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Dexter Payne: All Things, All Beings
by Chris M. Slawecki
Clarinet, harmonica and saxophonist, composer and bandleader and musical globetrotter Dexter Payne is the type of musician who is most often categorized as “difficult to categorize." Profoundly influenced by physical and spiritual journeys through the cultures of America, the Middle East, Africa and Brazil, Payne's recorded output checks off every box from Mississippi delta blues to ...
Cory Weeds, Mugrew Miller, Artie Shaw & More
by Joe Dimino
From the prowess of, This week we open Neon Jazz with a tribute to Rashied Ali, courtesy of Dutch bassist Joris Teepe. We then move on to sample some tasty new tracks by the Pete Coco Trio, Angela Verbrugge and the incredible Cory Weeds. In between, the show is full of legends from Artie ...
The Swing Era Big Bands (1936 - 1941)
by Russell Perry
In the late 1930s and early 1940s, the very dance-oriented swinging music of the Big Bands was the most popular music around. Never had jazz been more central to mass culture. Just over the horizon were the draft of 1940 that eventually conscripted 10 million men, making it increasingly difficult to field top notch bands; war ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Jazz Musician of the Day: Artie Shaw
All About Jazz is celebrating Artie Shaw's birthday today! Artie Shaw, a brilliant jazz clarinetist, was one of the most enigmatic, daring and adventurous bandleaders of the swing-era. An intellectual, he hated public life and the music industry. Over the course of his short career he formed ten orchestras and disbanding most of them after only ...
Six on Cellar Live
by C. Michael Bailey
Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
Bruce Harris: Beginnings
by Dan Bilawsky
Many a debut album receives a largely positive critique before being cut down to size with a qualifier. It's simply a jazz journalist's nature to paint newcomers as nascent talent in need of seasoning, players showing signs of potential, or artists taking a good first step with a first record. But sometimes a debut album is ...
Joe Smith & The Spicy Pickles: Gin & Moonlight
by James Nadal
Long before jazz became a spectator event, it was dance music. The big bands that played swing made their reputations on being able to flood the floor with dancers. Joe Smith & The Spicy Pickles are on a mission to bring back those days, and Gin & Moonlight has them on the right track. Formed in ...
All Angles Orchestra: New Angle
by Jack Bowers
There was a time not long ago when most big bands fell more or less into fairly well-defined cubicles. There were, for example, those that were best known as dance bands (Glenn Miller, Harry James, the Dorsey brothers, Artie Shaw, Ray Anthony and so on), and, on the other hand, those whose raison d'etre was jazz ...
