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Ed Puddick Big Band / Frank Macchia / Rick Wald NY 16
by Jack Bowers
Ed Puddick Big Band Guys & Dolls Diving Duck Records 2010 The late Frank Loesser wrote at least 700 songs, more than a dozen of which are included in the score for the smash musical Guys and Dolls, which, believe it or not, opened on Broadway more than sixty years ...
Jazz vs Racism
by Greg Thomas
Jazz saved me from becoming a racist.Back in the early to mid-1980s, while attending Hamilton College in central New York, I learned details about the transatlantic slave trade that sickened and angered me. I read about the history of the abolitionist movement in the 1800s, and the civil rights movements of last century, as ...
Sammy Nestico and the SWR Big Band: Fun Time and More Live
by C. Michael Bailey
Big band jazz has evolved into its own avant-garde art form, where the arrangements have become progressively more complex and cerebral. Not that there is anything wrong with that, but it does make for a different type of big band listening experience. Modern big band jazz, in some quarters, has veered off into a non-swinging, Stan ...
Rick Holland–Evan Dobbins Little Big Band / Empire Jazz Orchestra / Heart of Carolina Jazz Orchestra
by Jack Bowers
The Rick Holland--Evan Dobbins Little Big BandTrilbyRPO Productions2010 Five years after a sensational opening act (In Time's Shadow, 2006), trumpeter Rick Holland and trombonist Evan Dobbins have returned for an encore, Trilby, marshaling as before their irrepressible Little Big Band. As was noted of that earlier recording, ...
Turn Up Those Footnotes!
by Andrew J. Sammut
Even if the names William Shakespeare and Wolfgang Amadeus Mozart ring some bells for contemporary audiences, chances are Thomas Marlowe or Giovanni Paisiello might not get a chime. Yet, Marlowe's plays drew droves of theatergoers in Elizabethan England, and Paisiello's operas packed 18th century houses. It doesn't take an English scholar or the ...
Grace Kelly / Phil Woods: Man With the Hat
by Larry Taylor
Jazz veteran Phil Woods carries the alto sax torch from Charlie Parker, following in the footsteps of Art Pepper, Cannonball Adderley and Lee Konitz. Now he bestows the honor on 18-year-old altoist/vocalist Grace Kelly, its light shining on Man With A Hat. Woods, 80, with over a half-century of playing, first met Kelly ...
Darius Jones: From Johnny Hodges To Noise Jazz
by AAJ Staff
Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It ...
Loren Schoenberg: From Benny Goodman to The Savory Collection
by AAJ Staff
Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...
A Brief History of Mary Lou Williams
Does anybody embody the history of 20th-century jazz as much as Mary Lou Williams? The arc of her career extends from the territory bands and Kansas City swing of the 1930s to the heights of the big-band era, the bebop movement of the 1940s, the American expatriate jazz of the post-World War II era, the sacred-jazz ...
Musical Talent Is (Now and Then) All in the Family
by Jack Bowers
The induction of almost the entire Marsalis family (father Ellis, piano, and sons Wynton, trumpet; Branford, saxophones; Delfeayo, trombone; and Jason, drums) set me to thinking about how musical talent sometimes runs in families. In the pop world, almost everyone knows about the Jacksons, the Kings, the Osmonds and others. The same is true in jazz, ...
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