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Album

Cub(an)ism

Label: Intakt Records
Released: 2017
Track listing: Louverture Op. 1 (Château de Joux); Yambú; Cuban Cubism; Passages; Monochrome (Yubá); Density (Golden Circle); Dominant Force; Intervals (Closer to the Edge); Sacred Chronology; Coralaia.

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Article: Year in Review

Karl Ackermann's Best Releases of 2017

Read "Karl Ackermann's Best Releases of 2017" reviewed by Karl Ackermann


2017 was an exceptional year for artists who elude convention; veterans such as Wadada Leo Smith and relative newcomers like Abdul Moimême gave us unique musical insights. It was an outstanding year for solo recordings. Along with Smith and Moimême, Rob Mazurek, Matthew Shipp, Irish multi-instrumentalist Aine O'Dwyer, Cuban pianist Aruán Ortiz, Italian pianist Stefano Battaglia, ...

20

Article: Album Review

Aruan Ortiz: Cuban Nocturne

Read "Cuban Nocturne" reviewed by Karl Ackermann


Cuban pianist and composer Aruán Ortiz started playing piano at the age of nine though his primary instruments were violin and viola. As a teen he began playing arrangements of popular Cuban songs in a school where he was already the director of the band. At fifteen he was first exposed to the music of Chick ...

12

Article: Album Review

Michael Attias: Nerve Dance

Read "Nerve Dance" reviewed by John Sharpe


Like many, Michaël Attias cultivates multiple outlets for his vibrant alto saxophone. Having moved to NYC in 1994, Attias is now inescapably associated with that city's downtown scene. What unites his Quartet with his other outfits like Renku and Spun Tree is quality. In part that's down to the variety and imagination of the frameworks Attias ...

13

Article: Album Review

Aruán Ortiz: Cub(an)ism

Read "Cub(an)ism" reviewed by Dan McClenaghan


The profile of Cuban-born pianist Aruan Ortiz climbed a few rungs on the ladder with the release of 2016's Hidden Voices (Intakt Records). The sound there was dark and brooding, as Ortiz constructed geometric musical shapes filled with sharp angles and unexpected tangents. His covers on the recordings--one tune by Thelonious Monk and another by Ornette ...

25

Article: Album Review

Aruán Ortiz: Cub(an)ism

Read "Cub(an)ism" reviewed by Karl Ackermann


Hidden Voices (Intakt Records, 2016) brought Cuban born pianist and composer Aruán Ortiz some long-overdue recognition in the U.S. Cub(an)ism, Ortiz' tenth release, is a solo piano outing and his first such recording in the stand-alone format. Recorded in 2016 in Zürich, Switzerland, the album continues Ortiz' exploration of Cuban Cubism, his method of incorporating cubist ...

10

Article: Album Review

Michaël Attias: Nerve Dance

Read "Nerve Dance" reviewed by Dan Bilawsky


Methodical design, rough-and-tumble play, and thoughtful exchange are often viewed as mutually exclusive concepts in jazz. Saxophonist Michaël Attias' Nerve Dance, however, obliterates that line of thinking and any potential obstacles that could separate those realms. This is a work that's cultured, contumacious, and conversational in nature. It's principled art unbound. Nerve Dance ...

1

News: Recording

Michaël Attias Presents "Nerve Dance" Featuring Aruán Ortiz, John Hébert & Nasheet Waits

Michaël Attias Presents "Nerve Dance" Featuring Aruán Ortiz, John Hébert & Nasheet Waits

Available March 10, 2017 on Clean Feed Records “Like a high-quality electronic product manufactured by the Panasonic Corporation, the career of alto saxophonist Michaël Attias has always involved being slightly ahead of his time...”—Ken Waxman, JazzWord Nerve Dance—saxophonist/composer/bandleader/conceptualist Michaël Attias’ sixth album (available on Clean Feed Records, March 10, 2017), which deals with the aesthetics of ...

1

Article: Year in Review

Il meglio del 2016 Secondo Paolo Peviani

Read "Il meglio del 2016 Secondo Paolo Peviani" reviewed by Paolo Peviani


Dal punto di vista discografico, quella del 2016 è stata un'annata molto ricca. Nessun picco straordinario ma tanti buoni, ottimi dischi, da ascoltare e riascoltare con attenzione. Dal mio piccolo e per forza di cose parziale osservatorio, ho avuto l'impressione che i grandi nomi del jazz -al netto di qualche eccezione -non abbiano prodotto grandi cose. ...

3

Article: Year in Review

Il 2016 in rassegna

Read "Il 2016 in rassegna" reviewed by AAJ Staff


Se nel 2016 il Guardian si è chiesto se il jazz stava entrando in una nuova età aurea ci sarà una ragione. In una confluenza di artisti affermati e nuove promesse, la vitalità dimostrata dalla musica che amiamo è rassicurante, e il mercato discografico lo conferma. La millantata “crisi del CD" continua ma il rinnovato interesse ...


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