: brass (6); William Peterson: brass (6); Stuart Blumberg: brass (6); Albert Aarons: brass (6).

Modern Man

Tracks: Opening (Statement); He Lives On (Story About the Last Journey of a Warrior); More Hot Fun; Slow Dance; Interlude: A Serious Occasion; Got to Find My Own Place; Dayride; Interlude: It's What She Didn't Say; Modern Man; Interlude: A Relaxed Occasion; Rock 'n' Roll Jelly; Closing (Statement).

Stanley Clarke: acoustic bass (1, 9), Alembic bass (1-4, 6, 7, 9), narration (1), acoustic piano (2, 9), piccolo bass (2, 4), vocal (2, 6, 7), bass (5, 8, 10), string arrangement (6); Al Harrison: B-Flat trumpet (1, 3, 7, 12), piccolo trumpet (1, 3, 7, 12), trumpet (6), flugelhorn (6); James Tinsley: B-Flat trumpet (1, 3, 7, 12), piccolo trumpet (1-3, 7, 12), trumpet (6), flugelhorn (6); Bobby Malach: tenor saxophone (1, 3, 6, 7, 12), soprano saxophone (6); Alfie Williams: soprano saxophone (1, 7, 12), baritone saxophone (1, 12), tenor saxophone (6), flute (6); Dale Devoe: trombone (1, 6, 7, 12); Michael Garson: Oberheim synthesizer (1, 3, 7, 12), Moog synthesizer (1, 3, 12), organ (1, 12), acoustic piano (4, 6); Raymond Gomez: guitar (1, 3, 6, 7, 12); Gerry Brown: drums (1, 3, 6, 7, 12), percussion (1, 3, 7, 12); Steve Gadd: cymbal (1, 12); Dee Dee Bridgewater: vocal (1); A Cast of Thousands: footstompers (1, 12); Jeff "Skunk" Baxter: electric guitar (2), pedal steel guitar (2), synthesizer guitar (2); Jeff Porcaro: drums (2, 4, 9), percussion (2); Juliia Waters: vocal (3, 4); Maxine Waters: vocal (3, 4); Charles Veal, Jr.: concert master (6, 9), violin (6, 9); Alice Sacha: violin (6, 9); Connie Kupka: violin (6, 9); Cynthia Kovacs: violin (6, 9); Debra Price: violin (6, 9); Frank Foster: violin (6, 9); Josef Schoenbrun: violin (6, 9); Kenneth Yerke: violin (6, 9); Marsha Van Dyke: violin (6, 9); Ronald Clark: violin (6, 9); Sandy Seymour: violin (6, 9); Steve Scharf: violin (6, 9); Barbara Thomason: viola (6, 9); Leonard Selic: viola (6, 9); Mark Kovacs: viola (6, 9); Rollice Dale: viola (6, 9); Harry Shultz: cello (6, 9); Jan Kelly: cello (6, 9); Niles Oliver: cello (6, 9); Ron Cooper: cello (6, 9); Jeff Beck: guitar (11); Carmine Appice: drums (11), stereo wah-wah bass (11); James Fiducia: 44 Magnum Gun (12).

I Wanna Play For You

Tracks: CD1: Rock 'n' Roll Jelly; All About; Jamaican Boy; Christopher Ivanhoe; My Greatest Hits; Strange Weather; I Wanna Play for You. CD2: School Days; Quiet Afternoon; Together Again; Blues for Mingus; Off the Planet; Hot Fun Closing.

Personnel: Stanley Clarke: electric bass (CD1#1-3, CD1#5-9, CD2#1, CD2#6), organ (CD1#1), piccolo bass guitar (CD1#2, CD1#7-8, CD2#2, CD2#5), piano (CD1#2), vocal (CD1#2, CD1#7, CD1#9), Oberheim synthesizer (CD1#6, CD1#8), talkbox (CD1#7-8), all instruments except noted (CD1#4, CD2#3), acoustic bass (CD2#4); Al Harrison: B-Flat trumpet (CD1#1, CD2#1-2, CD2#6); James Tinsley: B-Flat trumpet (CD1#1, CD2#1-2, CD2#6); Bob Malachs: tenor saxophone (CD1#1, CD2#1-2, CD2#6); Al Williams: baritone saxophone (CD1#1, CD2#6), soprano saxophone (CD2#2); Michael Garson: Oberheim synthesizer (CD1#1, CD2#2), Fender Rhodes (CD2#2), ARP String Ensemble (CD2#2, CD2#6), acoustic piano (CD2#4), Yamaha Electric Grand Piano (CD2#5); Raymond Gomez: electric guitar (CD1#1, C2#1-2, CD2#6); Gerry Brown: drums (CD1#1, CD2#1); Bayeté Todd Cochran: Oberheim synthesizer (CD1#2, CD1#9, CD2#6), ARP 2600 synthesizer (CD1#2, CD1#6, CD1#9, CD2#6), acoustic piano (CD1#3), organ (CD1#3), ARP String Ensemble (3); Darryl Brown: drums (CD1#2, CD1#4-5, CD1#7, CD2#2, CD2#4-6), cymbal (CD1#6); Airto Moreira: percussion (CD1#2); Jeff Beck: electric guitar (CD1#3); Steve Gadd: drums (CD1#3); Tom Scott: alto saxophone (CD1#4), Lyricon (CD1#7, 8); George Duke: Yamaha electric grand piano (CD1#7-8); Harvey Mason: drums (CD1#7-9); Cathy Carson: vocal (CD1#8-9); Gwen Owens: vocal (CD1#8-9); Juanita Curiel: vocal (CD1#8-9); Stan Getz: tenor saxophone (CD1#9); Ronnie Foster: electric piano (CD1#9); David DeLeon: electric bass (CD2#2); Freddie Hubbard: flugelhorn (CD2#3).

