Results for "Bass"

Elam Friedlander

Joseph Patrick Moore

Born: October 1, 1969

For over three decades Joseph Patrick Moore has been touring, recording, and establishing himself as an artist with a unique voice and a diversity of talents. His skills as bassist; composer; arranger; producer; author; educator and founding partner of both Blue Canoe Digital and Blue Canoe Records illustrate why he is a highly sought-after musician. Moore's music and creative vision echo the spirits of Quincy Jones; Herbie Hancock and Miles Davis to name a few.

Joseph Patrick Moore was born in Knoxville, TN., on October 1, 1969. He was first introduced to music by his parents and sisters, who encouraged him to study music through the public school's band program. At the age of seven Moore began his musical studies on alto saxophone. His band director, Chet Hedgecoth, was an early mentor giving young Joseph words of wisdom, practice tips, and encouragement throughout his school years. Upon entering high school, Joseph began playing drums in the marching band while continuing his saxophone studies. In his sophomore year, he picked up an electric bass and was immediately transfixed by the rumble and thunder of the instrument. Soon thereafter the saxophone and drums took the back seat against his passion for the bass. The need and thirst for instruction led the emerging bassist to Rusty Holloway, an alumnus of Woody Herman and instructor at The University of Tennessee in Knoxville. Holloway influenced Joseph to further his musical studies at the college level. Securing a full academic scholarship, Moore entered UTK with a concentration on electric and double bass, majoring in classical studies and jazz performance. Under the tutelage of Rusty Holloway; Donald Brown; Jerry Coker, and the rest of the talented UTK music staff, Joseph remained there until 1991.

Organic Pulse Ensemble

Organic Pulse Ensemble is a band consisting of just the one member, multitracking every instrument in his home-studio. He started out on turntables though, scratching and making beats. Through sampling old vinyl records from his fathers collection, and starting to collect for himself, he developed a love of jazz, soul and funk. In his twenties he started incorporating live instruments into his beatmaking, beginning with an electric bass and a drum kit. Along with some friends, more instruments was added to the mix and the hip-hop influence was somewhat obscured by that of Sun-Ra and labels like Black Jazz and Strata-East

Brendan Rothwell

Brendan is an accomplished Canadian bassist, composer and producer. With extensive global radio airplay and multi-million streams across the primary digital platforms, his music and brand captivates his growing audience. The trigger and driving force for his decision to play the bass was the 1986 album from Miles Davis,“Tutu”, featuring the great Marcus Miller. The art of business and leadership drives all of Brendan’s projects, and he firmly believes in applying a business mindset to the industry of music.

With the increasing prominence of his brand and signature sound, Brendan has been invited to record on original tracks with well-known artists from the contemporary jazz world. These include New York guitarist Reza Khan, Miami saxophonist Wayne Gutshall, and most recently Miami artist and Grammy-nominated vocalist Sylvia Bennett.

Cowboys from Hell

"This music that is always able to scare your grandmother, but also tells stories that are worth being told." Rolf Thomas, Jazzthetik DE This fall the Switzerland based band Cowboys from Hell present their third album “Running Man”. The Cowboys show much more variety in their music than their name may suggest. They create a musical hurricane out of funk-grooves, then rock riffs or electronics. You are reminded of Frank Zappa and Rage Against The Machine – you recognize influences of Nik Bärtsch’s Ronin and hear quotes from Jazz and Pop – or you might even think of movie soundtracks. Over the years the trio has gone through a surprisingly multi-faceted development

Harvie S

Born: December 6, 1948

Any jazz fan will tell you Harvie S is one of the great bass players on the scene today. He's played with the best and he continues to challenge himself and his peers in new artistic directions. Moreover, Harvie is a producer, bandleader, composer and educator. Harvie S has performed with masters in jazz music and masters in Latin music including Stan Getz, Pat Methany, Chet Baker, Dexter Gordon, Jim Hall, Michael Brecker, Gil Evans, Arturo O'Farrill, Lee Konitz, James Williams, James Moody, Al Cohn and Zoot Sims, Houston Person, Art Farmer, Toots Thielemans, Bob Mintzer, Joe Lovano, Dave Leibman, Vic Juris, Danilo Perez, Paquito D'Rivera, Ray Barretto, Ray Vega, David Valintin and countless others

The New Standards

What are The New Standards about? They are about Music, about Town, about Play, about soul, about fun... Started in 2005 as an off-shoot project between Minneapolis based musicians and friends Chan Poling (piano), Steve Roehm (vibes) and John Munson (bass), TNS has grown into a globe-spanning adventure, filling theaters and clubs around the world, spawning several CDs, videos, cartoons, dance/theater projects, and ancillary gewgaws that have charmed and delighted an ever-multiplying legion of faithful fans. The three core members of The New Standards all come from illustrious Twin Cities bands

Joan Torres

Bassist and composer Joan Torres has lead the Jazz Fusion ensemble All Is Fused since 2011. With 3 albums released to date, multiple award nominations, and the Vox Pop award for the Fusion Album category of the 14th Annual IMAs, the ensemble has been described as going "far beyond complex musical ideas managing to weave in a true sonic narrative" in their music (Music News 2016). Throughout several releases they have appealed to genre and non-genre fans alike. Since childhood, Torres grew as a musician, developing a deep interest for Jazz music that has guided his compositions for over a decade

Bruno Migliari

Born: February 15, 1971

I'm first and foremost a bassist - but one that also composes, arranges and occasionally sings. A Rio de Janeiro native musician with Italian roots, I'm active on the Jazz, Pop/Rock and World Music and scenes. Since 2001 I play bass and sing background vocals for brazilian popular singer/songwriter/guitarist Frejat. Since 2013 I accompany Brazilian singer Simone, and more recently, the world-wide known Brazilian singer/songwriter Ivan Lins. I have played live and/or recorded with many other well-known Brazilian artists, such as Ana Carolina, Maria Gadu, Milton Nascimento, Ney Matogrosso, Marcos Valle, Lobão, Paulinho Moska and Leoni - as well as artists from other countries, such as Lokua Kanza (Congo/France), Quexie Montana (Zimbabwe), Susanna Stivali (Italy) and Avi Wisnia (USA). On the jazz front, I lead my own Bicho Músico band (supporting my most recent album, "Bicho Músico") and the Notre Jam jazz quartet

Tom Wakeling

Bassist Tom Wakeling's musical travels have taken him throughout Europe, Asia, and North America to perform and record at major festivals, jazz clubs, and concert halls.

Tom has performed with many of the jazz greats, including Arturo Sandoval, Lee Konitz, Mel Torme, Benny Golson, James Moody, Herb Ellis, Mose Allison, Charlie Rouse, Houston Person, Ken Peplowski, Ernie Watts, Scott Hamilton, Charles McPherson, Carl Fontana, and Herb Geller. 

Wakeling has shared the stage with some of the most significant jazz pianists and drummers of our time, including Albert “Tootie” Heath, Lewis Nash, Jeff Hamilton, Mickey Roker, Butch Miles, Grady Tate, Dave Frishberg, Bill Mays, Roger Kellaway, Mike Wofford, Larry Fuller, Bruce Barth, Randy Porter, and Art Lande.