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About Barre Phillips
Marion Brown: Live in Europe 1968 & 1972
by Mark Corroto
There was not much room in the crowded landscape of the 1960s avant-garde for everyone to receive equal attention. Critics and listeners alike gravitated toward the towering presence of John Coltrane, whose music dominated both record sales and jazz journalism. As a result, visionary figures such as Eric Dolphy, Albert Ayler and Marion Brown often found themselves working in the margins, their contributions receiving widespread recognition only after the fact. Fortunately, their music was documented, preserved, and remains available for ...
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Barre Phillips, Giancarlo Nino Locatelli: Danze degli scorpioni
by Neri Pollastri
Sebbene arrivi con ben quindici anni di ritardo, è decisamente benvenuta questa documentazione del concerto in duo di uno dei massimi maestri dell'improvvisazione europea, il contrabbassista (in realtà d'origini statunitensi) Barre Phillips, e il clarinettista italiano Giancarlo “Nino" Locatelli. Svoltasi in Austria il 2 maggio del 2008, in occasione dell'Ulrichsberger Keleidophon, e interamente improvvisata, la perfromance fu apprezzatissima--come testimoniano la presenza di due bis e le entusiastiche note del danzatore Julyen Hamilton, che di Phillips è stato molte volte partner ...
Continue ReadingEuphorium_freakestra: Free Acoustic Supergroup
by Mark Corroto
Thanks to pianist and director Oliver Schwerdt, the Euphorium_freakestra is and always has been a glorious experiment in organized disorganization. The double CD Free Acoustic Supergroup is the ensemble's seventh release. Schwerdt's experiments began with the single disc Ðal Ngai (Euphorium Records, 2004) and eventually the group's 3-CD Grande Casino (Euphorium Records, 2018). Ðal Ngai included the guest artists Friedrich Schenker and Günter Baby Sommer. Other releases found the ensemble hosting musicians such as Thomas Lehn, Barry Guy, and Bertrand ...
Continue ReadingHeiner Stadler: Brains on Fire
by Howard Mandel
Brains on Fire fuels reflection on the past and response in the present. These eight extraordinary extended tracks, recorded in unusual conjunctions of master jazz improvisers instigated by composer/pianist Heiner Stadler for sessions held from 1966 through 1974, are alive with the passions of that era celebrating large, original works stretching the bounds of even the most ambitious music come before. As Stadler and his cadre of fully collaborative, creative interpreters brought immense smarts, skills and sensibilities besides ...
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Mike Westbrook Concert Band: Marching Song Volumes 1 & 2 Plus Bonus Tracks
by Maurizio Comandini
Mike Westbrook, pianista e soprattutto direttore di orchestra, è nato il 21 marzo del 1936 a High Wycombe, 50 chilometri a nord-ovest di Londra. Dapprima tentato dalla Art School di Plymouth, si dedica poi con decisione alla musica, dalla fine degli anni cinquanta. Nel 1958 forma la sua prima band per la quale gli capita di reclutare il sedicenne John Surman, giovane talento emergente che stava terminando il suo percorso scolastico. Quattro anni dopo Westbrook si sposta a Londra per ...
Continue ReadingPhillips, Butcher, Solberg: We Met - And Then
by John Sharpe
Sometimes three is a crowd, but when the company is as empathetic and welcoming as the fertile established partnership of British saxophonist John Butcher and Swedish percussionist Ståle Liavik Solberg, then the addition of veteran American bassist Barre Phillips serves as more of a benediction. Butcher and Solberg only came together in 2015, but the success of that encounter, documented on So Beautiful, It Starts To Rain (Clean Feed, 2016), encouraged further liaison not only as a twosome, ...
Continue ReadingBarre Phillips/Mike Bullock: At Home
by Mark Sullivan
With End To End (ECM Records, 2018), Barre Phillips made his final major statement in the solo double bass format he created. In 2019 fellow American bassist Mike Bullock visited him at his secluded mountainside home in France, a 17th century stone house attached to an 11th century stone church. The pair spent a couple of relaxed hours in the Chapelle Sainte Philomène playing solos on Phillips' double bass, each playing a few minutes and passing the instrument back and ...
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