Live 1976-77

Tracks: School Days; Lopsy Lu; Quiet Afternoon; Silly Putty; Dayride; Bass Folk Song No. 3; The Magician; Desert Song; Vulcan Princess.

Personnel: Stanley Clarke: electric bass guitar (1-5, 7, 9); piccolo bass guitar (3), acoustic bass (6, 8); Al Harrison: B-flat trumpet (1-5, 7, 9), slide whistle (7), piccolo trumpet (7); James Tinsley: B-flat trumpet (1-5, 7, 9), piccolo trumpet (7), alarm clock (7); Bob Malach: tenor saxophone (1-5), flute (3); Alfie Williams: soprano saxophone (1, 4, 5), alto saxophone (2), flute (3), baritone saxophone (4); Peter Robinson: Fender Rhodes (1-5), B-3 organ (1-5), ARP String Ensemble (1-5), Mini-Moog bass (1, 3, 4); Raymond Gomez: electric guitar (1-5, 7, 9); Gerry Brown: drums (1-5, 7, 9); David Sancious: electric piano (6, 7, 9), B-3 organ (7, 9), Mini-Moog synthesizer (7, 9), Poly-Moog synthesizer (7, 9); John McLaughlin: acoustic guitar (8); Darryl Munyungo Jackson: percussion (8).

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Article: Interview

Dave Weckl: On Time

Read "Dave Weckl:  On Time" reviewed by Scott Mitchell


Dave Weckl hit the New York fusion scene in the early 1980s. It didn't take long for this talented drummer from Saint Charles, Missouri to get recognized and hired by artists like singers Madonna, Robert Plant, Diana Ross, and Paul Simon, as well as guitarist/vocalist {George Benson}}. Weckl toured with the keyboardist Chick Corea's Elektric Band ...

101

Article: Extended Analysis

Stanley Clarke: The Complete 1970s Epic Albums Collection

Read "Stanley Clarke: The Complete 1970s Epic Albums Collection" reviewed by John Kelman


Legacy Recordings' recent spate of Complete Albums Collection box sets have righted a whole slew of wrongs by bringing long out-of-print recordings back in a reasonably priced and tidily collected series. They may be relatively light on production values--simple clamshell-style boxes, mini-LP cardboard sleeves, and booklets whose information, beyond detailed track and personnel listings, is largely ...

216

Article: Live Review

Return to Forever IV / Zappa Plays Zappa: Denver, August 27, 2011

Read "Return to Forever IV / Zappa Plays Zappa: Denver, August 27, 2011" reviewed by Geoff Anderson


Return to Forever IV with Zappa Plays ZappaParamount TheaterDenver, COAugust 27, 2011 With Return to Forever IV and Zappa Plays Zappa on the same bill, the Paramount Theater heard more notes per cubic inch than ever before. To say that these two bands play fast is like saying the Yankees ...

171

Article: Live Review

Ottawa Jazz Festival, Days 4-6: June 26-28, 2011

Read "Ottawa Jazz Festival, Days 4-6: June 26-28, 2011" reviewed by John Kelman


Days 1-3 | Days 4-6 T D Ottawa International Jazz Festival Ottawa, Canada June 23-July 3, 2011 Well, the numbers are in, and the opening weekend of the 2011 TD Ottawa International Jazz Festival has broken all previous records, despite a day of heavy rain severely impacting attendance for ...

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Article: Interview

Chick Corea: Creative Giant

Read "Chick Corea: Creative Giant" reviewed by Esther Berlanga-Ryan


Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...

235

Article: Album Review

Corea, Clark & White: Forever

Read "Forever" reviewed by C. Michael Bailey


This Concord Music Group release is identical to that reviewed by John Kelman, previously released on Universal Music Japan. A two-CD set, the first disc is an acoustic piano trio recital from the original rhythm section of the 1970s fusion band Return to Forever, recorded during the 2009 RTF-Unplugged Tour, while the second is an electric ...

182

Article: Album Review

Corea, Clarke & White: Forever

Read "Forever" reviewed by John Kelman


As successful as its massive 2008 world tour was--stopping at the Ottawa Jazz Festival, and yielding both a live CD (Returns) and DVD (Returns: Live at Montreux 2008) from Eagle Entertainment the following year--it was patently clear that Return to Forever couldn't continue with guitarist Al Di Meola. It was, however, equally certain that RTF's remaining ...

85

News: Recording

Of Mist and Melting (ECM 1120)

Of Mist and Melting (ECM 1120)

Bill Connors Of Mist And Melting Bill Connors guitar Jan Garbarek saxophones Gary Peacock bass Jack DeJohnette drums Recorded December 1977, Talent Studio, Oslo Engineer: Jan Erik Kongshaug Produced by Manfred Eicher Three years after his astonishing acoustic turn on Theme To ...

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Article: Interview

Lenny White: Jazz/Rock Collides Again

Read "Lenny White: Jazz/Rock Collides Again" reviewed by Carl L. Hager


When that cool, overcast dawn arrived in Bethel, New York, neither the Woodstock Music and Arts Fair's expired permit, nor the rain, mud, and technical problems could have kept Jimi Hendrix and his Band of Gypsys from playing. It was destiny. Believe it. A hundred miles south on that same morning of August ...


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