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Grace Kelly / Phil Woods: Man With the Hat
by Larry Taylor
Jazz veteran Phil Woods carries the alto sax torch from Charlie Parker, following in the footsteps of Art Pepper, Cannonball Adderley and Lee Konitz. Now he bestows the honor on 18-year-old altoist/vocalist Grace Kelly, its light shining on Man With A Hat. Woods, 80, with over a half-century of playing, first met Kelly ...
Darius Jones: From Johnny Hodges To Noise Jazz
by AAJ Staff
Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It ...
Loren Schoenberg: From Benny Goodman to The Savory Collection
by AAJ Staff
Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...
A Brief History of Mary Lou Williams
Does anybody embody the history of 20th-century jazz as much as Mary Lou Williams? The arc of her career extends from the territory bands and Kansas City swing of the 1930s to the heights of the big-band era, the bebop movement of the 1940s, the American expatriate jazz of the post-World War II era, the sacred-jazz ...
Musical Talent Is (Now and Then) All in the Family
by Jack Bowers
The induction of almost the entire Marsalis family (father Ellis, piano, and sons Wynton, trumpet; Branford, saxophones; Delfeayo, trombone; and Jason, drums) set me to thinking about how musical talent sometimes runs in families. In the pop world, almost everyone knows about the Jacksons, the Kings, the Osmonds and others. The same is true in jazz, ...
Take Five With Andy Farber
by AAJ Staff
Meet Andy Farber:Andy Farber is an award-winning jazz composer, arranger and saxophonist and has spent years performing with the likes of Jon Hendricks and Wynton Marsalis. Since 1994, Farber has been part of the Jazz @ Lincoln Center stable of writers and performers. Through J@LC, Farber has toured with the J@LC ...
Retrieval Records: Treasures Lost and Found
by Nathan Holaway
“The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago."-- Louis Armstrong “You hear about the Duke Ellingtons, the Jimmie Luncefords, and the Fletcher Hendersons, but people sometimes forget that jazz was ...
These Are a Few of My Favorite....Charts
by Jack Bowers
Whenever the topic of desert islands arises among jazz fans, the focus is invariably on which albums (discs) one would choose to cram into a suitcase if one were ever stranded on an otherwise barren island. While the consideration of particular arrangements seldom governs the debate, I really think it should. After all, few albums, however ...
Kenny Barron and Mulgrew Miller at Jazz at the Bistro, St Louis, September 23, 2010
by James Henry Smith
Kenny Barron/Mulgrew MillerJazz at the Bistro/Season OpenerSt Louis MOSeptember 23, 2010 St Louis' prime jazz venue opened its current season with Kenny Barron and Mulgrew Miller, two legendary pianists whose inaugural appearance kicked off the first Jazz at the Bistro season fifteen years ago. “Love For Sale" set the pace ...
Remembering William Marcel "Buddy" Collette
By Ed Hamilton Saxophonist and flautist Buddy Collette brought color to white TV game show orchestras, before Martin Luther King fought for civil rights in the Montgomery, Alabama bus boycott. He paved the way for the hiring of musicians of color into all-white TV and film orchestras: Clark Terry, J.J. Johnson, Count Basie, Quincy Jones, Benny ...
