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24

Article: Extended Analysis

Jon Cowherd: Mercy

Read "Jon Cowherd: Mercy" reviewed by John Kelman


It's always difficult for an artist who has become so intimately associated with a group--especially if he or she has been a significant compositional contributor--to build a separate identity outside of that group. It might be one of the reasons that Pat Metheny Group keyboardist Lyle Mays--who not only contributed compositions of his own, but also ...

27

Article: Extended Analysis

Saxophone Summit: Visitation

Read "Saxophone Summit: Visitation" reviewed by John Kelman


After two recordings for Telarc--2004's Gathering of Spirits, with the late Michael Brecker, and 2008's Seraphic Light, with Ravi Coltrane assuming the position vacated by Brecker following his untimely passing the previous year--Saxophone Summit is back with Visitation. Funded by the (for jazz) early crowd-funding ArtistShare imprint, it demonstrates the difference between recording for a relatively ...

Album

The Gathering

Label: ArtistShare
Released: 2013
Track listing: 01. Friday Struttin; 02. Tsunami; 03. Touch the Fog; 04. This Ain't Nothin' but a Party. 05. Stefon Fetchin' it; 06. Don't Explain; 07. Coupe de cone; 08. Somealways; 09. Souvenir; 10. Blues Gathering; 11. Simple pleasure; 12. The Happiest of Times.

Album

The Gathering

Label: ArtistShare
Released: 2013
Track listing: Friday Struttin'; Tsunami; Touch The Fog; This Ain't Nothin' But A Party; Stefon Fetchin' It; Don't Explain; Coupe De Cone; Somealways; Souvenir; Blues Gathering; Simple Pleasure; The Happiest Of Times.

1

News: Recording

ArtistShare Celebrates 10-Year Anniversary -- Blue Note/ArtistShare Announces 1st Fan-Funded Project

Yesterday marked the 10-year anniversary of ArtistShare, the internet’s first fan funding platform and first to release a fan-funded grammy-winning album Jim Hall; Maria Schneider & Dawn Upshaw; Dianne Reeves and the Newport Jazz Festival project; and Ariel Pocock nominated for the 56th Annual Grammy Awards ArtistShare looking to add to already impressive track-record of 6 ...

Article: Album Review

Clayton Brothers: The Gathering

Read "The Gathering" reviewed by AAJ Italy Staff


Non è sempre detto che i segni del passato, quando vengono riproposti con onesto senso di devozione e vocazione, debbano a tutti i costi risultare vecchi o inattuali. Come per molti musicisti coevi, anche per i Clayton Brothers praticare la tradizione implica apertamente rispettare un sistema normativo dotato di natura rituale e simbolica che, portato avanti ...

1

News: Music Industry

Artistshare Partners With Legendary Blue Note Records

BLUE NOTE RECORDS TO PARTNER WITH ARTISTSHARE TO CREATE BLUE NOTE/ARTISTSHARE A GROUNDBREAKING HYBRID CROWDFUNDING/RECORD LABEL MODEL DEDICATED TO NURTURING NEW JAZZ TALENT The legendary jazz label Blue Note Records, historic home to such greats as Thelonious Monk, Miles Davis, John Coltrane, Art Blakey and Herbie Hancock, and current home to artists such as Wayne Shorter, ...

Article: Album Review

Jim Hall: Live at Birdland

Read "Live at Birdland" reviewed by AAJ Italy Staff


L'etichetta indipendente ArtistShare si sostiene finanziariamente con contributi economici versati da una comunità aperta di musicisti e di appassionati di jazz e festeggia i suoi dieci anni di attività con un disco dal vivo del socio più maturo: il sempre giovane di spirito Jim Hall, ripreso al Birdland, col suo quartetto, nelle serate del 10 e ...

2

Article: Album Review

The Clayton Brothers: The Gathering

Read "The Gathering" reviewed by Larry Taylor


The Clayton Brothers--John on bass and Jeff on reeds--have been playing together for over 30 years, either in their small groups or in the large Clayton-Hamilton Jazz Orchestra, formed in 1985 in partnership with drummer Jeff Hamilton. In small contexts, they have specialized in post-bop swing with a touch of funk, while the critically acclaimed big ...

5

Article: Extended Analysis

The Jim Hall Quartet: Live at Birdland

Read "The Jim Hall Quartet: Live at Birdland" reviewed by Victor Verney


Guitarist Jim Hall, now in his eighth decade, continues to be a vigorous performer, fresh-minded arranger and creative composer. He's been around so long, and done so much, that it's humbling to try writing something fresh about him: there is little to say that hasn't already been said, and in many cases quite eloquently.


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