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Barre Phillips
Born:
Barre Phillips (born October 27, 1934 in San Francisco, California) is a jazz and free improvisation bassist. A professional musician since 1960, he migrated to New York City in 1962, then to Europe in 1967.[1] Since 1972 he has been based in southern France. He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony During the 1960s he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Attila Zoller, Lee Konitz and Marion Brown.[1] Phillips' 1968 recording of solo bass improvisations, issued as Journal Violone in the USA, Unaccompanied Barre in England, and Basse Barre in France, is generally credited as the first solo bass record
Maria Borghi ci parla della We Insist!
by Libero Farnè
L'indagine sulle case discografiche indipendenti italiane, di cui sono già state presentate due interviste relative a Red Records e Dodicilune, ha lo scopo soprattutto d'individuare le differenze e le peculiarità che caratterizzano queste coraggiose realtà; ognuna infatti ha una propria storia, una sua filosofia, oltre che metodi organizzativi per affrontare i vari aspetti della produzione, distribuzione ...
Stefano Galvani: Jazz - Una Storia In Bianco e Nero
by Giuseppe Segala
Jazz -Una storia in bianco e nero Stefano Galvani 372 Pagine ISBN: 9788885750203 Bonomi Editore 2024 Fotografare il jazz: una coniugazione che ha percorso la vicenda di queste due forme espressive, allacciando una forte rete di corrispondenze ed empatie. Soprattutto nel periodo in cui il vinile dominava incontrastato la ...
Dörner-Schwerdt-Sartorius: Jul Fuel
by Mark Corroto
Jul Fuel unfolds more like a tale of three cities than a singular statement--especially when the tracks are experienced in album order. The release transitions from a solo piano performance to a piano-drum duet, a trio performance, and, finally, a slide trumpet solo. At its core, however, Jul Fuel revolves around German improviser Axel Dörner, even ...
Free Acoustic Supergroup
Label: Euphorium Records
Released: 2024
Track listing: CD1: Free Acoustic Supergroup I Kantate, Pt. I: Im Strahlen Der Trabanten; Phore I (2-5):
Spridriger Feuertunkel, Tafft!; Globalhirtenrider: Eyes & Gliss; Streichprafater, Zug Von
Zungenstuhl; Graben Jetzt, Alle Auf Nach Stoirhondur, Neun Kleine Feten Geh’n…; Kantate, Pt. II:
Versandete Trompeten; Phore II (7-8): Zarte Klaster Drüber Winde Steh'n (Quintett No. 1);
Conference At Olli's (Black Music GDR); CD2: Free Acoustic Supergroup II Kantate, Pt. III: Am
Baustrand; Phore III (2-4): Briedwaht, Kleiheuer, Stuff (Zeitungszeugen Lesen Heuer Körner); 2
Trios In The Street (Microphistical Klee Der Raben); Throughout The New Mississippi Freedom
Train, Mister Borgenthal Jumps Into The Rhythm Of Tastoraster In Gloria, Calms Down And
Finally Vanishes; Phore IV (5-7): Chiclin Berago (Von Axelleo Da Schmidt-Wödarner); Garten
Rüben Oben, Stoirihondurando Zehn; Langer Brueder Feitendarm? (American Successfully
Amplified); Kantate, Pt. IV: Klonkern, Wieder Ulmanach; Phore V (9-10): Morning Hours Without
Rice, But Rice (Haschbender Russenkatze); End Of Night, Enlighted Days Beyond (The Golden
Trio's Todeshymne); Kantate, Fin: Orgel-Laib Am Bein.
Giacomo Merega: Opus Dichotomous
by Mark Corroto
The title adopted by Giacomo Merega and Joe Morris' duo release Opus Dichotomous might be a false flag. This recording is anything but an exercise in contrasts. Merega's electric bass and Morris' guitar travel congruously throughout the nine tracks to deliver these improvised gems. Perhaps the dichotomy the title refers to is that of botany where ...
Joe Fonda: Eyes On The Horizon
by Mike Jurkovic
As we enter into the season of giving, what better gift can there be than Eyes on the Horizon, bassist/composer Joe Fonda's sonic tribute to his mentor, muse, and like-minded creator, trumpeter Wadada Leo Smith. As if welcoming one to a grand destination, Smith's clear and majestic timbre, supported by Fonda's pronounced bowing, proclaims ...
Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl
by Joshua Weiner
Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...
Leimgruber, Demierre, Lehn: in the endless wind
by Glenn Astarita
Per the marketing release, LDL emerged from the trio LDP, which had already made waves in the European music scene. However, the transformation did not stop there. The addition of analog synthesizer ace Thomas Lehn expanded the group, resulting in the quartet LDP+L. Interestingly, Barre Phillips, who played a pivotal role in shaping LDP's style and ...
Barre Phillips, Giancarlo Nino Locatelli: Danze degli scorpioni
by Neri Pollastri
Sebbene arrivi con ben quindici anni di ritardo, è decisamente benvenuta questa documentazione del concerto in duo di uno dei massimi maestri dell'improvvisazione europea, il contrabbassista (in realtà d'origini statunitensi) Barre Phillips, e il clarinettista italiano Giancarlo “Nino" Locatelli. Svoltasi in Austria il 2 maggio del 2008, in occasione dell'Ulrichsberger Keleidophon, e interamente improvvisata, la perfromance ...
